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  • £11.95

    Variations VIII & IX (From Enigma) (Concert Band - Score Only) - Elgar, Edward - Brand, Geoffrey

    Elgar's Variations for orchestra were written during 1898-9; they are dedicated "To my friends pictured within" Each of the 14 variations is a musical portrait to one of the composer's friends. Over the 17 bar theme which inspired the Variations, Elgar wrote the word ENIGMA. Later he said, "The ENIGMA I will not explain - its "dark saying" must be left unguessed" In Variation VIII W.N. is Winifred Norbury. In 1897 local friends organised a choral and orchestral society for Elgar to conduct. The secretaryship of The Worcester Philharmonic, as the society was called, was shared by two ladies, of whom W.N.. was one She has been described as "very sedate and calm, rather like a kind governess with Elgar, but had a sense of humour - and a laugh, rather like a deep bell". Variation IX Nimrod is Elgar's deeply felt tribute toA.J.Jaeger, his German-born friend who worked for the publisher Novello and Co. His sincere support meant a great deal to Elgar. Jaeger, in German, means "hunter". Elgar concealed this in the nickname Nimrod. The variation has become extremely popular and is often played on thoughtful occasions. In this arrangement, either W.N. or Nimrod can be played alone. However, in the Variations they are linked by Elgar in an inspired manner.

    Estimated dispatch 7-14 working days
  • £84.99

    Variations on a Theme by Elgar - Árpád Balázs

    In rpd Balzs's diverse and varied oeuvre, works for wind orchestra play a prominent role alongside choral music. He composed the Elgar Variations in 2022 on the theme of one of Edward Elgar's (1857-1934) short early works (Love's Greetings, 1888). As rpd Balzs writes ''The theme I used as the starting point for my work may already be considered a variation, since I 'peeled off' the dense ornamentation and the tonicisations from it, and what remained was the melody, beautiful in its own place. What come back from time to time from the theme in the variations are: the arched structure, the double peak point, and mostly the major sixth leaping downwards, then upwards. The modest, transparent orchestration, which then is amplified at the repetition of the theme is also a defining feature. There is a personal family secret hidden in the third variation: a late compliment to a loyal spouse for the past half century... The closing variation is calm and quiet - similarly to the chorale-like slow movement in Bla Bartk's 3rd Piano Concerto. It is like a message from an old composer to the Future.'' The Elgar Variations together with the Concertino (1992, Z. 14909) and the Rhapsody (2015-2021, Z. 15167) form an ambitious, emotionally wide-range trilogy for a concert band.

    Estimated dispatch 7-14 working days
  • £75.00

    Keltic Variations (Concert Band - Score and Parts) - Hazo, Samuel R.

    Themes in Keltic Variations are based on a style of sea chanteys sung by sailors in north western Europe. Written for students at middle and high school levels, Keltic Variations introduces the musical form of simple theme and variations in an artful balance that falls well on audiences' ears but can also serve as a music lesson in modes and rhythms.Duration: 2:45

    Estimated dispatch 7-14 working days
  • £73.50

    Arden Variations (Concert Band - Score and Parts) - Edmunds, John F.

    Arden Variations is a theme and variations form in three movements, each replete with melodic, harmonic, and rhythmic variations on the simple 8-bar chorale theme of the opening Prelude. Originally intended as an analytical study for students in the composer's Advanced Harmony course at Louisiana State University, the piece seemed to demand further development as each new harmonic device was introduced. Its frequent distant-key modulations and varied rhythmic excursions keep the simple melody alive and interesting throughout its six-and-a-half minute length.Duration: 6:30

    Estimated dispatch 7-14 working days

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  • £134.99

    Sound Variations (Concert Band - Score and Parts) - Waignein, Andre

    Sound Variations is a work comprising of eight short sections, each based on a simple theme, each characterised by a great variety of styles and sounds. It opens with a fanfare-like introduction that soon leads into the presentation of the main theme followed by five variations on this theme. Each of these variations has its own style: Swing, Latin, Waltz, March and Rock. After a final repeat of the main theme, the work comes to an end with a brilliant finale.Duration: 10:30

    Estimated dispatch 7-14 working days

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  • £62.95

    Engelberg Variations (Concert Band - Score and Parts) - Harbinson, William G.

    Engelberg Variations was composed for the Hibriten High School Band in Lenoir, North Carolina and is based on the hymn, "When In Our Music God Is Glorified." It opens with a flourish of activity from the brass and percussion. This gives way to the statement of the theme set in a lovely woodwind chorale featuring flutes and oboes. A lyrical trumpet solo takes the band to a soaring tutti statement of the theme which gets interrupted by a percussion-filled staccato variation. Fragments of the theme are then heard in fun variations juxtaposed against the original theme in augmentation. Engelberg Variations is destined to become a classic! Duration: 6.45

    Estimated dispatch 7-14 working days
  • £77.50

    Joyful Variations (Concert Band - Score and Parts) - Beck, Brian

    Based on Beethoven's Ode to Joy. The grandeur and beauty of Joyful Variations takes the listener on a journey through one of the most famous melodies ever written, Beethoven's theme from Symphony No.9. Noble fanfares open and close these variations, set in ternary form, while sweeping renditions of the theme provide color and lyricism in a contrasting Adagio section. An excellent piece to open or close any concert! Duration: 5.00

    Estimated dispatch 7-14 working days

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  • £206.99

    Chorale and Variations (Concert Band - Score and Parts) - Sparke, Philip

    As the title suggests, this piece comprises a set of variations on an original chorale,which is presented in the opening bars.The chorale uses the dark middle and lower sections of the band and is extended with minor variations until a pause leads to the first real variation, marked Vivo. This is in the form of a moto perpetuo. The second variation is a beautiful Andante introduced by a solo clarinet. Following a full band climax the final variation opens with quiet, nervous energy until its main theme is introduced.The chorale makes a brief appearance until the main theme reappears. This leads to a triumphant final augmented statement of the chorale theme, decorated by the florid clarinet theme in the upper woodwinds. A dazzling concert work.Duration: 14:00

    Estimated dispatch 7-14 working days

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  • £114.99

    Geneva Variations (Concert Band - Score and Parts) - Bulla, Stephen

    This work is based on the 19th century American hymn melody, Resignation, which is also known as Psalm Tune (Psalm 23) based on the words The Lord Is My Shepherd. It is in the form of a theme and variations with each of the four variations evoking different moods using a fragment of the original tune. An evocative and joyful work that will make a welcome addition to your concert repertoire.Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £85.00

    MOCKBEGGAR VARIATIONS (Concert Band) - Woolfenden, Guy

    Includes: Prelude, Theme and Five VariationsUnlike my other pieces for concert band, Mockbeggar Variations has no roots in any of my work for the Royal Shakespeare Company, but resulted from a commission by Robert Roscoe for the Berkshire Youth Wind Orchestra, with funds provided by the Berkshire Young Musicians Trust. Robert, on learning that I was stuck for a suitable title, and noting my penchant for the unusual, suggested the address of the Trust - Mockbeggar House - might take my fancy.The Prelude hints at the melodic and harmonic material of the Theme, which appears in the thirty-first bar, distributed between various solo instruments and small groups of players. The five succeeding variations are contrasted in mood, tempo, style and instrumentation.A large part of the score was written in a chalet high in the Swiss Alps with a continual clangour of sixteen different pitches of cow bell constantly ringing in my ears. There is no Mahlerian hint of this in the music, nor was my wife, Jane, successful in shooing the cows away or muffling their bells.....! - GW

    Estimated dispatch 7-14 working days