Results
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£170.00Second Symphony - Alfred Reed
Commissioned in the late Fall of 1975, work on the SECOND SYMPHONY was not begun until the Summer of 1977, when the score was completed in sketch form in three months, July through September. The instrumentation was begun in the late Winter of that same year and the Full Score completed on March 27th, 1978. The first performance took place in Fairchild Auditorium on the campus of Michigan State University on May 6th, 1978, by the Michigan State University Symphonic Band under the direction of Kenneth G. Bloomquist. The symphony is a single-movement work embracing three distinct sections. The first, marked is a freely constructed passacaglia built on a flowing theme derived from the tone row that underlies the entire score: Bb-F-E-Ab-G-D-Db-C-Cb-Gb-Eb-A, and which is developed in alternating variations leading to a powerful climax at its close. The second section is, in reality, a tense, hard-driving double fugue characterized by a constant march-like rhythm underlying the further development of the original theme and its countersubject in both duple and triple meters. This section, marked also ends in an overwhelming climax and then dies away, preparing for the third and final section. This final portion of the music, marked is based upon two long, lyric themes, also derived from the row, that alternate with occasional reminders of some of the thematic material from the second section, now transformed into a rich, glowing and relaxed tonal tapestry woven together from the myriad of tonal colors available in contemporary scoring practice for the winds. At the very end, after a fortissimo re-statement of the theme in its original form as derived from the row, there is a gradual ebbing of the flood of tone from the full ensemble as the various choirs drop out one by one, leaving only a dark, warm color of low Clarinets, Baritone and Tuba, hinting at the opening of the symphony, together with a last reminder of the original motif in the Bells and Vibraphone, suggesting, for the work as a whole, an arch-form.
Estimated dispatch 3-5 working days
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£98.50A Christmas Intrada - Alfred Reed
The celebration of the Nativity has called forth countless songs, dances, carols , plays and combinations of these, involving both vocal and instrumental forces, throughout the centuries, intertwining the feeling of radiant joy and infinite tenderness in many different ways. A CHRISTMAS INTRA DA represents an attempt to portray, in musical terms alone, five contrasting moods associated with the festivities of the Christmas season. These five sections are played without pause. They are: FANFARE: CHRISTUS NATUS EST for brass, chimes, bells and percussion only; LULLABY FOR THE CHRIST CHILD played by the woodwinds; PROCESSIONAL OF THE KINGS AND SHEPHERDS played by the full group; CAROL FOR THE HOLY NIGHT for woodwinds, saxophones and muted brass; and, finally, WASSAIL AND ALLELUIA beginning with the bells and chimes alone, and gradually growing to include not only the full group, but also antiphonal brass choirs, to bring the entire work to a joyous and triumphant conclusion. A CHRISTMAS INTRADA was commissioned by the Middle Tennessee State University Band and dedicated to the bands who annually participate in the Contest of Champions, on the occasion of its 20th Anniversary (1981).The first performance took place on that occasion, at Murfreesboro, Tennessee, October 23rd, 1981, with the U.S. Marine Band, plus antiphonal brass choirs. Grade 4, Duration ca. 10'
Estimated dispatch 3-5 working days
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£73.50Wapawekka (White Sands) - Alfred Reed
Commissioned by the Saskatchewan Arts Board, this work is subtitled "A Symphonic Rhapsody for Concert Band based on Canadian Indian themes." Wapawekka, in the language of the Cree Indians, means "white sands," and is the name given to a fairly large lake and small mountain range high up in northeastern Saskatchewan. The music is a free form, a symphonic rhapsody, developed from four main themes derived from ancient Cree tribal rhythms and dances.
Estimated dispatch 3-5 working days
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£54.95Dance of the Reed Flutes - Peter Ilyich Tchaikovsky / arr. Michael Story
Tchaikovsky's delightful ballet is the source of this ageless favorite. Although it is scored 'down to the very basics,' the flavor and charm of the original is more than evident. Marked with comfortable ranges and rhythms (making it easy to rehearse), and arranged for a full and complete sound, this work will deliver real pleasure to your holiday concert audience. (1:45)
Estimated dispatch 3-5 working days
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£74.99God Still Lives - Johann Sebastian Bach
Freely transcribed by Alfred Reed.Developed from one of the "69 Sacred Songs and Airs,'' this is a stately proclamation of faith and joy superbly transcribed by on of the masters! Alfred Reed's arrangement take this Bach classic to the next level and will leave your audience's in complete amazement! A wonderful selection from the first note to the last!
Estimated dispatch 7-14 working days
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£78.99Pilgrim's Chorus - Richard Wagner
This is the first time the "Pilgrim's Chorus" has been set apart from its use in the overture and is skillfully arranged by Alfred Reed. It's Wagner at his best and of course, Alfred Reed too. OUTSTANDING ARRANGEMENT!
Estimated dispatch 7-14 working days
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£67.32The Golden Year
Excellent programming choice! This original composition by master composer Alfred Reed is written at a much easier grade level than most of his pieces. Contains all of Dr. Reed's musical magic while being alittle more accessible by younger concert bands. Expose your younger students to the art of Alfred Reed with this exceptional piece.
Estimated dispatch 7-14 working days
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£75.99Acclamation! (A Global Greeting for Winds) (Concert Band - Score and Parts) - Reed, Alfred
Here is an exciting new work from the master of concert band scoring to help bring the band world into the new millennium. This composition is characterized by a variety of styles and tempos from the very rhythmic opening section in a moderate tempo, to the lushly orchestrated slower sections. Throughout the piece Dr. Reed uses a marvelous palette of symphonic colors and soaring melodies to create this exceptional new addition to the concert band repertoire.
Estimated dispatch 7-14 working days
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£64.99
Lorva Horovel - Reed
This artistic and brilliant arrangement Alfred Reed's "Armenian Dances, Part 2," a monumental band work, is an abridged version of the third movement encapsulates the most exciting parts of the piece, all while making the music much more practical and accessible to developing bands. Smaller and less experienced groups can now experience the genius of one of Alfred Reed's most popular works, with reduced instrumentation that is carefully respectful of the original. An exciting addition to any concert or festival program. Thrilling!
Estimated dispatch 7-14 working days
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£89.99La Procession du Rocio (Concert Band - Score and Parts) - Turina, Joaquin - Reed, Alfred
Composer Joaquin Turina (1882-1949) was a native of Spain, but was influenced early in his career by the impressionistic harmonies of Debussy and Ravel while studying in Paris. Upon returning to Spain he drew inspiration from Spanish folk music with La Procession du Rocio becoming one of his best-known works. The music portrays a festival and procession that takes place in the Triana neighbourhood of Seville, and is filled with wonderful idiomatic Spanish musical elements. Alfred Reed's marvellous transcription created in 1962 remains an enduring staple in the repertoire for wind bands.Duration: 8:30
Estimated dispatch 7-14 working days
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