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  • £139.99

    Story of a Village - André Waignein

    This work relates the story of Maasbracht, a town on the banks of the Meuse River in the Dutch province of Limburg. Like all fairy tales, the story begins serenely with ?Once upon a time?? The music evokes the atmosphere of this very pleasant region, where the gentle way of life is the key to happiness. A lively and joyful passage depicts the cheerfulness of the people of Maasbracht. Maasbracht, like many other towns, suffered during World War II: sound colours darken and pictures of destruction run through our mind. In the midst of despair there is hope, from grief comes new life. The future looks promising. The work leaves Maasbracht, looking forward to the 21st century withconfidence. A highly descriptive work that is suitable for any concert or contest situation.

    Estimated dispatch 7-14 working days

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  • £109.99

    Dreams and Miracles - Gilbert Tinner

    Those who dare to dream can access a world of hope and those who believe in miracles open their eyes to wonders everywhere! Gilbert Tinner was inspired by these thoughts when he composed this dynamic concert piece. Dreams, fantasies and visions are represented with an array of colourful tones that are brought together through expressive musical themes.

    Estimated dispatch 7-14 working days

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  • £339.99

    Symphony No. 4 - Johan de Meij

    This symphony was inspired by a selection of 19th century German poetry: three poems from Friedrich Rckerts' Kindertotenlieder (Songs on the Death of Children) and three poems by Heinrich Heine and Hugo von Hofmannsthal which, in the secondmovment of this impressive work, introduce themes of death, rebirth and hope.

    Estimated dispatch 7-14 working days

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  • £169.99

    subTERRA - Daniel Weinberger

    subTERRA tells the story of a miner who miraculously survives the collapse of a mine shaft. The work consists of five movements:1. The Dream: A horrible nightmare plagues the miner. Dissonances and unusual sounds foreshadow the imminent disaster.2. The Work: The rhythmic second part describes the daily grind of a miner, from driving into the mine shaft to working deep underground.3. The Accident: Suddenly a piercing alarm is heard. Everyone tries to escape the mine amidst the ensuing chaos as the mine shaft collapses, trapping the unfortunate miner.4. Hope: Buried under rubble and debris, the miner regains consciousness. A prayer can be heard.5. The Rescue: A powerfulmaestoso symbolizes the successful rescue and survival of the trapped miner.

    Estimated dispatch 7-14 working days

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  • £118.99

    Inferno - Sven Van Calster

    On 25th May 2011 a huge fire broke out in the Kalmthoutse Heath nature reserve north of Antwerp. Within a very short time more than 600 hectares of heath land went up in flames. The effect on the surrounding environment was huge. The fire left deepscars affecting the residents, those responsible for heath land, and also the members of the fire brigade who for several days risked their lives to fight the fire.The composition Inferno begins majestically and on a huge scale, exactly as theKalmthoutse Heath is. Soon a theme is introduced into the work in which the magnificent beauty of nature can be heard. We then hear the fires on the heath set to music. Even thefire helicopter can be heard, together with the first discussions thattook place after the alarm was raised with the Kalmthoutse fire brigade.One fact remains at the centre of this work, however: the natural beauty and splendour of the heath landscape. This is expressed at the start of the work in a theme that recursthroughout the piece. Towards the end it is finally replaced by a peaceful conclusion, representing the hope for a speedy regeneration of this wonderful nature reserve. Download the audio file from the 'Attachments'.

    Estimated dispatch 7-14 working days

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  • £159.99

    A Symphony For The Future - Steve Willaert

    Symphony for the Future was originally a soundtrack written for a multimedia spectacle with film, light and laser effects. The soundtrack, which initially consisted of 4 parts, was played live by a symphonic orchestra and a pop group, in sync with the screening of a film. The assignment was to reflect a message of hope and positive enthusiasm for the future, using music and film as a mixed media. In this arrangement for wind instruments, the 4 parts come together seamlessly. Jan Rypens has succeeded in producing an excellent orchestration of the piece.

