Bite the Bullet (Concert Band - Score and Parts) - Machain, Jorge

Bite the Bullet by Mexican-American composer Jorge Machain was named 2019-2020 winner of acclaimed The American Prize for music, in addition to being a finalist in the 2018 NBA Revelli competition. The work was inspired by a painting by Venetian artist, Carlo Marchiori, which depicts two Pulcinelli (Venetian clowns) engaged in a gun battle. As the bullets meet in the middle of the scene, a colorful and vibrant cloudburst is created. Using a unique sonic colour scheme, the brass and percussion portray the gunshots, while the woodwind flourishes emulate the painter's vibrant brush strokes. Duration: 7.00

Bittersweet (Concert Band - Score and Parts) - Mortimer, John Glenesk

Duration: 2:45

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Blaasmuziek is Cool Wind Band Set (Score & Parts)

02:20

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Black Adam (Main Theme) (Concert Band - Score and Parts) - Balfe, Lorne - Bernotas, Chris M.

The powerful theme from the action-packed DC Superhero adventure Black Adam comes to life in this fantastic arrangement by Chris M. Bernotas. The epic theme is dark and bold, and all sections of the concert band have engaging and exciting parts. The original score by Lorne Balfe is brilliant. This arrangement will be a hit at your next concert.Duration: 2.30

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Black and White (Concert Band - Score and Parts) - De Wolf, Koen

Duration: 3:45

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BLACK AND WHITE (Intermediate Concert Band) - Tailor, Norman

Duration: 3:45

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BLACK BOTTOM STOMP (Intermediate Concert Band) - Morton, Jelly Roll - Saurer, Marcel

Durtation: 2:45

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Black Dark and Golden Light (Flexible Ensemble - Score and Parts) - Fernie, Alan

8 Part Flexible Ensemble and Percussion

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Black Diamond (Concert Band - Score and Parts) - Longfield, Robert

Here's a unique and bold overture that combines an effective aural diamond shape along with a visual representation in the notation. A contrasting lyric middle section adds variety and balance to this impressive work for younger bands.

BLACK FIRE (after Paradise Lost) (Violin Solo with Concert Band - Score and Parts) - Clarke, Nigel

This is not a straight forward concerto, but rather a symphonic drama for violin and ensemble. It uses the soloist as both protagonist and ensemble player, much as Berlioz treated the viola in his symphony 'Harold in Italy'. Black Fire is written in one movement though it has three clear sections (slow, fast and slow). The music reflects the various shades of darkness and suffering that dominate the atmosphere of the early part of the poem. The violinist takes the role of Satan, reflecting his moods, from righteous indignation to sorrowful remorse. A motif from Wagner's opera 'Gotterdaemmerung' (Twighlight of the Gods) is used throughout the work to represent Satan's brooding hatred. At the end of the work you will find Satan in the form of the solo violin heroically travelling towards Paradise to corrupt 'Mankind'. Duration: 26:00

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