Results
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£144.99Town Hall Overture - Rob Goorhuis
Town Hall Overture is a lively piece, based on the Dutch folksong with a nonsense text about a June bug. In Rob Goorhuis' composition the melody is initially played complete and in unison, after which the theme is reworked in various ways and in different time signatures. A performance sure to provide entertainment for musicians and audience alike!
Estimated dispatch 7-14 working days
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£84.99On the Movieset - John Emerson Blackstone
Glitter and glamour, good-looking people, a lot of Bling Bling and fast cars images like these will cross our minds when we think of the movie world. However, reality proves to be different : as a rule, a tremendous amount of work will have been done on the set before a film is ready to be shown on the big screen. A visit to an actual movie set inspired John Emerson Blackstone to write a composition bearing the same name. He had both seen a number of characteristic attributes and heard the typical phrases used in film making, and he incorporated them into 'On the Movie Set' . In the first part, 'The Clapboard', a 'director's assistant' is supposed to shout "Quieton the set'" and "Action!", as is done before a real scene is shot. Subsequently, in order to create the right atmosphere, the clacking of a 'Clapboard' should be heard. During a romantic scene we should be transported to another world by means of sweet sounds in the background, so romantic music is of course heard in the next part, 'Love Scene'. At the end of a long working day 'It's a wrap' is called on the set to inform everyone that the filming on that day is completed. Now there is only one more thing left to dream of : an Oscar..... Perf. Note: The use of the right props will add to the performance and appreciation of 'On the Movie Set'. A red carpet and a glamorous reception should give your audience the feeling they are attending a real 'opening night'!
Estimated dispatch 7-14 working days
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£60.99Sumba Samba - Ron Gilmore
The Samba is a Latin American dance, which is mostly associated with parties, as a result of the fast tempo in which it is usually played. 'Sumba Samba' forms an exception to this rule. In order to get this samba to swing it is important to stick to the tempo prescribed. 'Sumba Samba' starts with a motif which will play an important role throughout the piece. This motif can be heard in the first notes of the 'refrain' and, as said before, has been used in the introduction, as well as in the transition after the middle part (letter G). Furthermore, it plays an important role in the middle part itself (letter E), in which the samba has momentarily disappeared and acompletely different atmosphere has been created. At letter H we pick up where we left off with the samba and swing to the end of this composition.
Estimated dispatch 7-14 working days
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£209.99La Terre - Rob Goorhuis
In the composition 'La terre' several aspects of Earth have been translated into sounds in an associative manner. The first part depicts Nature, Mother Earth, stability, the soil which is the source of life. Earth symbolizes tradition, rituals, fertility. In the music of the composition this can be heard in tonic and ostinato passages. Furthermore, human emotions such as gladness, sorrow, wonder, resignation, hope and despair, indissolubly connected as they are to mankind's life on earth, are musically reflected in sudden gusts of expression. Earth for us human beings is the solid ground on which everything in life takes place. In the second part different moodsare evoked in a sort of toccata. Now and then the music sounds fragmented, at other times as a solid whole. The robustness of the music in this part has its roots in the earth, originates from it. It reflects stability and strength, but love and nostalgia are also present in soft and fragile tones. 'La terre' is a musical narrative about Earth, in which music has been given ample room to show its many-sided beauty.
Estimated dispatch 7-14 working days
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£94.99O Christmas Tree
The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These 'living' trees, said to be the work of benign spirits, were brought into people's houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschtz from Leipzig was the first person to notate the song 'O Tannenbaum', the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.
Estimated dispatch 7-14 working days
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£109.99The Horn of Plenty - Marc Cunningham
The Horn of Plenty is a composition which allows to present the Horn in many styles. The opening has an heroic character and exudes an Spanish atmosphere. The next part is a playful and lighthearted Leggiero. The melody used in bar 38 has an oriental sound through melodic use of the harmonic scale. The Andante is a parody on a piano etude by the composer Stephen Heller, a Frenchman of Hungarian descent. The piece ends with a relaxed swing area in which the Horn also in a different way can be heard.
Estimated dispatch 7-14 working days
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£53.50South African Suite - John Higgins
From the composer of Pueblo and Black Wolf Run comes yet another outstanding piece for younger bands. This new suite is based on the simple, diatonic melodies that come from the rich musical culture of South Africa. John employs African sounding percussion and other unique effects to keep students interested and excited to perform something new and different.
Estimated dispatch 7-14 working days
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£57.50City Rain - Judith Lang Zaimont
In her tone poem City Rain, Judith Zaimont captures the spirit and vitality of a summer shower as it falls on a busy city street. This piece draws a lively picture of a passing storm and is unified by the jazz-like rhythmic motive based on the pattern of the title words city rain. Zaimont paints the image of rain through the rhythmic motive and the use of body percussion and alternative instruments (such as tapping patterns on music stands). As the music unfolds, each section of the band is spotlighted at different times. The instruments also join together to produce layers of sound that create interesting and complex jazz chords. BandQuest, an exciting series of new music and accompanying curricula for band, is a program published by the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new, fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have created challenging pieces that are a true departure from standard middle school repertoire. Every BandQuest project includes a residency component in which the composer works collaboratively with a middle school as they create their new piece. Many BandQuest pieces are accompanied by an interdisciplinary curriculum designed to assist students as they learn the music and to integrate each piece with non-music studies. Visit www.bandquest.org to learn more about this innovative series, and email [email protected] to request a free downloadable audio catalog.
Estimated dispatch 7-14 working days
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£60.99Fantasy On A Russian air - Johnnie Vinson
Based on a familiar folk tune, Johnnie Vinson has created an appealling set of variations with an occasional nod to Beethoven, who used the same melody in his Theme and Variations for flute and piano (Op. 107, No. 7). With each variation featuring a different section of the band, this work utilizes a mixture of contrasting meters and styles. Dur: 4:00
Estimated dispatch 7-14 working days
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£60.99
Interruptions - Steven Bryant
Interruptions is a new, shorter version of one of Bryant's earliest works, Interruption Overture, and is filled with quirky humor and musical mayhem! The music begins with a lively melody using familiar, comfortable harmonies, butis soon interrupted by abrupt dissonance. The music resumes its earlier character, but these loud interruptions rudely reappear, and the music begins to take abrupt turns through different tonalities. The work finally settles intoa four-on-the-floor groove, as the opening melody and the interruptive material learn to coexist, leading to a climactic conclusion. A thoroughly enjoyable work for young bands!
Estimated dispatch 7-14 working days
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