I'm Seventeen Come Sunday - Percy Aldridge Grainger / arr. Douglas E. Wagner

Australian-born Percy Grainger developed into one of the most sensationally successful concert pianists of the early 1900s. As a composer and arranger, he is perhaps best known for his work with folk music. Number eight in Grainger's British Folk-Music Settings series, "I'm Seventeen Come Sunday" is actually an amalgam of two English folk songs -- the main tune collected by Grainger in 1905, from Lincolnshire, and a variant of a tune collected by Cecil J. Sharp in 1912, from Sumerset. Welcome Douglas Wagner's sensitive setting of one of Grainger's best-known works. (3:00)

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Iberian Escapades - Robert Sheldon

Written for the Boca Raton Middle School Band in Florida, was inspired by the resort architecture of Addison Mizner, whose Mediterranean-style estates launched a "Florida Renaissance" and inspired architects across North America. Mizner identified each of his Boca Raton villas with Spanish names, three of which are captured in this musical collage: (it watches the sun) is a fanciful Flamenco-style opening; (the east wind) presents exotic colors and romantic themes; and (the bounty of war) ends the piece with an aggressive and energetic statement.

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If It Ain't Baroque...

This exceptional arrangement may well be the first of its kind to capture the spirit of the Baroque period using just six notes! Beginning and ending with Handel's Hallelujah Chorus, this work also presents Vivaldi's Spring, Clarke's Prince of Denmark's March, and J.S. Bach's Musette. A rare, unsurpassed find in bringing music history to life!

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Images of Spain

Three contrasting and delightful traditional Spanish melodies are seamlessly interwoven for concert or contest programming. Including the revered "Asturias" by Isaac Albniz, Granados' "Spanish Dance #5" from his , and the well-known "Espaa Cai," a paso doble by Pascual Marquina Narro featuring a wide variety of ensemble textures. Intellectual, musical, and worldly! (3:45)

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Immer Kleiner for Solo Clarinet and Band - Adolf Schreiner / arr. George S. Howard

Also available as a novelty for soloist and orchestra, this is a fun and entertaining piece. The clarinet soloist, after stating the theme, proceeds to take away pieces of the instrument until, eventually, he or she is left playing only the mouthpiece as the work comes to a rousing conclusion.

In a French Garden - Richard Meyer

is an impressionistic composition fashioned in the style of a Debussy piano prelude. Full of legato passages and contemporary harmonies, this work provides a unique opportunity for young bands to learn about this mysterious and wonderful style of music. In a French Garden contains a rich palette of colors which will dazzle students and audiences alike!

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In a Gentle Rain - Robert W. Smith

This second movement of has been restructured to accommodate virtually any wind instrument as the soloist. Serene by nature, the charismatic melody is accompanied by unique effects reminiscent of a gentle rain. The solo may be divided to permit multiple soloists to be featured. This creative approach is the perfect opportunity to feature outstanding soloists at your spring concert. An incredibly musical work. Your audience will be in awe.

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In a New York Jam - Lon McClearn

The sounds of the city come alive in this fun and funky tune, by Lon McClearn. Easy to prepare with very comfortable ranges and infectious rhythms. The audience will enjoy the sounds of the city traffic and construction, all set to a rock beat. (2:10) This title is available in MakeMusic Cloud.

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In Autumn - William Owens

This expressive work is inspired by landscapes that change from bright greens to golden browns. Calm and flowing, the simple melody creates a sense of joy and tranquility as the work unfolds. In addition, lush harmonies and an adornment of percussion colors come together to make this work a true gem for young bands.

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In Darkest Night - Barry E. Kopetz

was composed to highlight the dark, thick and rich quality of the key of C minor. As musical keys have long been associated with various states of emotion, C minor has often been called the "key of darkness." The slow introduction presents the primary theme in augmented fashion over a C pedal point, leading to the robust Allegro Ritmico. The theme is aggressive, poignant, terse, and yes . . . dark! The piece concludes with a series of rapid, pounding, off-beat C minor triads preceding the final chord. This title is available in MakeMusic Cloud.

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