Results
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£89.99Coro dei Gitani (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco
Often, individual parts of operas become very successful, independent instrumental pieces. An outstanding example is the Anvil Chorus from Giuseppe Verdi's opera Il Trovatore. Thanks to its symphonic characteristics, it is especially suitable for concert band transcription without losing its original character.Duration: 3:00
Estimated dispatch 7-14 working days
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£89.99Preludio All' Atto I (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco
Ernani (1844), Giuseppe Verdi's fifth opera, is based on the homonymous tragedy by Victor Hugo. Verdi's success with Ernani, as well as Nabucco and I lombardi alla prima crociata, can be ascribed to two distinct ideas: the melodic idea and the patriotic idea. The melodic idea is very important to move and touch the audience, while the patriotic idea is the source of enthusiasm and emotions. Approximately ten years elapse between two similar stories: the one of the outlaw Ernani and the one of Manrico, the troubadour. In the prelude to Act I, in only three minutes, Verdi has succeeded in skilfully concentrating the main elements of the entire drama. One can clearly observe the themes of love, oath, and death.Duration: 3:00
Estimated dispatch 7-14 working days
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£89.99Coro degli Armigeri (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco
A technique much employed by Verdi is to alternate main scenes of a drama with others which allow the listener to relax temporarily. These moments are often entrusted to the choir (as in the case of the well-known Rataplan in La forza del destino). In Trovatore, the soldiers' chorus precedes the scene of the capture of the gypsy woman Azucena by Conte di Luna's men. The soldiers are about to attack the fortress of Castellor in which Manrico (the troubadour) and Leonora, together with many other rebels, have found shelter. The very easy-going choir is in blunt contrast to the following scene in which Ferrando, the loyal squire of Conte di Luna, recognises the old gypsy woman. This recognition marks the beginning of wicked developments for all protagonists in this drama.Duration: 3:30
Estimated dispatch 7-14 working days
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£139.99I Vespri Siciliani (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco
In 1854, Verdi was in Paris to compose I vespri siciliani (1855), a commission from the Theatre of the Opera. The composer soon became intolerant to the requests of the French "Grand Opra" as he considered them too restrictive and cunning. "I'll be very happy when I have finished I vespri siciliani. An opera at the Opra is as tiring as killing a bull. Five hours of music?... Hauf!" Verdi declared. Following the first performance, the French composer Hector Berlioz wrote in the "Journal des Dbats" an article that read "We have to admit that in I vespri siciliani, the penetrating intensity of the melodic expression, the sumptuous variety of the instrumentation, the fullness, the poetical sonority of the whole, the warm vivacity that shines everywhere and the passionate strength, although slow in disclosing (a characteristic feature of Verdi's talent), give the entire work a mark of greatness, a sort of majestic sovereignty more underlined than in Verdi's previous theatre productions."Duration: 8:30
Estimated dispatch 7-14 working days
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£139.99Aroldo (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco
Aroldo, number 22 of the 32 operas written by Verdi, is certainly not one of the best-known works from "the genius of Busseto." Written in 1857, it is in fact a remake of the 1848 opera Stiffelio, which told a story of adultery and which was censored for its "indecent" content. Verdi found the censorship of Stiffelio unacceptable, and with a performance in Verona approaching at the start of 1851, he wrote to his editor, Ricordi: "If my libretto is censored, it will not be possible to obtain the effect I desire, so I would rather wait until I can rewrite the last scene." But the modifications to Stiffelio did not stop there. The setting, the historical period and the finale were also completely changed. In the process of converting Stiffelio to Aroldo, Verdi no doubt succeeded in strengthening certain moments. However, the fame of the three operas he had written in the meantime - Rigoletto, Il Trovatore and La Traviata - did not allow Aroldo to receive the recognition it deserved. The opera's symphony is indeed a superb work and contains moments of outstanding lyricism. The trumpet solo in the introduction is the longest written by Verdi for this instrument.Duration: 8:45
Estimated dispatch 7-14 working days
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£174.99Antiche Danze Ed Arie Per Liuto (Concert Band - Score and Parts) - Respighi, Ottorino - Cesarini, Franco
Duration: 14.00
Estimated dispatch 7-14 working days
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£89.99Alpina Fanfare (Concert Band - Score and Parts) - Cesarini, Franco
Duration: 4.00
Estimated dispatch 7-14 working days
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£154.99Leviathan (Concert Band - Score and Parts) - Cesarini, Franco
The leviathan, a demoniacal sea monster that appears as a dragon or serpent, is considered in the Old Testament to be the embodiment of evil. The defeat of the demon is prophesied in Isaiah 27:1: "On that day the Lord will punish with his cruel sword, his mighty and powerful sword Leviathan that primeval sea-serpent, that writhing serpent Leviathan, and slay the monster of the deep ."The composer's main goal is to create an atmosphere thick with agitation, tumult and extreme tension rather than express specific events musically. The monstrous form of the leviathan slowly emerges from the abyss of primordial sounds at the start of the piece, recalling the eternal conflict between good and evil.Duration: 8.45
Estimated dispatch 7-14 working days
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£248.99Suite Provencale (Concert Band - Score and Parts) - Milhaud, Darius - Cesarini, Franco
Duration: 14.15
Estimated dispatch 7-14 working days
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£134.99La Forza del Destino (The Force of Destiny) (Concert Band - Score and Parts) - Verdi, Giuseppe - Cesarini, Franco
Duration: 8.00
Estimated dispatch 7-14 working days
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