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  • £97.40

    Greensleeves (Horn in F Solo)

    Estimated dispatch 7-14 working days
  • £112.90

    Csardas (F Horn & Trombone Solo) - Vittorio Monti

    Estimated dispatch 7-14 working days
  • £186.90

    Saltatio Diabolica (Horn & Euphonium Solo) - Eddy Debons

    Estimated dispatch 7-14 working days
  • £186.90

    Saltatio Diabolica (Horn & Trombone Solo) - Eddy Debons

    Estimated dispatch 7-14 working days
  • £97.40

    The Pearl-Fishers (Horn F + EB Solo) - Georges Bizet

    Estimated dispatch 7-14 working days
  • £97.40

    Ave Maria (Horn in F + Eb Solo) - Giulio Caccini

    Estimated dispatch 7-14 working days
  • £107.50

    Dulcinea (Symphony No. 3, 'Don Quixote,' Mvt. 2) - Robert W. Smith

    The second of four movements in Robert W. Smith's epic work, Dulcinea tells the tale of Don Quixote's adoration of the ideal woman. Written in a sultry 5/4 tango, the audience will hear the haunting melody and feel the passion of Cervantes' knight-errant as he proclaims his love for Dulcinea de Tobosa. Featuring an English horn solo that is liberally cross-cued throughout, the initial melody gives way to the most powerful of statements before returning to the tango in a quiet, yet startling ending.

    Estimated dispatch 7-14 working days

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  • £79.99

    Elegy - Melvin L. Shelton

    A touching and intense memoriam piece, the mechanics are on the easy side of Grade 4, but the demand for tone quality and control in tenuto passages and long slurred phrases calls for the best of musicianship from any group. The "Adagio e Rubato" tempo indication invites the kind of wonderfully expressive ensemble playing that should probably make up a larger part of band literature than it does today. Over a quiet unifying heartbeat from the timpani, the band explores the emotions felt after a tragic personal loss. A soaring F Horn solo (cued in Trumpet. and Alto Saxophone) leads poignantly toward a gentle Orchestra Bells and Wind Chime ending.

    Estimated dispatch 7-14 working days
  • £104.50

    Three Contrasts For Solo Horn and Wind Ensemble - Claude T. Smith

    The three sections of this masterwork (I. Intrada, II. Serenade, and III. Scherzo) challenge and excite while traveling through a variety of meter changes. Impressive!

    Estimated dispatch 7-14 working days

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  • £184.99

    Il Cantico - Oliver Waespi

    Commissioned by the Stadtharmonie Zurich Oerlikon-Seebach for the 2005 WASBE Conference in Singapore"Il Cantico" was inspired by the poem "Cantico di Frate Sole" (Canticle of Brother Sun) by St. Francis of Assisi. In this famous mystic poem, St. Francis expresses his gratitude to God for the creation of nature, the sun, the earth and the living beings."Il Cantico" is based on specific parts of St. Francis's poem. A slow, dreamlike song in the flute leads gradually to the appearance of the sun, the light energy of which is expressed by radiant, powerful music in the brass instruments. The next, slower part of the work is dedicated to the moon (sora luna), a sort of mirror of thesun, and to the stars (le stelle). The music becomes more thoughtful, leads to a calm sound field in the woodwinds and later to a mystic horn solo. Still during the slow part, several chord fragments flash up, thereby announcing the fast ultimate part of the work. This part is about the fire (frate focu) illuminating the night, some sort of representative of the sun on earth. Towards the end of the work, the sun theme is combined with the fire theme.Besides these images, a purely musical structure guides the development of Il Cantico. Almost the entire piece evolves from a basic four-tone cell which appears in the horns and flute at the beginning. Consequently, the work is mainly monothematic and structured in the form of a metamorphosis. The basic cell gradually leads to a rich melodic and harmonic development. This basic material is later completed by a new chord series belonging to the fire theme. In the conclusion both approaches are combined.

    Estimated dispatch 7-14 working days

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