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£2.25The Poppy Red (Upper Voices Vocal Score) - Park, Owain
Commissioned by the Military Wives Choirs to commemorate the centenary of 1918, the end of the First World War. The Military Band Accompaniment is available separately - NOV167387To mark the centenary of the end of World War I, the Military Wives Choirs - 69 choirs from across Britain and abroad - commissioned Owain to write a piece for their album, 'Remember'. The text for Owain's work, 'The Poppy Red', is inspired by the 1918 poem 'We Shall Keep The Faith' by Moina Michael, itself inspired by John McCrae's 'In Flanders Fields'. The recording brought together 1105 voices with The Band of the Household Cavalry, conducted by Hilary Davan Wetton.
Estimated dispatch 7-14 working days
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£13.95
Festival of Music 2003
1Reach for the SkyJohn AddisonThe Massed Bands of the Royal Air Force3.292The TrapRon GoodwinThe Massed Bands of the Royal Air Force2.573Come What MayBuerwaldCorporal Matthew Little with The Massed Bands of the Royal Air Force4.324Carnival of Venicearr. Duncan StubbsThe Massed Bands of the Royal Air Force5.595Tribute to Cole Porterarr. RichardsonThe Massed Bands of the Royal Air Force9.356CzardasMonti arr. Duncan StubbsCpl Barry Stringer & Cpl Justine Stringer The Massed Bands of the Royal Air Force3.547Coastal Command Suite, Excerpts fromR. Vaughan WilliamsThe Massed Bands of the Royal Air Force7.158The Other Side of the Rainbowarr. Hunt/LaidlerEmer McParland with The Massed Bands of the Royal Air Force8.339Clarinet ConcertoMozart arr. CasteelJnr Tech Gayle Williams (Clarinet) with The Massed Bands of the Royal Air Force5.3110On the Street Where You LiveLerner & LoeweCorporal Matthew Little with The Massed Bands of the Royal Air Force3.4811CartoonPaul HartThe Massed Bands of the Royal Air Force10.1212I've Got a Gal in KalamazooWarren & GordonThe Massed Bands of the Royal Air Force4.3713Songs of World War Iarr. RichardsonThe Massed Bands of the Royal Air Force4.2714Royal Air Force March PastDavies & DysonThe Massed Bands of the Royal Air Force1.56
Estimated dispatch 7-14 working days
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£39.95
Keep the Faith - Score and Parts - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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£7.95
Keep the Faith - Score only - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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£34.95
March - Rosehill - Albert Jakeway
March - Rosehill was composed by the conductor of the Rosehill band, a one Colonel Albert Jakeway and was named after the premises that were occupied by the Salvation Army's Assurance Society when they were evacuated during the World War 2. It is a majestic march that will find good use in a performance or marching band.
Estimated dispatch 7-14 working days
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£59.95An American Tale - Dan Price
An American Tale is a musical tribute to the American Civil War. The work includes The Battle Hymn of the Republic, The Girl I Left Behind, Kingdom Come, Yankee Doodle Dandy, The Soldiers Return, Turkey in the Straw and concludes...
Estimated dispatch 5-7 days
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£65.00Freyja's Call - Andrew Duncan
According to Viking mythology, following a battle the bravest souls of the slain would be divided between two Gods, Odin and Freyja. Freyja was the Goddess of Love and War and before going into battle many Viking warriors would pray that they would die bravely so that Freyja would take their soul to join her personal army made up of the souls of the bravest of men.'Freyja's Call' describes one of these, a young Scottish soldier, going into battle as part of the Viking army who occupied parts of Scotland for four centuries. First, a slow theme is heard, Freyja's theme, which is the soldier praying to Freyja to keep a watch on him. Then the drums introduce a new rhythm which announces the beginning of the battle.A Celtic Jig is used to describe the progress of the battle with the jig played quietly at first then gradually louder with more percussion being added until a full ff section signifies the soldier fighting the enemy directly.Suddenly, the music drops back to the quiet Jig theme. The soldier has been slain, but will he be chosen by Frejya? After a short time, Freyja's theme is heard as the brave soldier is taken to Freyja's heavenly army of brave warriors, and the piece then ends in triumph.
In stock: Estimated delivery 1-3 days
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Forgotten Children - Peter Meechan
Forgotten Children is a short work for wind orchestra and electronic accompaniment. Adapted from it's original form (for brass quartet and CD, Forgotten Children was written for The Desert Winds and their conductor Chuck Maguire, to whom the piece is dedicated.Whilst conceiving the piece, the subject of the war in Syria dominated news headlines, specifically the refusal by Western nations to intervene. There were, of course, political reasons at the heart of the decision, complicated by a situation that no one understood in a country no one understands. The harrowing images of chemical weapons being used on children was seemingly not enough to persuade the West that their help was needed, but those silent voices fell on even deafer ears. They were, and still are, the Forgotten Children.Please download the electronic accompaniment below.
Estimated dispatch 5-14 working days
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£196.00
Mars - Gustav Holst - John Glenesk Mortimer
The Bringer Of War
Estimated dispatch 10-14 working days
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£138.00
Once Upon A Time In America - Ennio Morricone - Ted Parson
Il tait une fois en Amrique / Es war einmal in Amerika
Estimated dispatch 10-14 working days
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