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£84.99Nobilitas - Jan Van der Roost
The orchestration of NOBILITAS is full of warmth and sonority, illustrating the dignified character of the piece. it seems to emanate the solemnity and nobility of an 'minence grise' such as Yoshihiro Kimura, on whom's character the composer was inspired by.
Estimated dispatch 7-14 working days
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£154.99Rikudim - Jan Van der Roost
Rikudim (Hebrew for 'Dances') is a four-part dance suite based on Jewish music. By using eastern intervals and irregular time changes, the composer succeeds in creating a slightly melancholy but specifically Jewish flavoured piece.
Estimated dispatch 7-14 working days
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£289.99From Ancient Times - Jan Van der Roost
From Ancient Times is a major work for brass band, inspired largely by the music of the Franco-Flemish School of the Renaissance. Hints of Gregorian chant and middle age dances pay tribute to music from even earlier times. The foundation of this spectacular work rests on truly 'ancient times' while the tonal language is of a much more modern nature!
Estimated dispatch 7-14 working days
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£94.99Orion - Jan Van der Roost
There are all sorts of marches: fast and slow, solemn and energetic, military and civil, procession and funeral. Orion is a so-called 'slow march'. However the moderate tempo does not make a passive or heavy impression. On the contrary, this march contains natural optimism and spontaneity. The persistant 'pulse' gives this majestic march a noble character.
Estimated dispatch 7-14 working days
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£89.99Montana - Jan Van der Roost
From the first bars the stately character of this solemn, yet celebratory, march is clearly heard. The introduction of the main theme takes place in the medium register, immediately resulting in a noble tone. A lyrical trio melody provides contrast, but the march closes in a festive and imposing mood. A march worthy of any concert program.
Estimated dispatch 7-14 working days
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£179.99Spartacus - Jan Van der Roost
Spartacus is a "Symphonic Tone Poem" with 3 joints. Each section has its own melodical materials, however: in the final movement the main theme from the second section returns in a 'grandioso'-tutti. The last bar but one recaptures the 'oriental' atmosphere of the very beginning. The first section (= from the beginning till J) builds up a climax by repeating and accumulating some melodical and rhythmical stuctures. The oriental character of the melodical fragments refers to the origin of the Roman slaves. The second section evokes the love between Spartacus and his loveby giving a peaceful atmosphere. The mean theme (presented the first time at letter L) has a broad andwide character and refers slightly to filmmusic. In this part of the composition, a special attention is given to the orchestration. The final section is more agressive and martial and refers to the revolt of the slaves against the Roman oppressors. In the middle of this movement, an accumulation of the 12 tones symbolizes the crucifixion of the slaves: the english horn resumes partly the cadenza of the flute (at letter J), as if he wants to show again the eternal love between Spartacus and his love a very last time ... The theme at the third bar of letter T is actually based on the 2nd theme of this section (which starts at the fifth bar of letter R), but has been worked out rhytmically.
Estimated dispatch 7-14 working days
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