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  • £69.30

    Horn-A-Plenty

    This exciting new work for French horn(s) and concert band is the perfect medium for featuring that up-and-coming young horn player who is tired of playing ``after-beats'' or harmony parts. Written for horn solo with optional section parts (can be used as a solo, section feature or horn ensemble feature), HORN-A-PLENTY utilizes the best range of the instrument without placing excessive demands on young players. The ``up-tempo'' character of this piece makes it a great choice, even for more advanced bands.

    Estimated dispatch 7-14 working days

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  • £76.99

    Horn-A-Plenty

    This exciting work for French horn(s) and concert band is the perfect medium for featuring that up-and-coming young horn player who is tired of playing "after-beats" or harmony parts. Written for horn solo with optional section parts (can be used as a solo, section feature or horn ensemble feature), HORN-A-PLENTY utilizes the best range of the instrument without placing excessive demands on young players. The "up-tempo" character of this piece makes it a great choice, even for more advanced bands.

    Estimated dispatch 7-14 working days

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  • £69.00

    Abendsterne - Michael Geisler

    The lyrical piece 'Abendsterne' was written for solo trombone and wind orchestra. The soloist can really unfold in this ballad. Solo partsDownload the trombone solo part here: downloadDownload the horn solo part here: download

    Estimated dispatch 7-14 working days

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  • £59.95

    COOGEE FUNK (Advanced Concert Band) - Higgins, Gavin

    Coogee Funk is a wild and fast paced exploration of funk riffs and rhythms. Inspired by a trip to Sydney in 2005, it is divided into three core sections. The work opens with a blazing brash fanfare that, after a distant call from an off-stage saxophone quartet, subsides into a drunken nautical seascape. After a series of solos from flugel horn and saxophone the work charges headlong into a wild funk fugue which soon rears out of control. A lonely horn solo brings the piece to a melancholic close.

    Estimated dispatch 7-14 working days
  • £304.10

    Horn Concerto (Horn in F Solo) - Reinhold Glière

    Estimated dispatch 7-14 working days
  • £174.95

    RUNCORN BRIDGE (Professional Concert Band - Score and Parts) - Carpenter, Gary

    The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.

    Estimated dispatch 7-14 working days

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  • £37.95

    RUNCORN BRIDGE (Professional Concert Band - Score only) - Carpenter, Gary

    The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.

    Estimated dispatch 7-14 working days

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  • £176.00

    William Tell Overture - Gioachino Rossini

    One of the great, classic transcriptions of the concert band repertoire, Leidzen's famous arrangement of the most popular and beloved of Rossini's opera overtures has been reissued in a fine modern edition edited by Tommy J. Fry. From the atmospheric opening, through the brilliant storm sequence and following pastorale (with its English horn solo), to the quick march, almost inseparable, for Americans of a certain age, from The Lone Ranger, this is a dazzling survey of what a talented modern band should be able to achieve.

    Estimated dispatch 12-14 working days
  • £110.00

    Children of Sanchez (Flugel Horn or Alto Saxophone Solo with Concert Band - Score and Parts) - Mangione, Chuck - Gilje, Reid

    Children of Sanchez was composed by Chuck Mangione to the movie also entitled "Children of Sanchez) in 1978. Mangione was awarded several Grammys for this music.

    Estimated dispatch 7-14 working days

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  • £317.99

    Music of the Spheres (Concert Band - Score and Parts) - Sparke, Philip

    The piece reflects the composer's fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. ('Harmonia' in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and that the planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notes form the basis of the sections MUSIC OF THE SPHERES and HARMONIA. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the BIG BANG itself, as the entire universe bursts out from a single point. A slower section follows called THE LONELY PLANET which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. ASTEROIDS AND SHOOTING STARS depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with THE UNKNOWN, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.Duration: 15:30

    Estimated dispatch 7-14 working days

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