CONCERTINO (Opus 21B) (Marimba/Concert Band) - Creston, Paul

Marimba & Concert Band. American Grade 4-5

CONCERTINO (Opus 26) (Clarinet/Concert Band) - Weber, Carl Maria Von - Frank, Marcel

Concert Band American Grade 3/Clarinet Solo American Grade 5. Duration 9:00. Also available with piano accompaniment.

Concertino (Percussion Solo with Concert Band - Score and Parts) - Curnow, James

Duration: 11.00

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Concertino (Trumpet Solo with Concert Band - Score and Parts) - Schoonenbeek, Kees

The first movement of this work, an Allegretto, begins with a fanfare-like opening. After a number of other melody lines, a reprise of the beginning follows, which ends in a cadenza for the soloist. Movement two, titled Rituel, is characterized by interplay between the soloist and the band within a stately melody. In the final movement, the theme of the first movement's opening returns. As the indication 'alla marcia' of the last movement suggests, this Allegro Giocoso contains march-like music that guarantees a lively conclusion. With Concertino, Kees Schoonenbeek has written an appealing work that is very suitable for a beginner soloist. It is also available for trumpet and piano.Duration: 9.00

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Concertino (Wind Band CD)

Steven Mead on Euphonium with The Lillestrom Musikkorps conducted by Gert Buitenhuis. Includes: Concertino (Rolf Wilhelm); Peace, Please (Frode Thingnaes); Fantasy (Philip Sparke); Vintage (David Gillingham); Lento from Euphonium Concerto (Joseph Horovitz); Russian Dance (Oskar Bohme arr. Jonathan Smith); Concerto (originally Trombone Concerto)(Derek Bourgeois).

Concertino Classico (Flexible Solo with Concert Band - Score and Parts) - Sparke, Philip

for Flute, Clarinet or Alto Saxophone with Concert BandPhilip Sparke published a book of etudes, Super Solos in 2008, the third volume in a series for flute, clarinet, alto saxophone, trumpet, horn, trombone and euphonium. A young German Flutist was so excited by these pieces that his father secretly commissioned an arrangement of three of the etudes. The result is this mini-concerto, containing Little Overture, Berceuse and Molto Perpetuo.Duration: 7:00Recorded on Anglo AR0263 Atlantic Odyssey.

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Concertino for Alto Saxophone and Wind Ensemble (Concert Band - Score and Parts) - Gorb, Adam

"Delightful". Everything is here from full driving jazz licks to light classical and full on contemporary! A wonderful palette of sounds.Duration: 14:15

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Concertino for Clarinet (Clarinet Solo with Concert Band - Score and Parts) - Cesarini, Franco

Concertino for Clarinet and Wind Orchestra was commissioned by the Swiss Wind Band Association (SBV) to celebrate the "Year of the Clarinet 2015". In three sections, separated by cadenzas for the soloist, the work explores all aspects and characteristics of the clarinet. It includes virtuoso elements and dialogues between the other winds, as well as a beautiful slow movement, which makes this piece a musically challenging yet accessible piece for any audience. Duration: 9.30

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Concertino For Clarinet (First Movement) (Concert Band - Score and Parts) - Mozart, Wolfgang Amadeus - Johnson, Stuart

Johnson, Stuart has arranged and adapted the first movement of this much loved Mozart piano sonata (KV 282) to create a delightful and welcome addition to the clarinet repertoire. The accompaniment is lightly scored for small wind band. Primarily this is to create a classical feel which reflects the style of the music. However, larger bands may wish to place the piece strategically in the program to give the heavy brass a rest. To this end, directors may also prefer to use single players on the brass and saxophone parts which would also help to give and orchestral feel to the performance.

Concertino For Clarinet (First Movement) (Concert Band - Score Only) - Mozart, Wolfgang Amadeus - Johnson, Stuart

Johnson, Stuart has arranged and adapted the first movement of this much loved Mozart piano sonata (KV 282) to create a delightful and welcome addition to the clarinet repertoire. The accompaniment is lightly scored for small wind band. Primarily this is to create a classical feel which reflects the style of the music. However, larger bands may wish to place the piece strategically in the program to give the heavy brass a rest. To this end, directors may also prefer to use single players on the brass and saxophone parts which would also help to give and orchestral feel to the performance.