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£16.83New Orleans Jazz (Concert Band - Score and Parts)
Take a trip back in time with this snazzy little piece from Gerald Sebesky. Who says disco is dead? You kids are going to love this one!
Estimated dispatch 7-14 working days
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£44.55Woodwind Marmalade
An outstanding arrangement of "Clarinet Marmalade" made famous in the early 1900's by the Original Dixieland Jazz Band from New Orleans. Andy Clark has turned this classic into a feature for the entire woodwind section and the infectious Dixieland swing rhythms will make it a sure-fire audience favorite at any concert. It's a fantastic selection that can be used for years to come!
Estimated dispatch 7-14 working days
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£69.99
Jumpin' at the Swing Train - Stephen Bulla
Authentic Big Band swing style music for the concert band! You know this one will be a crowd pleaser, and SO much fun to play! Stephen Bulla works his magic with the great Jazz sounds of the 40s and 50s in such a way that your band will be able to put it together and make it happen. Lots of great jazz style articulation and harmonic considerations ensure that your students are doing more than just playing the piece. They are learning Big Band Jazz style interpretation in the bargain, and loving it as they do. This is a great opportunity to study the historical American roots of Jazz!Swing it!
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£118.99I Remember Clifford
The well-known American jazz musician Benny Golson (b. 1929) worked with great names like Benny Goodman, Dizzy Gillespie and Lionel Hampton. He wrote a number of jazz standards, including I Remember Clifford. The Japanese composer/arranger Toshio Mashima has produced this exciting arrangement of this jazz classic for trumpet and concert band.
Estimated dispatch 7-14 working days
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£79.99
Wade In The Water - Stephen Bulla
Big band swing sounds for your concert band ! A master of jazz styles, Stephen Bulla has crafted an authoritative big-band style arrangement for your concert band. The well known spiritual WADE IN THE WATER has been a huge popular hit in the past so your audiences are sure to recognize it. Concert bands don't often get a chance to play in a shuffle swing style, and that's a shame. It's so much fun ! Now's your chance !Knee-deep in jazz harmonies and rhythms, you and your band will want to dive into this one right away !
Estimated dispatch 7-14 working days
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£73.60A Cool Six - Mark Hendriks
A Cool Six' is a small tribute to Miles Davis and Dave Brubeck. Two giants who renewed jazz just after the Second World War. Miles Davis with his modal 'cool' jazz and Dave Brubeck with his unusual timing. 'A Cool Six' combines concepts of both gentlemen. A simple melody alternated in E-dorian and E-minor in a 6/4 beat time, however, including all characteristics of Big Band Swing Music. The title of this piece refers to the albums 'Birth of the Cool' from Davis (1957) and 'Time Out' from Brubeck (1959)Both albums inspired Mark Hendriks to write this mesmerizing piece for Concert Band nd Big Band!
Estimated dispatch 7-14 working days
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£58.50Starlight Memories - Darren W. Jenkins
Starlight Memories was commissioned by and written for the Olathe Civic Band in Olathe, Kansas. It was dedicated to the memory of Ed Badsky, who resurrected the group from a 50 year absence in the mid 1980's. Mr. Badsky was a pillar of the Olathe Band community. He was instrumental in starting Olathe's Band program from its beginnings in the 1960's to what is now a thriving and vibrant program that a proud and supportive community enjoys. Mr. Badsky was also a prominent jazz saxophonist who performed in the Kansas City area on a regular basis during his career. The work itself is meant to reflect and celebrate this man's life and accomplishments. It contains two short alto saxophone solos and its harmonies are "jazz" influenced. The work's title is based upon a local theater at which Mr. Badsky frequently performed.
Estimated dispatch 3-5 working days
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£76.99Superjet - Thierry Deleruyelle
Superjet is an energetic composition written in a jazz style, evoking the effervescence and vitality of a real big band. It is punctuated by three solos that showcase the creativity of each performer. Commissioned by the Orchestre d'Harmonie de Vesoul, this work pays tribute to Jean-Marie Goux, a former band conductor and unconditional jazz fan. Concise, dynamic, and rhythmic, it really makes you want to dance!
Estimated dispatch 7-14 working days
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£164.50Promising Skies - Robert W. Smith
In late August of 2005, the normally festive skies over the city of New Orleans began to change. As Hurricane Katrina approached the city, the skies promised a weather event of unprecedented proportions. Composer Robert W. Smith was commissioned by the United State Marine Forces Reserve Band of New Orleans to create this symphonic tone poem recreating and commemorating the Katrina experience. Beginning with "Blue Sky," the jazz of the historic city provides the musical inspiration. Soon, the "Threatening Sky" arrives giving way to the "Raging Sky." Finally, the "Dawn of a New Sky" brings hope as the city is reborn to share its musical gifts once again."Promising Skies" is large work for concert band at the medium advanced level. Using the American art form of jazz as its base along with unusual percussive effects, the piece is a unique and welcome contribution to the repertoire.
Estimated dispatch 7-14 working days
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