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  • £60.99

    The Lost Lady Found (from Lincolnshire Posy) - Percy Aldridge Grainger

    The final movement of Percy Grainger's masterwork Lincolnshire Posy is arranged here for younger bands with reduced instrumentation.Similar to his earlier adaptation of "Horkstow Grange", Michael Sweeney carefully maintains the structural and harmonic integrity of the original while providing an authentic-sounding version at an easy level. Certain to become a "must have" for the young band repertoire. (Grade 2.5) Dur: 2:50

    Estimated dispatch 7-14 working days
  • £53.50

    Codebreaker - Robert Buckley

    The pursuit is on! In the compelling style of classic spy music, Codebreaker takes your band into the world of intrigue and espionage. Though written for young band, Codebreakers effective orchestration gives it thesophisticated sound and intensity of a much more advanced piece. A non-stop thrill ride full of suspense and adventure! (Grade 2.5) Dur: 2:40

    Estimated dispatch 7-14 working days
  • £53.50

    Swingin' Easy

    Discovery Plus - Grade 2 Written in the style of a Count Basie medium swing tune, this Eric Osterling original will sound great with any band. Featuring an easy-flowing style, moderate ranges and plenty of tutti scoring, this is a perfect change of pace number for any concert. (2:15)

    Estimated dispatch 7-14 working days
  • £60.99

    Two British Folk Songs - Elliot Del Borgo

    Written in a slow-fast form, this repertoire favorite from 1993 opens with a lyric section featuring the flutes and alternating with full ensemble chorale-like passages. All sections of the band get a chance to be featured in the fast section which includes a delightful mix of interesting melodies and rhythmic excitement. (Grade 2) Dur: 2:50

    Estimated dispatch 7-14 working days
  • £60.99

    New Forest March - Johnnie Vinson

    Here is a terrific march for young players written in the traditional British style. The opening strains are folk-like in nature with underlying modal harmonies, while the stately trio is reminiscent of the processional style of Elgar and other British composers. The "New Forest" refers to a region in southern England established as a royal hunting preserve by William the Conqueror around the year 1079, which has remained largely unchanged since ancient times. Dur: 2:10 (Grade 2)

    Estimated dispatch 7-14 working days
  • £95.99

    5 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas

    Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00

    Estimated dispatch 7-14 working days

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  • £59.99

    Bossa de Brasil (Flexible Ensemble - Score and Parts) - Schaars, Peter Kleine

    In late 1950s Brazil, a new music style influenced by jazz arose out of the samba: the bossa nova. This composition by Peter Kleine Schaars sounds just like a bossa nova should sound: catchy, warm, relaxed and with a touch of sensuality. Starting with a small group of players with only one soloist and minimal accompaniment, this bossa nova leads to a style-conscious grand orchestration for the whole ensemble, in which all voices participate equally. In addition to the rhythmic cells 2 and 4 of the Brazilian 2-4 clave, the cells 7 and 10 in particular are featured.Duration: 2.45

    Estimated dispatch 7-14 working days

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  • £59.99

    A Plymouth Pageant (Flexible Ensemble - Score and Parts) - Sparke, Philip

    A stirring opener in typically British style. Good dynamics are needed for an effective performance as are well-defined stylistic changes between the various sections. Part 2 gets to take the lead in the central trio! Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £59.00

    Lorva Horovel (from Armenian Dances Part II) (Concert Band - Score and Parts) - Reed, Alfred - Romeyn, Rob

    This artistic and brilliant arrangement Alfred Reed's "Armenian Dances, Part 2," a monumental band work, is an abridged version of the third movement encapsulates the most exciting parts of the piece, all while making the music much more practical and accessible to developing bands. Smaller and less experienced groups can now experience the genius of one of Alfred Reed's most popular works, with reduced instrumentation that is carefully respectful of the original. An exciting addition to any concert or festival program. Thrilling! Duration: 2.30

    Estimated dispatch 7-14 working days

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  • £71.00

    A Joyous Day (Concert Band - Score and Parts) - Dahl, Hilde Hoyvik

    This piece was written after a vacation to Dubai in 2011. A Joyous Day is a positive melody which express expectations, hope and joy. The melodic theme alternates between the instrumental sections to create more variation to the piece. The rhytmic accompaniment is quite simple in form but with challenges in some parts. The piece is written at grade level 2 and is suitable also for more inexperienced bands. Duration: 2.15

    Estimated dispatch 7-14 working days

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