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  • £110.00

    Mount Everest - Kees Vlak

    This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.

    Estimated delivery 7-14 working days
  • £51.95

    Mountain Ridge Overture - John O'Reilly

    Commissioned by the Mountain Ridge Junior High Symphonic Band of Highland, Utah, Mountain Ridge Overture is yet another fantastic addition to the concert band repertoire. This sparkling overture features syncopated melodies that explore a variety of meters, including 5/8, 3/8, 4/4, 3/4 and 5/4. Polychords and major seventh and ninth chords are used freely, achieving an exceptional spectrum of sound. In Mountain Ridge Overture, John O'Reilly has put together a contemporary-sounding overture that will brighten any concert!

    Estimated delivery 7-14 working days

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  • £80.99

    Purple Heart - David Shaffer

    Purple Heart is a powerful and dramatic musical setting written in tribute to composer David Shaffer's former student LCpl Michael Cifuentes who, along with 14 other Marines from the Columbus, Ohio based Lima Company of the 3rd Battalion, 25th Marines, were killed on August 3, 2005 in a roadside attack in Iraq. The subdued sonorities of the horns are blended with the subtleties of the mallet percussion, creating a compassionate and stirring setting appropriate for any concert setting.An emotional tribute to Michael Cifuentes and members of Lima Company of the 3rd Battalion, 25th Marines who were killed on August 3, 2005 in Iraq is now available.

    Estimated delivery 7-14 working days

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  • £78.99

    Benjamin Franklin and the Art of Music - Robert W. Smith

    Benjamin Franklin's love for the art of music was well documented in American history. Robert W. Smith has selected three musical moments in Ben Franklin's life and created this unique composition for the concert band. Beginning with a setting of "My Plain Country Joan." a song composed as an anniversary gift to his wife, Franklin's jovial personality is evident through the timelessness of his music. The second section is based on Franklin's glass armonica. The delicate and ethereal sounds of this beautiful instrument provide a quiet moment of reflection for all. The finale is based on Franklin's "magic squares." an arrangement of numbers in a square where all rows, columns and diagonals add to the same sum. Robert W. Smith extracted the melody based on the numeric sequence in a 3 x 3 magic square. The resulting musical statement and fugue truly shows the close relationship between mathematics and music. An amazing concept, an amazing cross-curricular piece!

    Estimated delivery 7-14 working days

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  • £78.99

    Septagon - Ed Huckeby

    This exciting work by Ed Huckeby is based on the concept of "sevens." After a bold and dramatic introduction in 7/4, an alternating series of 2+2+3 and 3+2+2 rhythmic ostinati provides a foundation for invigorating syncopated melodic lines, interspersed with a series of changing meter and contrasting moods. "Septagon" provides a wonderful opportunity for the exploration of changing and mixed meter, which will leave your students and audience wanting more. A great choice for your next competition or concert!

    Estimated delivery 7-14 working days

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  • £98.99

    Hill Country Sketches - Charles E. Bray

    A big, brawny piece imaging places in Texas. This work contains four big tunes that require lots of good players (including a pianist) and lots of percussion (including a starter's pistol)! There's nothing else quite like this bold piece!Movements:I. Coyote Call (2:10)II. Vinegarroons (1:14)III. The Grand Courthouse Clock (3:11)IV. The Greater Milam County Armadillo Race (3:30)

    Estimated delivery 7-14 working days
  • £209.99

    Theia - Bert Appermont

    The title of the piece refers to the Greek Goddess of heavenly light Theia.Central to the composition is the light at 3 different moments during the day: morning light, the light during mist and rain (in the day) and moonlight (at night).In this way,3 extremely beautiful locations in Western Germany are examined in different light settings:-Sonnenaufgang ber den Eifel bergen - Sunrise on the Eifel Mountain-Beriato Music Publishing02007B195B1955 (schwer)555 (2edivisie)5difficile520:48JaNeinNeinNein00ErmigtWorld Set (incl. Score)World Set (incl. Score)World Set (incl. Score)World Set (incl. Score)World Set (incl.Score)World Set (incl. Score)World Set (incl.Score)WSR0390Appermont, BertOrchester [Noten]Band / Orchestra [Sheet Music]Orchestre [Partitions]Bladmuziek voor orkesten [Bladmuziek/Muziekboeken]Orquesta [Partituras]Banda/Orchestra [Partiture]Band / Orchestra[]BlasorchesterConcert BandOrchestre dHarmonieHarmonieorkestConcert BandBandaConcert BandKonzertwerk/WettbewerbsstckConcert work/competition workPices de concert/pices de concoursConcertwerk/verplicht werkBrani daconcerto/Brani da concorso

    Estimated delivery 7-14 working days
  • £84.50

    Landmarks - Sean O'Loughlin

    Landmarks is a stunning concert opener by the greatly talented Sean O'Loughlin, Landmarks starts from a boisterously vigorous fanfare gesture that keeps changing character as it evolves into a substantial and noble melody. Much is made of the 3+3+2 rhythm first introduced by the Trumpets in measure 8. The piece, as a whole, has terrific energy, brilliant scoring for band, and and contemporary harmonic touches that will make it very popular with developing bands. Duration: 4'

    Estimated delivery 7-14 working days
  • £37.88

    A Fugal Overture (Brass Band) Gustav Holst arr. Rob Bushnell

    A Fugal Overture was written in 1922 by Gustav Holst. It was first performed at the Royal Opera House, Covent Garden on 14 May 1923 and was used as an opening work to Holst's one-act opera The Perfect Fool. It received its concert premiere on 11 October 1923 at one of Henry Wood's Queen's Hall Promenade Concerts. It is an early example of neoclassicism and was influenced by the counterpoint of J. S. Bach, despite its unconventional use of the fugal process. Holst began writing the piece in the summer of 1922, having hoped to develop it into a ballet. It is divided into three sections, the fugal subject with its distinct 3+3+2 pattern, a slower section with solos at the end, and a third section where the subject returns. Although reviews of the piece were mixed at the time of its premiere, the likes of Adrian Boult have said it was "an invigorating work that could effectively start any [...] concert". In more recent years, it has been compared to John Adam's A Short Ride in a Fast Machine. This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here: www.youtube.com/watch?v=a8xfwJyFq2E. Duration: Approx. 5.40 minutes Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2

    In stock: Estimated delivery 1-3 days
  • £29.95

    God So Loved the World - Score and Parts - Sir John Stainer

    The Crucifixion, an oratorio composed by John Stainer in 1887 was designed in such a way that most church choirs would find it accessible. Also, it helpfully includes five hymns so that the congregation can contribute also. Whilst the text for this work was written by W J Sparrow Simpson, who worked with Stainer in an earlier work entitled 'Mary Magdalene', that used in this setting of 'God, so loved the world' is literal from John 3 verse 16 in the scriptures. This movement of 'The Crucifixion' is the most popular and widely used.

    Estimated delivery 7-14 working days