Results
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£344.30Symphony No 1 for Wind Band - Solitude Standing - Stig Nordhagen
The two movements in this symphony have quite similar structure and length, and this is no coincidence. As a composer, I try to create two musical stories that comes from the same starting point and thought, but they sound and feel different. Music often describes something you cant say in words. This composer stands in the middle of the symphony, here personalized as trombone solo (or euphonium) and tries "Solitude Standing" to make a bridge between the two parts. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£99.50God Natt Suite - Hilde Høyvik Dahl
Good Night Suite is written for beginning band and suitable for the youngest musicians. The level of difficulty is at lowest grade and the rhythms are equal in all wind parts. The register on each instrument is also customized to each part. Some easy solos appears in some sections and in Mvt. 4 there are different rhythm in the melody and bass parts. The level of difficulty is the same for all five movements. The movements may of course be played as single pieces. When all movements are mastered it's possible to play the suite as a kind of fairytale with simple dramaturgy or choreography. Maybe the whole band can be dressed in their pajamas?
Estimated dispatch 7-14 working days
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£123.40Robin Hood Suite No. 2 - Roar Minde Fagerli
Robin Hood suite 2 is five movements collected from a play written for a summer course arranged by The Norwegian Band Federation. The Composer is inspired by the story of Robin Hood; He who steals from the rich and gives to the poor.The composer describes different charters and places from the story in his music. In the first movement you will meet the merciless Sheriff of Nottingham. The second movement describes the caring Friar Tuck. In the third movement Robin Hood and Lady Marion sneaks around in the Castle. In the fourth movement Prince John's guards hunts Robin. In the fifth movement Robin Hood and his friends celebrate their victory!
Estimated dispatch 7-14 working days
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£128.60Isolation - Suite in 5 Movements - Øystein Sjøvaag Heimdal
This suite in 5 movements was written during the Corona pandemic and is inspired by experiences and feelings during this period. Feelings like insecurity, frustration, happiness, sorrow, hope, and optimism are the underlying themes, and this can be heard through the music. This is not, however, program music, so the audience may have their own perception of what the music is about.This piece provides the opportunity to focus on the different elements of music, such as dynamics, articulation, expression, tone control and timbre.The five movements can be performed separately.
Estimated dispatch 7-14 working days
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£61.00La Morisque from The Danserye - Tielman Susato
Every young musician should begin experiencing different historical styles early in their development. La Mourisque gives them the chance to perform in a homophonic style from the renaissance.This arrangement is an adaptation of Susato's original score from 1551. Some changes have been made to facilitate voice-leading in individual parts. Cadential harmonies have been changed to reflect modern expectations.
Estimated dispatch 7-14 working days
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£224.80Rhapsodie Norvegienne Nr.2 - Johan Halvorsen
This arrangement was written for Dragefjellets Musikkorps Bergen for their performance at the Norwegian Wind Band Championships in 2019.The original orchestral work is one of our country's greatest national works for symphony orchestra.It combines Norwegian folk music with the symphonic tradition, but on a slightly different way than Edvard Grieg.Compared to the original score, I have made parts of the work more chamber-music like by making the instrumentation a bit thinner. By doing this, I hope the span in dynamics will benefit the tutti sections as well. Unlike the symphony orchestra, concert bands do not have the large string section to enrich the soundscape.- Svein H. Giske -
Estimated dispatch 7-14 working days
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£137.70Kerberos - Kjetil Djønne
"Kerberos" was written to Norwegian band Eidanger Pike- og guttekorps, Sigurd Skramsett conductor.When Sigurd Skramsett got in touch and wanted to commision a piece for their anniversary concert in November, I immediately thought of composing a piece about his role in the local bands. He has conducted the band for 15 years and has been important to the whole banding community in Telemark, Norway. My meeting with Sigurd in the summer of 2019 was at Dirigentuka (Conductors week) in Stavanger. We conducted many different types of music, including a blues by Torstein Aagard-Nilsen. All of the music at the course has inspired me in this piece.The name Sigurd originates from Norse mythology and means 'victory' and 'guardian'. KERBEROS is the three-headed dog guarding the entrance to the underworld of Greek mythology. Three heads, representing the past, present and future, became three movements representing three styles, and moods, in this work.Kjetil Djnne
Estimated dispatch 7-14 working days
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£113.30Caleidoscopio - Lorenzo Pusceddu
The incommunicability between different cultures and worlds and the confusion that this generates lie at the heart of this work: the fanfare-like themes that characterise the introduction, together with the "Arabian" melodies of the Presto, represent these differences. The bare theme of the Andante, while offering a glimpse of hope, also describes the impossibility of a meeting and the pain this situation causes. The empty fifth and dissonance of the minor second are elements that feature throughout this work. In the Coda, moreover, all these ideas reappear "kaleidoscopically", amidst a convulsive and excitingly chaotic atmosphere.
Estimated dispatch 7-14 working days
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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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£76.99English Carol Fantasy - James Curnow
Contrasting colors and varied orchestration techniques make this majestic setting of OH LITTLE TOWN OF BETHLEHEM come alive for Christmas. Of the three different tunes that are commonly associated with the original carol text, this arrangement uses the melody that's best known in England. ENGLISH CAROL FANTASY remains entirely accessible to bands at this level and plenty of cueing makes sure it's useful for ensembles of all shapes and sizes. Feature your deserving young trumpet section leader on the easy solo, or let the entire first trumpet section play it soli. The low woodwinds and brass also get some "well doubled" exposure, so playing this one will be fun for all.Try it!
Estimated dispatch 7-14 working days
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