Results
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£84.50Armenian Dances, Part 1 - Alfred Reed
Based on authentic Armenian folk songs collected by Komidas Vartabed, this work has been expanded through contemporary use of rhythmic, harmonic, and melodic content to showcase the modern wind band. A wonderful staple in wind literature. This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£70.50Nimrod - Edward Elgar / arr. Alfred Reed
This is among the most noble and stately music in all of band literature. Great for graduation, baccalaureate, memorial, or awards ceremonies. This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£45.95Rosalind in the Forest of Arden - Alfred Reed
Subtitled "A Sylvan Serenade for Winds After Shakespeare's 'As You Like It,'" Rosalind in the Forest of Arden was dedicated to William H. Sylvester and the Eastern Wind Symphony.
Estimated dispatch 3-5 working days
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£64.50Selections from - Alfred Reed / arr. Douglas E. Wagner
Part I of is the first of a four-movement suite drawn from the folk song arrangements and original musical works of Armenian composer Komitas Vardapet collected during the early 20th century. Each of Reed's four movements is represented in this lush through-played medley. Douglas Wagner has crafted a rewarding musical addition to the young band repertoire. (3:00) This title is available in MakeMusic Cloud.
Estimated dispatch 3-5 working days
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£33.50Music in the Air! - Alfred Reed
This music was commissioned as the opening and closing theme for MBS Television in Japan, and recorded for this purpose by the Osaka Municipal Symphonic Band on February 19, 2001, under the composer's direction. Its first performance as a concert piece was by the Eastern Wind Symphony under the direction of Dr. William Silvester on April 9, 2002 in Camden, New Jersey; the same ensemble and conductor have recorded the work for Klavier Records, on compact disc K 11130. The first performance in Japan by the Senzoku Gakuen Symphonic Wind Orchestra on June 25, 2002, in Tokyo, under the composer's direction.
Estimated dispatch 3-5 working days
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£7.95Slavonic Folk Suite - Alfred Reed
The SLAVONIC FOLK SUITE is an arrangement of a part of Reed's RUSSIAN CHRISTMAS MUSIC, one of the most frequently performed works of concert band literature. It is a moving, powerful, and beautiful piece for band and chorus.
Estimated dispatch 3-5 working days
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£79.50Joyeux Noel - Alfred Reed
"Joyeux Noel" (the French expression of "Merry Christmas") was originally written for brass ensemble, available from the publisher as item number M3057. Its success in that form prompted the composer to recast the work for full concert band and wind orchestra.
Estimated dispatch 3-5 working days
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£145.00Pictures at an Exhibition Finale for Band - Modest Mussorgsky / arr. Alfred Reed, Carl Simpson
Mussorgky's "Pictures at an Exhibition" has long held a place of interest in the collective minds of bandsmen. This fine transcription allows today's mature concert bands to perform the Baba Yaga and The Great Gate of Kiev while staying true to the composer's original intent. At under nine minutes in length, it works well in a number of programming situations.
Estimated dispatch 3-5 working days
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£61.95Variations on L. B. I. F. D.
Alfred Reed needs no introduction for those who admire his distinguished concert band works. This arrangement for concert band draws from five movements of his original 28 composed for brass quintet based on "London Bridge Is Falling Down." Included are: "Statement," "Waltz," "March Fo(u)rth!," "A Little Funeral Music, Please (Eine Kleine Trauermusik)," and "Finale." A demonstration of compositional techniques practiced during the past three centuries, the work is filled with captivating and highly musical moments. Even though players will encounter a few changes in tonal centers, meters, and tempo throughout, there is not much that would get in the way of having a fun experience learning and performing. (2:45)
Estimated dispatch 3-5 working days
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£79.50Pomp and Circumstance March No. 4 - Edward Elgar / arr. Alfred Reed, M.J. Retford
Of all four marches that came after the overwhelmingly successful No. 1, March No. 4 seems to many people to be most closely related in general effect to the first. Just why this should be so is difficult to say. All five of the Pomp and Circumstance Marches are cast in basically the same form, a two-part A-B-AB, with the "A" part energetic and moving briskly along, and the "B" bringing a change of feeling (even though no actual change of pace is indicated) with the so-called "great tune" by way of contrast. However, it has become almost a tradition with Nos. 1 and 4 to play the final section in a slower tempo, probably in respect of Elgar's tempo marking "Grandioso" at this point. Certainly both of these "great tunes" could, and have, been considered as portraying musically the very essence and glorification of British majesty and power at the time they were written.
Estimated dispatch 3-5 working days
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