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£98.50The Holidays in Five - Gary Fagan
Get ready to jazz up your holiday season with a sensational holiday twist. is a festive rendition of a beloved Yuletide tune infused with iconic style. In this innovative arrangement, Gary Fagan has taken the timeless melodies of Christmas and transformed them into a cool and sophisticated jazz experience. Picture yourself sipping hot cocoa by the fireplace as the band swings into action, blending the familiar warmth of holiday music with the smooth, syncopated rhythms and unconventional time signatures. (4:02)
Estimated dispatch 3-5 working days
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£56.50The Good King Swings!
Here is a great change of pace for a holiday program. "Good King Wenceslas" and "While Shepherds Watched Their Flocks" are treated in an upbeat swing setting with all the nuances found in a jazz ensemble. The arrangement features some "jungle" drums, a smooth jazz section, an exciting contrapuntal section, and a genuine big band ending. will be a welcome addition to any holiday music library!
Estimated dispatch 3-5 working days
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£109.99Tribute to Dixie - Gilbert Tinner
This scintillating work was written as a tribute to the jazz musicians of the New Orleans, Dixieland and Chicago styles of the 20s and 30s. It consists of an opening swing section in true Dixieland style, followed by a sleazy blues section. Ideally the band should be divided so there is a separate Dixieland band consisting of trumpet, clarinet, alto or tenor saxophone, trombone, banjo (optional) and tuba or double bass. Although the Dixieland band are mostly accompanied by the remainder of the concert band the accompanying players also get the chance to shine as every now and again they take over the musical themes.
Estimated dispatch 7-14 working days
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£49.50The Blues! - James Swearingen
Don't be surprised when your beginning band students repeatedly request over and over, "Can we play 'The Blues'?" Based on a standard 12-bar blues progression, James Swearingen's "The Blues" gives students their first experience in America's very own musical art form....Jazz! It's hip, cool and features each section of the band playing musical ideas based on only their first six notes and even the percussionists are given an opportunity to be in the musical spotlight. Guaranteed to be their absolute favorite piece in the band folder. Stand back and watch the fun unfold!
Estimated dispatch 7-14 working days
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£54.99Mucho Gusto - Larry Neeck
Part of the Barnhouse Jazz For Developing Concert Band Series, this very hip Latin-rock chart features a great vamp, memorable melodic lines, and solid ensemble scoring. Along with traditional big band, expanded instrumentation includes parts for flute, clarinet, bass clarinet, french horn, baritone, and tuba. The simple, two-chord, solo section is perfect for encouraging all of your students to improvise (suggested solos are included). This is a great chart for a young band, easy to put together, fun to play, and just right as a "change of pace" on your concert.
Estimated dispatch 7-14 working days
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£63.99Ain't No Stoppin'Us! - Robert W. Smith
A driving rock chart that will be a favorite of your entire concert band. As part of the Barnhouse Jazz For Young Concert Band Series, this tune by Robert W. Smith gives all sections of the band an opportunity to "rock". Accompanied by a rhythm section, Ain't No Stoppin' Us features a scorching melody complete with woodwind fills and soaring counterlines. An open solo section gives all students an opportunity to improvise in a very comfortable setting. This is a perfect choice for the spring concert or any school assembly. Be careful, this may be the one that students want to play year after year!
Estimated dispatch 7-14 working days
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£57.50City Rain - Judith Lang Zaimont
In her tone poem City Rain, Judith Zaimont captures the spirit and vitality of a summer shower as it falls on a busy city street. This piece draws a lively picture of a passing storm and is unified by the jazz-like rhythmic motive based on the pattern of the title words city rain. Zaimont paints the image of rain through the rhythmic motive and the use of body percussion and alternative instruments (such as tapping patterns on music stands). As the music unfolds, each section of the band is spotlighted at different times. The instruments also join together to produce layers of sound that create interesting and complex jazz chords. BandQuest, an exciting series of new music and accompanying curricula for band, is a program published by the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new, fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have created challenging pieces that are a true departure from standard middle school repertoire. Every BandQuest project includes a residency component in which the composer works collaboratively with a middle school as they create their new piece. Many BandQuest pieces are accompanied by an interdisciplinary curriculum designed to assist students as they learn the music and to integrate each piece with non-music studies. Visit www.bandquest.org to learn more about this innovative series, and email [email protected] to request a free downloadable audio catalog.
Estimated dispatch 7-14 working days
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£140.50
The Twelfth Street Rag - Euday Louis Bowman
A classic old popular song is given the big band treatment by master arranger Jerry Nowak. There are thick lush Jazz harmonies and a wealth of big band style instrumental colors, but it works so well with the modern concert band. This is a perfect change up piece during a concert that will have the audience tapping their toes.
Estimated dispatch 7-14 working days
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£84.99Funk Attack - Otto M. Schwarz
Otto M. Schwarz is endeavoring to contribute new ideas to concert band literature. He has contributed in the field of multimedia (Asteroid), and with his many compositions in symphonic/modern arrangement (Jazz Waltz No 1, Fire and Ice or Band Fever). His new composition Funk Attack is, as the name suggests, a piece in funk style. Otto M. Schwarz first gained his experience in his style in the 8o?s, transcribing numbers by famos Amerarican bands including "Earth, Wind and Fire", "Tower of Power"", and the British slap idol "Mark King" (Level 42). Funk attack is atypical of "the concert band scene" and requires absolute precision in phrasing and rhythm. Without the support of agreat percussion groove, the orchestra plays an interlocked theme in the central section in style of recent American Big Bands. Otto M. Schwarz dedicated this work to "Alexander Veit and Symphonic Winds".
Estimated dispatch 7-14 working days
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£209.99Diamond Concerto - Philip Sparke
Diamond Concerto was commissioned by Musikverein Mrschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein.The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village ofMrschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:1 EARTH STARis rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.2 OCEAN DREAMuses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.3 BLUE HEARTwas written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Soloist: Difficulty 6Diamond Concerto is available for euphonium and piano (AMP 374-401) as well as for euphonium and brass band (AMP 354-030).
Estimated dispatch 7-14 working days
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