Results
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£39.60Super Mom Symphony (Concert Band - Score and Parts)
Bringing together your youngest players and your "coolest" Moms will be a huge hit with both the students and your audiences. "SuperMom Symphony" uses themes from Haydn and Beethoven and incorporates everything but the kitchen sink (OK, you can use that too if you really want to!). From the first pots and pans ostinato to the sustained blender "solo," this piece will have everyone "in stitches" and generating plenty of laughter and good will. P.S. You can use Dads as soloists also, but only if they can cook! Highly recommended for your first-year players!
Estimated dispatch 7-14 working days
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£50.00Symphony No.5 in C Minor (Excerpts from the 1st Movement) (Flexible Ensemble - Score and Parts) - Beethoven, Ludwig van - Stanton, Scott
One of Beethoven's best known themes arranged by Scott Stanton for very small bands, and those with severe instrumentation problems. Will sound great as long has you have the four parts covered and optional guitar, percussion and keyboard parts can add to the overall effect. All students should be exposed to the great masters and this publication helps makes that possible! A real winner!Duration: 2.00
Estimated dispatch 7-14 working days
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£80.00Egmont Overture (Concert Band - Score and Parts) - Beethoven, Ludwig van - Hindsley, Mark
Duration: 9.00
Estimated dispatch 7-14 working days
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£64.95Symphony No.5 Movements 1 & 2 (Concert Band - Score and Parts) - Beethoven, Ludwig van - Godfrey, Dan
This Symphony is perhaps the most widely known of all Beethoven's works and is certainly the most characteristic expression of his genius.
Estimated dispatch 7-14 working days
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£78.20Allegretto - Ludwig van Beethoven
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated dispatch 7-14 working days
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£256.0014 Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£66.00Festmusik der Stadt Wien - Richard Strauss
Richard Strauss' Wiener Fanfare, the shorter version ofFestmusik der Stadt Wien - a piece originally written for ten trumpets, seven trombones, two tubas, and timpani - was the basis ofthis arrangement for concert band by Franco Cesarini. Strauss completed the "Festmusik" on 14 January 1943 after having previously received the "Beethoven Prize" in 1942. He dedicated the piece to the City Council of Vienna as a sign of his gratitude. Strauss conducted the premiere of this work in the Festival Hall of Vienna City Town Hallon 9th April 1943.An arrangement that highlights the characteristics of Franco Cesarini's writing.
Estimated dispatch 7-14 working days
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£49.95Symphony No. 5 First Movement - Ludwig van Beethoven
Estimated dispatch 7-14 working days
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£68.80Adagio - Kevin Houben
Johannes Brahms can be considered to be one of the top composers of the nineteenth century chamber music. He was a giant in this field and an eminent successor of Beethoven and Haydn. A masterpiece from his chamber music oeuvre is the trio in Eb opus 40 for piano, violin and natural French horn.In 1865, the year of his Horn trio, Brahms's mother Christiane died. It's well known that he fostered deep feelings for her. The slow part of the Horn trio with the tempo indication Adagio Mesto (sad) can be considered as a lamentation for his mother.The first performance of the piece took place in Zrich on 28th November 1865 and it was published a year later in November 1866.In this version for Wind Band Kevin Houben stays as true as possible to the original. The result is a deep and dark orchestration of the wonderful Adagio Mesto. A challenge for any orchestra and extremely suitable as concert piece.
Estimated dispatch 7-14 working days
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