Results
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£102.70
Sempre Verdi - Giuseppe Verdi
Estimated dispatch 7-14 working days
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£76.99
The Young Verdi - Giuseppe Verdi
Estimated dispatch 7-14 working days
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£44.95Viva Verdi (Concert Band - Score and Parts) - Verdi, Giuseppe - Brand, Geoffrey
Brand, Geoffrey has skilfully combined two of Verdis most popular operatic melodies; The Gipsies Chorus (featuring anvils) from Il Trovatore and La donna e mobile from Rigoletto.
Estimated dispatch 7-14 working days
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£8.95
Viva Verdi (Concert Band - Score Only) - Verdi, Giuseppe - Brand, Geoffrey
Brand, Geoffrey has skilfully combined two of Verdis most popular operatic melodies; The Gipsies Chorus (featuring anvils) from Il Trovatore and La donna e mobile from Rigoletto.
Estimated dispatch 7-14 working days
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£74.99The Young Verdi (Concert Band - Score and Parts) - Verdi, Giuseppe - Parker, Tom
Duration: 3:30
Estimated dispatch 7-14 working days
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£139.99I Vespri Siciliani - Giuseppe Verdi
In 1854, Verdi was in Paris to compose I vespri siciliani (1855), a commission from the Theatre of the Opera. The composer soon became intolerant to the requests of the French "Grand Opra" as he considered them too restrictive and cunning. "I'll be very happy when I have finished I vespri siciliani. An opera at the Opra is as tiring as killing a bull. Five hours of music?...Hauf!" Verdi declared. Following the first performance, the French composer Hector Berlioz wrote in the "Journal des Dbats" an article that read "We have to admit that in I vespri siciliani, the penetrating intensity of the melodic expression, the sumptuous variety of theinstrumentation, the fullness, the poetical sonority of the whole, the warm vivacity that shines everywhere and the passionate strength, although slow in disclosing (a characteristic feature of Verdi's talent), give the entire work a mark of greatness, a sort of majestic sovereignty more underlined than in Verdi's previous theatre productions."
Estimated dispatch 7-14 working days
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£139.99Aroldo (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco
Aroldo, number 22 of the 32 operas written by Verdi, is certainly not one of the best-known works from "the genius of Busseto." Written in 1857, it is in fact a remake of the 1848 opera Stiffelio, which told a story of adultery and which was censored for its "indecent" content. Verdi found the censorship of Stiffelio unacceptable, and with a performance in Verona approaching at the start of 1851, he wrote to his editor, Ricordi: "If my libretto is censored, it will not be possible to obtain the effect I desire, so I would rather wait until I can rewrite the last scene." But the modifications to Stiffelio did not stop there. The setting, the historical period and the finale were also completely changed. In the process of converting Stiffelio to Aroldo, Verdi no doubt succeeded in strengthening certain moments. However, the fame of the three operas he had written in the meantime - Rigoletto, Il Trovatore and La Traviata - did not allow Aroldo to receive the recognition it deserved. The opera's symphony is indeed a superb work and contains moments of outstanding lyricism. The trumpet solo in the introduction is the longest written by Verdi for this instrument.Duration: 8:45
Estimated dispatch 7-14 working days
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£89.99Preludio all' atto I - Giuseppe Verdi
Ernani (1844), Giuseppe Verdi's fifth opera, is based on the homonymous tragedy by Victor Hugo. Verdi's success with Ernani, as well as Nabucco and I lombardi alla prima crociata, can be ascribed to two distinct ideas: the melodic idea and the patriotic idea. The melodic idea is very important to move and touch the audience, while the patriotic idea is the source of enthusiasm and emotions. Approximately ten years elapse between two similar stories: the one of the outlaw Ernani and the one of Manrico, the troubadour. In the prelude to Act I, in only three minutes, Verdi has succeeded in skillfully concentrating the main elements of the entiredrama. One can clearly observe the themes of love, oath, and death.
Estimated dispatch 7-14 working days
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£89.99Preludio all' atto II - Giuseppe Verdi
For the first draft of the libretto of Un ballo in maschera (1859), Giuseppe Verdi drew his inspiration from the grand-opra Gustave III by Auber, an opera performed for the first time in Paris in 1833 that depicted the assassination of the King of Sweden. However, censorship, first in Naples and then in Rome, intervened and imposed heavy modifications. Perhaps because it was too demanding, Verdi showed no intransigence with the requests coming from Naples and refused to alter the libretto. On the other hand, he yielded to the requests of the Roman authorities and agreed to change the site of the action and the identity of the protagonists. Consequently, the scene movedfrom Stockholm to Boston and King Gustav became the Count of Warwick, Governor of Massachusetts.The prelude to the second act is very short and introduces the scene at the place where the scaffold stands. In only a few measures, Verdi skillfully succeeds in condensing the interior restlessness of the protagonists, alongside a prayer of hope.
Estimated dispatch 7-14 working days
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£89.99Preludio All' Atto II (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco
For the first draft of the libretto of Un ballo in maschera (1859), Giuseppe Verdi drew his inspiration from the grand-opra Gustave III by Auber, an opera performed for the first time in Paris in 1833 that depicted the assassination of the King of Sweden. However, censorship, first in Naples and then in Rome, intervened and imposed heavy modifications. Perhaps because it was too demanding, Verdi showed no intransigence with the requests coming from Naples and refused to alter the libretto. On the other hand, he yielded to the requests of the Roman authorities and agreed to change the site of the action and the identity of the protagonists. Consequently, the scene moved from Stockholm to Boston and King Gustav became the Count of Warwick, Governor of Massachusetts.The prelude to the second act is very short and introduces the scene at the place where the scaffold stands. In only a few measures, Verdi skilfully succeeds in condensing the interior restlessness of the protagonists, alongside a prayer of hope.Duration: 2:15
Estimated dispatch 7-14 working days
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