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  • £110.00

    A Fugal Overture (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul

    Gustav Holst began composition of A Fugal Overture in 1922, completing the full score in January 1923. Despite its name, the overture is not strictly fugal. It belongs to the era of neo-classicism, but apparently by coincidence, for Holst had not yet heard some of the Stravinsky and Hindemith works which set this fashion. The fugal subject is full of spiky crossrhythms - Holst grouped the eighth notes (quavers) of his 4/4 into a pattern of 3 + 3 + 2, thus giving a bar of three unequal beats. The piece is intense and exciting, and should make an important addition to the repertoire of the Concert Band.

    Estimated dispatch 7-14 working days

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  • £91.99

    Exultation (Concert Band - Score and Parts) - Sparke, Philip

    Exultation is a short and energetic concert opener that is similar to a palindrome. A fanfare opens the work, juxtaposing 3/4 and 6/8, reminiscent of Latin-American music. The main theme is first heard on the euphonium, horns and saxophones which is very bluesy. The contrasting second theme is short and spikey and played by the bass instruments of the band. A lyric melody emerges as the rest of the orchestra joins in. The second theme reappears which leads back to the 'blues' melody, which leads back to the opening fanfare. Palindromic!Duration: 3:00

    Estimated dispatch 7-14 working days

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  • £68.00

    Requiem Aeternam (from Edgar) (Concert Band - Score and Parts) - Puccini, Giacomo - De Meij, Johan

    Giacomo Puccini was commissioned to write a second opera after the resounding success of his first, Le Villi. However, the original four-act, grand opera Edgar, to a libretto by Ferdinando Fontana, received a rather lukewarm reception at its premiere in La Scala in Milan in 1889. Initially, the work was only performed three times. Of all the planned performances in the subsequent two years, only one took place, in Lucca, Puccini's birthplace. There, the work was well received. Nevertheless, the composer decided to make drastic changes to Edgar the most radical being the reduction of the opera to three acts, as well as altering a few arias, characters and instrumental parts. In its revised form, the work was even less popular than before. The discarded fourth act later provided material for Tosca (the duet Amoro sol' per te), but Puccini never felt the need to defend Edgar as he did other less fortunate operas, such as La Rondine and Suor Angelica. On a piano excerpt for his female friend Sybil Seligman he even corrupted the title to 'E Dio ti Guarda da quest' opera' (may God preserve you from this opera). This did not prevent Arturo Toscanini performing the Requiem from the third act at Puccini's funeral in Milan Cathedral on 3 December 1924. The Requiem in the third act is being played when the long funeral procession carries the alleged body of Edgar, the confused young man hesitating between the love of the virtuous Fidelia and the exotic Tigrana. The mass hails Edgar as a hero, but a monk claims that he has betrayed his country for a few gold pieces. When the soldiers try to desecrate the body, they discover that the armor contains none. The monk reveals himself as Edgar. He wants to leave with his faithful Fidelia, but the vengeful Tigrana stabs him and kills Fidelia. Edgar grieves over the lifeless body of his beloved, while Tigrana is arrested and the people submerge into prayer. Duration: 3.30

    Estimated dispatch 7-14 working days

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  • £48.95

    American Song Settings, No.1 (Billy Boy) (Concert Band - Score and Parts) - Kreines, Joseph

    In his American Song Settings, No.1, Joseph Kreines has created a delightful theme and variations on the well-known traditional melody, "Billy Boy." Every instrument in the band has the melody at some point in this outstanding arrangement done in a distinctly early 20th century British style, providing opportunities for young players to play in 4/4, 3/4 and 2/4 time.Duration: 3.00

    Estimated dispatch 7-14 working days

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  • £70.50

    Stairway to Heaven (Concert Band - Score and Parts) - Page & Plant - Phillippe, Roy

    Stairway to Heaven is a song by the English rock band Led Zeppelin. It was composed by guitarist Jimmy Page and vocalist Robert Plant for the band's fourth studio album, Led Zeppelin IV. It was voted #3 in 2000 by VH1 on their list of the 100 Greatest Rock Songs. It is the most requested and most played song on FM radio stations in the United States, despite never having been released as a single there. Classic rock just never goes bad! This solidly scored arrangement has a driving rock beat that will have your concert band at the top of the charts as well. Duration: 3.45

    Estimated dispatch 7-14 working days

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  • £48.95

    Albemarle Fantasy (Concert Band - Score and Parts) - Williams, Mark

    This exciting overture is full of driving rhythms and melodic interest. From the syncopated allegro in 3/4 time (with hints of 6/8 ) to the reflective 4/4 andante, this work abounds with colourful harmonies and opportunities for musical expression. All sections get a chance to shine!Duration: 3.45

    Estimated dispatch 7-14 working days

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  • £84.50

    Shannon Falls (Movement 2 from Sea to Sky) (Concert Band - Score and Parts) - Ford, Ralph

    In contrast to the opening movement of Ralph Ford's impressive Sea to Sky, Shannon Falls is a lovely ballad portraying the beautiful waterfall of the same name. With a transparent and fluid beginning, the work builds to demonstrate the majestic image, then fades transparently into the distance. A haunting melody explored in depth and detail. The movement can be programmed alone or in conjunction with the other three movements of the work.Available separately:Movement 1 March: The Lion's GateMovement 3 Stawamus ChiefMovement 4 Beyond WhistlerDuration: 3:30

    Estimated dispatch 7-14 working days

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  • £60.99

    Sheherazade (Concert Band - Score and Parts) - Rimsky-Korsakov, Nikolai - Bocook, Jay

    Here is a concise and playable version of the well-known classic by Rimsky-Korsakov. Using themes from The Sea and Sinbad's Ship, Jay Bocook skilfully adapts this work for young players while still maintaining crucial elements from the original orchestration. After the powerful unison opening, the solo cadenza can be performed either by alto sax or clarinet. The remaining allegro section is written in 3/4 and provides featured lines for woodwinds before winding down to the quiet ending.Duration: 3.45

    Estimated dispatch 7-14 working days
  • £56.50

    Air and Variations (Concert Band - Score and Parts) - Kreines, Joseph

    Air and Variations is designed to expose students to the variation form through the use of contrasting styles, tempi and meters. The work opens with a statement of the theme presented by flute, clarinet and trumpet in legato, lyric style. Variation 1 is a toccata featuring marcato eighth notes, providing a rhythmic version of the theme. Variation 2 is a romance with the theme presented in a slow, expressive setting. Variation 3 is a gently lilting waltz with the theme appearing in flutes and trumpets. Variation 4 is a stately, triumphant processional-style march which provides the conclusion of the work. Duration: 3.15

    Estimated dispatch 7-14 working days

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  • £41.50

    Chant and Ceremony (Concert Band - Score and Parts) - Williams, Mark

    This colourful work begins with a reflective, call-and-response Andante section featuring rich harmonies and lush counterpoint. A brief transition leads to a bold Allegro vivo section in 3/4 (with 6/8-style syncopations). Filled with driving rhythms and sounds reminiscent of a heroic movie theme, this work will be popular with students and audiences alike. An excellent concert or contest selection. Duration: 3.15

    Estimated dispatch 7-14 working days

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