Results
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£72.99Avatar: The Way of Water, Soundtrack Highlights from (Concert Band - Score and Parts) - Franglen, Simon - Brown, Michael
The stunning follow-up to the original Avatar movie certainly did not disappoint! Featured in this well-crafted medley are sweeping new themes, dramatic action moments, and the distinctive chord progression that helps tie the soundtrack together.Duration: 5.45
Estimated dispatch 7-14 working days
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£53.95Guiro Hero (Percussion feature with Concert Band - Score and Parts) - Loest, Timothy
Celebrate Latin music's colourful sounds and infectious rhythms in this lighter work by Timothy Loest, who puts the guiro front and centre. Your audience will smile with each tap and scrape, and your students will gain an appreciation for world music. There's a new superhero in town, Guiro Hero!Duration: 2.15
Estimated dispatch 7-14 working days
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£53.95Eine Kleine March Music (Concert Band - Score and Parts) - Mozart, Wolfgang Amadeus - O'Hara LaBrie, Katie
Explore multiple style periods with this clever arrangement that sets Mozart's Eine Kleine Nachtmusik in the style of a march! The familiar melodies, presented with a creative twist, are sure to make this a student favourite. Add a dogfight section and rousing final strain, and you have a winner! Eine Kleine March Music, by Katie O'Hara LaBrie, may just be your new favourite march!Duration: 1.30
Estimated dispatch 7-14 working days
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£53.95On the Horizon (Concert Band - Score and Parts) - O'Hara LaBrie, Katie
This powerful work represents vision and hope, inspired by Katie O'Hara LaBrie's vision of a never-ending horizon. A beautiful opening suggests the sun rising on a new day before moving into a triumphant melody with uplifting woodwind interludes. The music embeds a strong sense that one can be ready for anything that lies ahead On the Horizon.Duration: 2.00
Estimated dispatch 7-14 working days
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£87.50An Ancient World (Concert Band - Score and Parts) - Sims, Adrian B.
An Ancient World, by Adrian B. Sims, imagines the ruins of a past civilization. The work explores the mysterious and fascinating landscapes that were once so beautiful. Reawakened in a new light, the world reignites with energy. After a final mourning of that which was lost and can never be restored, the work lives out the essence of ancient royalty with one last celebratory musical statement.Duration: 7.00
Estimated dispatch 7-14 working days
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£62.95Prairie Dance (Concert Band - Score and Parts) - Docter, Zachary
In Zach Docter's Prairie Dance, every instrument gets a chance to shine. A simple tune starts in the clarinets. As it's passed through the ensemble, it grows louder before culminating in a rhythmic Americana-esque hoedown that would make Copland proud. After this spirited climax, the tune winds down before ending quietly with the clarinets, precisely as it began. Every instrument group is featured in this piece. Transparency allows students to gain experience playing in thin textures, which may be a new experience at this grade level.Duration: 1.45
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated dispatch 7-14 working days
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£58.50Cornerstone Celebration (Concert Band - Score and Parts) - Watson, Scott
Cornerstone Celebration, by Scott Watson, is a musical outpouring of joy and gladness aimed at portraying what's best about the communities in which we live. Written in 3/4 meter, exploiting the Mixolydian mode, and employing a compelling, syncopated rhythm throughout, this piece will surely bring exciting and rewarding new sounds to your band. Duration: 2.30
Estimated dispatch 7-14 working days
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£256.0014 Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the modernity of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 39.00
Estimated dispatch 7-14 working days
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£65.00O Come All Ye Faithful (Flexible Ensemble - Score and Parts) - Clark, Paul
If your holiday audiences seem to have settled down for a long winter's nap, you can wake them up with this exciting arrangement of a seasonal classic! Fresh harmonies and driving rhythms combine to give this holiday chestnut new life. A guaranteed energizer for your holiday concerts!Duration: 3.00
Estimated dispatch 7-14 working days
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