Coyote Falls (from ) - Christopher Lennertz / orch. Andrew Kinney, scored for concert band by Jack Bullock

Our favorite cartoon characters have been updated to a very contemporary 3D setting. Enable your audience to mentally produce and direct a personal motion picture while your concert band performs this musical score to from . Everyone has seen and heard a cartoon motion picture and this "personal adventure" will give your audience a first-hand experience in making and listening to their own "flick."

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Crater Lake Overture - John O'Reilly

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Crazy in Love

This funky chart will add some spice to your pops concert. Once established, the driving rhythm will be a real practice incentive. Beyonc for your young band? You bet! (1:48)

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Creepers in the Castle - Ralph Ford

What would a creepy piece be if not in a minor key? Managed through the use of accidentals, this mysterious-sounding piece is actually in B-flat minor through a concert B-flat major key with the addition of accidentals. Great time to reinforce the concept that accidentals last a whole measure. With careful attention to dynamics and articulations, you're certain to have a spooktacular performance! (2:00)

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Creepy Crawlers - Robert E. Foster

Sinister, dark, and downright creepy... your beginners will love it! This piece uses nothing more complex than two eighth notes with no dotted notes or syncopations. The ranges are conservative so it can be ready to play on that very first fall concert.

Crooner's Serenade

Justin Williams features three favorite tunes that Michael Bubl resurrected with his velvety voice. Featuring "Moondance," "I've Got You Under My Skin," and closing with "Save the Last Dance for Me," the variety of textures and styles in this medley are astounding. You won't find a pop medley that will capture the imagination of your audience better than this one!

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Cruise Control - Steve Hodges

A cool swing groove on the ride cymbal opens this jazzy piece for first year band students. With the low brass and woodwinds providing a driving walking bass line, the trumpets, saxes, and upper woodwinds trade the melody effectively throughout the piece. Solid scoring and a strong rhythmic foundation allow the band to really lay back and put themselves into the "cruise control" setting! This is a great learning tool introducing elements of the swing and jazz genres to the young band.

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Cruisin' - William Owens

Come and take a carefree, fast-paced musical ride in this fun work that combines elements of rock and ragtime. Drum set is optional and is orchestrated for concert percussion for increased performance flexibility. Melodic material is passed throughout the ensemble as the work comes to a driving conclusion. It's time to roll down the windows and have a good time!

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Crystals - Thomas C. Duffy

As a composer with great skills and an avowed desire to artfully combine traditional band forms and formats with contemporary techniques and colors, Tom Duffy has fashioned this one-movement tone poem; each of the four sections of the work evokes Duffy's musical representation of a specific type of crystal and its accompanying characteristics, either real or mythological. Tonal writing alongside aleatoric techniques and clusters; it's all part of Duffy's wonderful gifts opening the ears of bands and audiences in most enjoyable ways.

Cuban Overture - George Gershwin / arr. Mark Rogers

George Gershwin, inspired by local singing and dancing groups while vacationing in Havana, Cuba in 1932, wrote this work which has now become an innovative contribution to his signature style. Mark Rogers' new edition utilizes all the original music and orchestration, with modifications that allow for improved intonation while retaining Gershwin's creativity. An enormous contribution to the literature. (9:50)

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