Results
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£13.95
Mysteries of the Horizon
1Majesty (A Little Ceremonial Music No.1)Rob WiffinRoyal Northern College of Music Wind Orchestra3.292-4A Man for All SeasonsMartin EllerbyRoyal Northern College of Music Wind Orchestra I. Part One: 'Spring Steps' 4.32 II. Part Two: 'Winter Tales/Autumn Memories' 5.25 III. Part Three: 'Indian Summer' 3.035Toccata in BlueDuncan StubbsRoyal Northern College of Music Wind Orchestra4.086-9Mysteries of the HorizonNigel ClarkeBrendan Ball (Trumpet) with Royal Northern College of Music Wind Orchestra I. The Menaced Assassin 6.29 II. The Dominion of Light 2.15 III. The Flavour of Tears 6.31 IV. The Discovery of Fire 5.5010A Star Danced (Y Seren Ddawns)Nicola RenshawRoyal Northern College of Music Wind Orchestra5.5411Cloud DriftRob WiffinAndr?s Yauri Andoquia (Bassoon) with Royal Northern College of Music Wind Orchestra4.1412-15Waterloo '200' (A Commemorative Suite)Martin EllerbyRoyal Northern College of Music Wind Orchestra I. Overture: 'Return of the Emperor' 3.13 II. Intermezzo: 'At the Duchess of Richmond's Ball' 2.39 III. Scenario: 'On the Field of Waterloo' 7.17 IV. Finale: 'Thine be the Glory' 3.22
Estimated dispatch 7-14 working days
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£13.95
Roman Trilogy
1Royal Windsor PortraitsMartin EllerbyRichard Moore (Vocal) with Royal Northern College of Music Wind Orchestra13.292Turquoise WaterTom MossMay Crick (Alto Saxophone) with Royal Northern College of Music Wind Orchestra7.143Old World OvertureNigel ClarkeRoyal Northern College of Music Wind Orchestra5.354-6Trombone ConcertoRob WiffinBrett Baker (Trombone) with Royal Northern College of Music Wind Orchestra I. Movement I 7.01 II. Movement II 6.53 III. Movement III 4.287Storm SurgeNigel ClarkeBenjamin K. Lewis (Narrator) with Royal Northern College of Music Wind Orchestra12.468Still WatersRob WiffinIsabelle Orford (Oboe) wiith Royal Northern College of Music Wind Orchestra4.289-11Roman TrilogyMartin EllerbyRoyal Northern College of Music Wind Orchestra I. Colosseo di Roma 4.32 II. Cappelia Sistina 4.11 III. Fontana di Trevi 2.32
Estimated dispatch 7-14 working days
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£13.95
Wind Borne
1Heroic MarchPercy Fletcher arr. Philip SparkeRoyal Northern College of Music Wind Orchestra5.402-7The Cries of LondonMartin EllerbyRoyal Northern College of Music Wind Orchestra I. Dawn Watch 1.48 II. Westminster Chimes 2.29 III. A Dream or Two (A Song for London) 3.46 IV. Catch that Catch Can Kenneth Boyd (Tenor)2.24 V. Evening Watch 1.39 VI. Hymn 4.268Diversions (Epitaph for a Dreamer)Darrol BarryRoyal Northern College of Music Wind Orchestra10.489-11Leading EdgeRob WiffinRoyal Northern College of Music Wind Orchestra I. Prelude 3.43 II. Sicilana 3.34 III. Finale 4.3412Wind BorneAvner HananiRoyal Northern College of Music Wind Orchestra7.1013Dragon DanceDuncan StubbsRoyal Northern College of Music Wind Orchestra5.0314-16Fanfares and CelebrationsNigel ClarkeRoyal Northern College of Music Wind Orchestra I. Intrada 5.54 II. Processional 5.40 III. Jubilate 4.41
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated dispatch 7-14 working days
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£59.99Bossa de Brasil (Flexible Ensemble - Score and Parts) - Schaars, Peter Kleine
In late 1950s Brazil, a new music style influenced by jazz arose out of the samba: the bossa nova. This composition by Peter Kleine Schaars sounds just like a bossa nova should sound: catchy, warm, relaxed and with a touch of sensuality. Starting with a small group of players with only one soloist and minimal accompaniment, this bossa nova leads to a style-conscious grand orchestration for the whole ensemble, in which all voices participate equally. In addition to the rhythmic cells 2 and 4 of the Brazilian 2-4 clave, the cells 7 and 10 in particular are featured.Duration: 2.45
Estimated dispatch 7-14 working days
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£59.99A Plymouth Pageant (Flexible Ensemble - Score and Parts) - Sparke, Philip
A stirring opener in typically British style. Good dynamics are needed for an effective performance as are well-defined stylistic changes between the various sections. Part 2 gets to take the lead in the central trio! Duration: 2.00
Estimated dispatch 7-14 working days
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£59.00Lorva Horovel (from Armenian Dances Part II) (Concert Band - Score and Parts) - Reed, Alfred - Romeyn, Rob
This artistic and brilliant arrangement Alfred Reed's "Armenian Dances, Part 2," a monumental band work, is an abridged version of the third movement encapsulates the most exciting parts of the piece, all while making the music much more practical and accessible to developing bands. Smaller and less experienced groups can now experience the genius of one of Alfred Reed's most popular works, with reduced instrumentation that is carefully respectful of the original. An exciting addition to any concert or festival program. Thrilling! Duration: 2.30
Estimated dispatch 7-14 working days
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£71.00A Joyous Day (Concert Band - Score and Parts) - Dahl, Hilde Hoyvik
This piece was written after a vacation to Dubai in 2011. A Joyous Day is a positive melody which express expectations, hope and joy. The melodic theme alternates between the instrumental sections to create more variation to the piece. The rhytmic accompaniment is quite simple in form but with challenges in some parts. The piece is written at grade level 2 and is suitable also for more inexperienced bands. Duration: 2.15
Estimated dispatch 7-14 working days
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£60.00Skill Stretchers for Band II (Concert Band - Score and Parts) - Hoefle, Heather
Level 2: Moving Beyond the B-flat Concert Scale. Do you wish your clarinets would practice going over the break? Do you want your trumpets to practice lip slurs and your flute players to remember those high note fingerings? Do your percussionists forget the rudiments? Are you struggling to introduce chromatic fingerings in a heterogeneous classroom setting? Skill Stretchers For Band II is a set of exercises for group practice of all these concepts AT ONCE! A follow-up to Skill Stretchers For Band, this invaluable teaching tool will help your band move beyond B flat concert scale efficiently and effectively. Prepare your students for the next performance level in just minutes a day! Duration: 2.45
Estimated dispatch 7-14 working days
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£225.00The Wand of Youth, Suite No.1 (Complete) (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul
The Wand of Youth suites, subtitled Music to a Child's Play, were written in 1869 when Elgar was only twelve years old, music written for a play and acted by the Elgar children for a private family theatrical production. He noted the tunes down in a sketchbook and in 1907, forty years later, he rearranged with only minor changes and orchestrated them as the two suites titled The Wand of Youth, Suite Nos. 1 and 2. Although The Wand of Youth suites date from Elgar's mature years, he insisted on calling it Opus 1, because he wrote these pieces originally for piano many years earlier. Suite No.1 includes seven movements: 1. Overture; 2. Serenade; 3. Minuet (Old Style); 4. Sun Dance; 5. Fairy Pipers; 6. Slumber Scene; and 7. Fairies and Giants.
Estimated dispatch 7-14 working days
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