Results
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£183.99Five States of Change (Concert Band - Score and Parts) - Sparke, Philip
Five States of Change was commissioned by Kunstfactor for the 4th section of the Dutch National Brass Band Championships (NBK) 2011. It is dedicated to Jappie Dijkstra and the Music Information Centre (MUI), Arnhem, Holland, in acknowledgement of their outstanding work in developing band repertoire.The composer writes:The idea for the piece came when I was reading an article about a branch of Chinese philosophy which is abbreviated as Wu Xing*, which has no exact translation but can mean, for example, five elements, five phases or five states of change. It is central to all elements of Chinese thought, including science, philosophy, medicine and astrology, and in simple terms tries to create various cyclic relationships between five elements in all walks of life. An example is: Earth - Metal - Water - Wood - Fire - (Earth) etc. where (in one cycle) earth bears metal, metal changes to liquid (water) when heated, water helps trees grow, wood burns to create fire, fire produces ash (earth) and the cycle continues. I was particularly interested in the cycle of emotions:- Meditation - Sorrow - Fear - Anger - Joy - (Meditation) etc. and thought this cyclic principle would provide an effective emotional journey for a piece of music. So Five States of Change has five equal sections which loosely characterise this emotional cycle. I have tried to make the music grow organically, with minimal repetition, and each movement evolves from the musical elements at the end of the previous one, with the opening material appearing, transformed, at the end of the piece to complete the cycle.*in full Wu zhong liu xing zhi chi or the five types of chi dominating at different times.- Philip SparkeDuration: 12:15
Estimated dispatch 7-14 working days
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£176.50Of Skies, Rivers, Lakes and Mountains (Concert Band - Score and Parts) - Sparke, Philip
Philip Sparke entitled this descriptive work in honour of America's natural wonders with lines from the hymn America the Beautiful: O Beautiful the Spacious Skies is as light as a spring sky, From Sea to Shining Sea describes calm, flowing and bubbling waters, while in the third movement, For Purple Majestic Mountains, the glowing hues of the mountains are set to music.Duration: 12:00
Estimated dispatch 7-14 working days
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£179.99The Golden Gryphon (Concert Band - Score and Parts) - De Haes, Tom
The Golden Gryphon by Tom De Haes portrays three distinguished characteristics of this fascinating mythical beast: the gryphon as guardian of the divine mystery; the winged gryphon, pulling the chariot of the sun god Helios; and the gryphon as heroic, invincible creature. The composition begins mysteriously, before the appearance of the three themes - at first individually, and then contrapuntally combined. A majestic chorale leads us finally to a dignified ending.Duration: 12.00
Estimated dispatch 7-14 working days
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£79.99Along an English Countryside (Concert Band - Score and Parts) - Saucedo, Richard L.
Composed in 12/8 and entirely in one energetic tempo, this masterful work is a musical tribute to the late Sir Malcolm Arnold, one of the most notable English composers of our time. The opening section features a variety of short solo statements of the theme, which then leads to well-timed and impressive declarations from the entire ensemble. Within in the confines of this brief yet impressive work, Richard manages to skilfully capture feelings of both seriousness and playfulness. Along an English Countryside is wonderful as a concert opener.Duration: 3.00
Estimated dispatch 7-14 working days
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£169.99Atropos (Concert Band - Score and Parts) - Houben, Kevin
Atropos is one of the three goddesses of fate. She cuts the thread of life of a person whenever their time has come. The composition is film-like and presents challenges in sound, balance and rhythm. The work opens in a quiet mood in which the themes are presented before finally all the elements are combined and we are led to a sparkling apotheosis that is demanding in its melodic phrasing and requires stamina from the musicians.Duration: 12:30
Estimated dispatch 7-14 working days
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£149.99Musica Helvetica (Concert Band - Score and Parts) - De Haan, Jan
Every year a competition for wind orchestras and brass bands takes place in Wallberg, Switzerland. Apart from a hymn and a solo piece, all orchestras also have a compulsory piece to play. The commission to create a compulsory piece for the 2012 competition fell to Jan de Haan. The composition is entitled Musica Helvetica. It takes the form of a three-part concert work, in which the last two parts flow directly from one to the other. The first part, Musica Prima, is a brisk virtuoso opening with jazz flavours woven in. The following section, Musica Sacra, offers a contrast with an extraordinarily colourful instrumentation for the gorgeous main theme. The final part, Musica Alpina, is inspired by the great variety of scenery in Switzerland. With its witty humour it makes a worthy conclusion to this beautiful tryptich.Duration: 12.00
Estimated dispatch 7-14 working days
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£87.50Liturgical Music for Band (Concert Band - Score and Parts) - Mailman, Martin
Liturgical Music for Band, Op. 33, was completed in 1963. Since then, the piece has become a landmark work in the band repertoire with countless performances by several generations of students. The piece is based on four movements selected from the Mass "Proper" and "Ordinary." The band plays in a chime-like style to announce the opening movement, "Introit." The second movement has the same three sections as the "Kyrie" from the Mass (Kyrie eleison -- Christe eleison -- Kyrie elieison). The theme of the third movement is the same rhythm as the word "Gloria," and the style is jubilant, just like the Mass text ("Glory to God in the highest . . . "). The fourth movement, "Alleluia," features an energetic fugue and an exciting climax. Duration: 12.30
Estimated dispatch 7-14 working days
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£149.99Omaggio a Bellini (Concert Band - Score and Parts) - Mercadente, Saverio Raffaele - Cesarini, Franco
Inspired by the operas of Bellini, Saverio Mercadante created this richly contrasting overture from lyrical and dramatic moments in his own works. This arrangement offers modern concert bands access to a composition that, due to its obsolete instrumentation, is otherwise lost forever.Duration: 12:00
Estimated dispatch 7-14 working days
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£179.99Lebuinus ex Daventria (Concert Band - Score and Parts) - Schaars, Peter Kleine
Much like a film score, Peter Kleine Schaars' composition paints colourful images while telling the story of the Anglo-Saxon monk, Lebuinus. In around 768 AD, Lebuinus founded a mission in the Dutch province of Deventer in an effort to convert the Pagan Saxons. Contrasting themes describe the Ijssel Valley, the Saxons and Lebuinus, construction on the church and its subsequent destruction in a clash with the Saxons. The Ijssel-Valley-theme returns one more time in a minor key before each of the themes come together again for one rousing finale. Let battle commence!Duration: 12.00
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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