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£61.00Short Cuts for Beginning Band No.2 (Concert Band - Score and Parts) - Story, Michael
Everyone loves to perform a recognizable tune! Here are four hot tunes that are carefully scored for your students, but with identifiable teaching concepts at the forefront. Use these wonderful melodies to reinforce eighth note performance in the low winds, two-hand percussion performance, a variety of articulations, legato performance, phrasing, and the execution of ritardando. Also includes a variety of dynamic and tempo considerations. The tunes can be performed in one concert or throughout the school year to apply these musical concepts in a timely manner. Includes: Don't Stop Believin'; Sing, Sing, Sing; You Raise Me Up; Bang the Drum All Day. Engaging and educational.Duration: 6:00
Estimated dispatch 7-14 working days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£225.00Five Orchestral Meditations (Concert Band - Score and Parts) - Rutter, John - Noble, Paul
The Five Orchestral Meditations are all based on John Rutter's choral pieces, which he re-scored for orchestra, and on which these arrangements are based. They are offered as a suite, but the audio tracks have been separated to make it easier to hear each title. These lovely pieces will present a perfect exercise for band blending, balance, interpretation, intonation, and finesse, while offering your audience some of the typically gorgeous music for which John Rutter is so noted. They may be performed as a suite, or as independent pieces: 1. What Sweeter Music; 2. Blow, blow, thou winter wind; 3. Candlelight; 4. Lord, make me an instrument of thy peace; 5. The Lord bless you and keep you. John Rutter's compositions are in a class by themselves, and this adaptation is sure to find its way into the repertoire of outstanding bands around the world.
Estimated dispatch 7-14 working days
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£72.99Pixar Movie Magic (Concert Band - Score and Parts) - Brown, Michael
Since 1995 when Toy Story was released, the creative team at Pixar Studios has given us heart-warming stories and unforgettable characters that appeal to audiences of all ages. And the music created for these films is an integral part of their popularity and charm. Michael Brown has created a terrific medley of these familiar melodies including: You've Got a Friend in Me (Toy Story), The Spirit of Adventure (Up), The Glory Days (The Incredibles), The Big Race (Cars), and Ratatouille Main Theme.
Estimated dispatch 7-14 working days
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£99.99Veni Immanuel (Concert Band - Score and Parts) - Sparke, Philip
Mediation on O Come, O Come ImmanuelThe Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries.The tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo trumpet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.Duration: 5:30
Estimated dispatch 7-14 working days
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£72.99My Fair Lady, Selections from (Concert Band - Score and Parts) - Lerner & Loewe - Moss, John
John Moss brings us a superb new arrangement of one of the most popular musicals ever written. Many of the songs from this magnificant show have gone on to become standards on their own. Includes Get Me to the Church on Time, I Could Have Danced All Night, I've Grown Accustomed to Her Face, On the Street Where You Live, With a Little Bit of Luck, and Wouldn't It Be Loverly.
Estimated dispatch 7-14 working days
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£104.99South Pacific (Symphonic Scenario) (Concert Band - Score and Parts) - Hammerstein & Rodgers - Bennett, Robert Russell
This is a unique edition for band of one of Broadway's most treasured shows. Carefully adapted from Robert Russell Bennett's orchestral version, this is a must for all mature bands' libraries.Includes:>Bali Ha'iBloody MaryA Cock-Eyed OptimistDite-Moi (Tell Me Why)Happy TalkHoney BunI'm Gonna Wash That Man Right out of My HairSome Enchanted EveningThere Is Nothin' like a DameThis Nearly Was MineA Wonderful GuyYounger than Springtime
Estimated dispatch 7-14 working days
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