    Estimated dispatch 7-14 working days

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  • £264.99

    Diferencias on an Old Spanish Song - Yasuhide Ito

    I am immensely happy that my Gloriosa, symphonic poem for band (1990), has been performed by so many bands in the last thirty years.During this period, the growth of the internet has made it much easier to access information.When I composed Gloriosa, I only had limited information about the period when Christianity and Western music was first introduced to Japan, and had to rely a lot on my imagination.However, nowadays, it is easy to obtain various source materials and to read interesting studies on the music of the past.In recent years, the music of Luis de Narvez (born ca.1500 - died between 1555-1560), Spanish composer and vihuela player, has become increasingly known, and several CDs of his music are now available.Narvez composed the earliest-known set of diferencias, a forerunner of the variation form. One of his works is Seys diferencias sobre el himno "O gloriosa domina" [Six diferencias on the hymn "O gloriosa domina"] (1538), based on the Spanish Marian hymn, and it was this melody I used in the first movement of my Gloriosa.Western music has been my musical roots since childhood, and throughout my career as a composer, it has continued to fascinate me. One could say that this has provided the inspiration for Diferencias on an Old Spanish Song, my own take on the diferencias form.Actually, such music from the early sixteenth century could sound fresh to our modern ears. So I decided to quote the melody from Narvez's Sey diferencias at the beginning and end of the piece, in order that people can get the feel for the period.The main section (bars 42-390) is formed of 13 diferencias, similar to the first movement of the Gloriosa.In the middle section, which begins after the eighth diferencia(from bar 187), one should be totally absorbed in the tranquility and the beauty of the music. Although it's in the style of a sarabande, it should be taken slower and played as pianissimo as possible.This is followed by folk-style dance music. (As only standard percussion instruments are used, try to be creative with tonal colours and sense of rhythm).The structure of the work is simple, but be aware of the connection between the sections when constructing the whole.Also, think about the tonality. Overall, the work is in F minor. The main section is basically in D minor, but from bar 102, it modulates to A flat minor and G minor, and then in the middle section it suddenly switches to A flat major (which is the furthest key from D minor, and the relative major of F minor). From bar 219, it modulates to F minor and then to C minor, then back to F minor by way of A minor.N.B. The Oboe II part can be substituted by the English Horn (as indicated in the parts). One can choose according to the player's skills or preference.Recent new compositions for wind band are often full of rhythm, dynamism, and tonal colour, and compositional techniques and orchestration have also evolved greatly. Yet on the other hand, they tend to feature fewer melodic or expressive elements. Since this work is the test piece for WMC Kerkrade 2022, I had to think about what "tests" or "challenges" to set, and I decided to compose something that doesn't involve a lot of technical display, but requires beautiful sounds and harmonies, and above all, musical expressivity. I didn't put many expression markings in the score, because I wanted the performers to think about how best to express this music. If it is played merely as notated, it's not going to sound very interesting.Christianity was introduced to Japan in the mid-16th century, but it was subsequently banned and Japan entered a period of national isolation, which meant that there was hardly any international exchange for two hundred years. As a result, the Christian hymns that were introduced prior to the isolation became almost unrecognizable over the centuries. This was the theme I explored in my Gloriosa thirty years ago.Now, in 2021, the whole world has been forced to "isolate" due to the Covid-19 pandemic. In such times, it seems pertinent that I've written a work using this melody again. I sincerely hope that people will be able to gather in Kerkrade in 2022.(English Translation:Nahoko Gotoh)

    Estimated dispatch 7-14 working days

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  • £204.99

    Oscar for Amnesty - Dirk Brossé

    The central figure in this work is Marianella Garia Villas (1948-1983). This Salvadorean woman fought for human rights in her country. As a barrister for political prisoners she belonged to the opponents of the regime in El Salvador. She escaped death several times, but eventually her activities cost her her life. The story of Marianella Garia Villas is very important in the struggle for human rights in South America with many people followed her example. Dirk Bross ends this symphonic poem with a Coda in which hope for improvements in human rights triumph.

    Estimated dispatch 7-14 working days

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  • £159.99

    Overture to a New Age - Jan de Haan

    A new era dawns-heralded by solemn brass fanfares. What does the future hold? In his work Overture to a New Age, Jan de Haan expresses on the one hand anticipation, on the other also an awareness that things won't always be as rosy as theysometimes appear. Ultimately, however, confidence and hope win through, represented by Jan de Haan in a brilliant coda. The new age can begin!

    Estimated dispatch 7-14 working days

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  • £179.99

    Banja Luka - Jan de Haan

    Aggression, despair, but also hope for peace can be clearly heard within this work. In Banja Luka Jan de Haan reflects aspects of the former Yugoslavia, stricken by a civil war which brought terrible suffering to the people of this area. Banja Luka was written for the International Horn Festival in Leeuwarden in the Netherlands.

    Estimated dispatch 7-14 working days

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