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£204.99Credentium Wind Band Set (Score & Parts)
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There follows a rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations. 0:13:15
Estimated dispatch 7-14 working days
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Castles in the Air - Fransen Willy
Estimated dispatch 7-14 working days
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£69.00
la Mmoire - Willy Hautvast
Estimated dispatch 7-14 working days
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£89.99Terra Fecunda - Willy Fransen
Terra Fecunda was commissioned by the Provincial Government of Limburg, Belgium with the aim of fostering an increased awareness within youth orchestras of Limburg, their home - an awareness equally of the Belgian and the Dutch part. The title of this work means 'Fruitful Earth' and refers to the fruit industry, the creative people and also the rich and varied social life in the province. A piece of music that will bring musicians and audience alike great joy!
Estimated dispatch 7-14 working days
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£104.99Aldacum - Willy Fransen
The name "Aldacum" (alder wood) dates from the period of the Roman occupation, and is the Latin name of the brewing town Alken in the Belgian province of Limburg. The Koninklijke Harmonie Sint-Aloysius of Alken commissioned this concert march; the occasion was the 100th anniversary of the concert band. Aldacum is stylistically reminiscent of John Williams' film scores, and will surely also appeal to a wide audience.
Estimated dispatch 7-14 working days
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£102.99Faces - Willy Fransen
This piece was written specially for the 50th anniversary of the North-Limburg academy for music and speech in the Belgian town of Neerpelt, and it describes the expressions and reactions of young students during their initiation. This is a short but powerful composition that can also be used as an introductory work.
Estimated dispatch 7-14 working days
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£109.99
Simi Jadech - Willy Fransen
Simi Jadech is Hebrew for "give me your hand". This work was commissioned by the royal wind band "De Heidegalm Heusden- Berkenbos", Belgium. The composer based his composition on a Jewish folk song of the same name which is characterised by the typical Klezmer style. This is an excellent work, suitable for competitions or concerts. It has sufficient instrumentation throughout and can therefore be performed by most orchestras.
Estimated dispatch 7-14 working days
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£102.99
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£204.99
Credentium - Jan Van der Roost
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.
Estimated dispatch 7-14 working days
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£61.00
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