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  • £248.99

    Puss in Boots (Concert Band - Score and Parts)

    Puss in Boots, a fairy tale character first mentioned in writing by Charles Perrault in the 17th century, is a popular figure in children's books, cartoons and comics. Franco Cesarini was inspired by the utter simplicity and naturalness of the tale and put it into a musical fairy tale which--thanks to the narrator's voice-- can be performed as a production with scenery. 22:59

    Estimated dispatch 7-14 working days

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  • £104.99

    Triumphal March (Concert Band - Score and Parts)

    The Gran Finale from the second act of Verdi's famous opera Aida, composed in 1869, is a complex part of the drama as in one single scene many different characters, allwith contrasting emotions, appear onstage at the same time. The scene opens in Ancient Egypt when the Egyptian general Radames and his troops, which have just beaten Ethiopia, come marching in. The Egyptians sing a celebration song for him and there is a sound of trumpets playing the triumphal march to receive the hero. The well-known triumphal march, transcribed in this edition for concert band by Franco Cesarini, closely follows Verdi's original score and will bring any concert to a dramatic close. 05:30

    Estimated dispatch 7-14 working days

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  • £144.99

    Variations on a French Folksong (Wind Band - Score and Parts)

    The variation form is one of the oldest and most fundamental forms of musical technique. Franco Cesarini has chosen the well known French folk melody, Sur le pont d'Avignon as the basis for this piece. The piece begins with a short introduction followed by the exposition and ten lively and contrasting variations. The final reminder of the main theme also included references to the famous French nursery songs J'ai du bon tabac and Alouette, which bring the work to an expressive and brilliant close.Duration7:00

    Estimated dispatch 7-14 working days

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  • £78.00

    Coronation March - Giacomo Meyerbeer

    Giacomo Meyerbeer (1791-1864) was a German opera composer of Jewish origins, who has been described as perhaps the most successful stage composer of the nineteenth century. From 1831 until his death, he remained a dominating figure in the world of opera. His contemporary Hector Berlioz summed up his public career claiming that he 'has not only the luck of being talented, but the talent to be lucky'. His works made him the most frequently performed composer at the world's leading opera houses in the nineteenth century. Giacomo Meyerbeer composed his opera Le Prophte in 1849. In this opera a coronation is preceded by a splendid march. Although the opera itself is rarely performed, the Coronation March has gained a place in the concert repertoire.Franco Cesarini's arrangement for concert band of the Coronation March stands out for its skillful instrumentation which underlines the powerful sounds of this classic concert march.

    Estimated dispatch 7-14 working days
  • £78.00

    Interlude - Wilhem Stenhammar

    Wilhelm Stenhammar (1871-1927) was a Swedish pianist, conductor and composer. His compositions include incidental music, operas, concerts, two symphonies and choral works. Initially influenced above all by Wagner and Bruckner, Stenhammar increasingly welcomed in his music a Nordic colour as well as melodic and rhythmic characters typical of Swedish folklore. Completed in 1921, the cantata Sngen (The Song) was Stenhammar's last major work, and its combination of harmonic richness and contrapuntal dexterity ensured it a warm reception.The Interlude connecting the two halves of the work is the only part frequently performed today. It begins by creating a serious and intimate atmosphere, then the music gradually unfolds in increasingly powerful sonorities. Towards the middle a noble brass chorale emerges, but neither this nor the following finely crafted climax manage to change the prevailing mood of subtle melancholy typical of late Romantic Scandinavian composers. This arrangement by Franco Cesarini will allow your audience to get to know this great composer unknown to most.

    Estimated dispatch 7-14 working days
  • £74.00

    Nimrod - Edward Elgar

    Nimrod is the name given to the ninth and best-known variation inEdward Elgar's Enigma Variations, an orchestral work of 14 variations on an original theme composed between 1898 and 1899. Each variation is also a portrait of one of 14 members of Elgar's family and circle of friends. A celebrated work, Nimrod is a portrait of Augustus Johannes Jaeger, who in addition to being his best friend was also Elgar's editor.The variations all represent a series of portraits and as such are entitled with a name or initials that identify the person. Biblically, Nimrod is a great hunter of the Old Testament, thus representing his muse through a play on words: Jger in German means 'hunter'. The melody appears to represent a nocturnal stroll during which the two discuss Ludwig van Beethoven's slow movements; the first eight bars, in fact, recall the beginning of the second movement of the Pathtique Piano Sonata.An arrangement of classical music signed by Franco Cesarini which stands out for its skilful and careful instrumentation.

    Estimated dispatch 7-14 working days
  • £66.00

    Festmusik der Stadt Wien - Richard Strauss

    Richard Strauss' Wiener Fanfare, the shorter version ofFestmusik der Stadt Wien - a piece originally written for ten trumpets, seven trombones, two tubas, and timpani - was the basis ofthis arrangement for concert band by Franco Cesarini. Strauss completed the "Festmusik" on 14 January 1943 after having previously received the "Beethoven Prize" in 1942. He dedicated the piece to the City Council of Vienna as a sign of his gratitude. Strauss conducted the premiere of this work in the Festival Hall of Vienna City Town Hallon 9th April 1943.An arrangement that highlights the characteristics of Franco Cesarini's writing.

    Estimated dispatch 7-14 working days
  • £143.00

    Psych et ros - César Franck

    Csar Franck, composer, pianist, organist and music teacher, completed Cupid and Psych, his sixth and last symphonic poem in 1887. It was first performed in Paris in 1888 and was a complete success, but the piece later fell completely into oblivion, and it was only thanks to some meticulous research that it has returned to concert halls. The intricate love affair between Psyche and Cupid is an original story of the Metamorphoseswritten in the 2nd century AD by Apuleius. The tale is about overcoming obstacles in love and their final union. The symphonic poem is divided into three parts and calls for a choir. The movement that is the subject of this arrangement, Psych et rosis positioned at the end of the second part.Franco Cesarini's version for wind orchestra carefully illustrates the nuances of the instrumental colours, and represents a real test aimed at demonstrating the musicality and interpretative skills of orchestras and their conductors.

    Estimated dispatch 7-14 working days
  • £171.00

    Passacaglia and Fugue in C-minor BWV 582 - Johann Sebastian Bach

    The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord.

    Estimated dispatch 7-14 working days
  • £154.99

    Concertino for Clarinet - Franco Cesarini

    Concertino for Clarinet and Wind Orchestra was commissioned by the Swiss Wind Band Association (SBV) to celebrate the "Year of the Clarinet 2015". In three sections, separated by cadenzas for the soloist, the work explores all aspects and characteristics of the clarinet. It includes virtuoso elements and dialogues between the other winds, as well as a beautiful slow movement, which makes this piece a musically challenging yet accessible piece for any audience.

    Estimated dispatch 7-14 working days

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