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£164.95PALACE RHAPSODY, The (Novello Symphonic) - Sallinen, Aulis
Score & Parts. Op.72 for winds, percussion, harp and piano. This band work is based on the composer's opera, The Palace, deriving the composition in rhapsodic form from some of the main themes of the opera. While the score includes many of Sallinen's most infectious melodies, the undertones are ominous as the occupants of the Palace transfer power from one dictator to an equally totalitarian authority. Duration: 16 mins.
Estimated delivery 7-14 working days
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£32.95
PALACE RHAPSODY, The (Novello Symphonic) Extra Score - Sallinen, Aulis
Extra score. Op.72 for winds, percussion, harp and piano. This band work is based on the composer's opera, The Palace, deriving the composition in rhapsodic form from some of the main themes of the opera. While the score includes many of Sallinen's most infectious melodies, the undertones are ominous as the occupants of the Palace transfer power from one dictator to an equally totalitarian authority. Duration: 16 mins.
Estimated delivery 7-14 working days
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£59.99
Summertime (Concert Band - Score and Parts)
George Gershwin's only opera, Porgy and Bess, dealt with the socially sensitive issue of race. The composer even specified that it may only be performed by coloured actors. Summertime is easily the most well-known piece from this opera and has been covered numerous times, even by the likes of Ella Fitzgerald herself. Now it is your turn!
Estimated delivery 7-14 working days
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£84.99
Una Furtiva Lagrima (Concert Band - Score and Parts)
Una Furtiva Lagrima is a brilliant arrangement by Jacob de Haan, of the aria from Gaetano Donizetti's opera L'Elisir d'Amore (The Elixir of Love) for concert band. The subject of this song is the power of love: Nemorino, the main character of the opera, sings the aria as he notices that his love potion is starting to take effect on his beloved. A furtive tear (Una Furtiva Lagrima) betrays his beloved's feelings towards him in this emotional piece. 0:03:20
Estimated delivery 7-14 working days
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£37.98A Fugal Overture (Brass Band) Gustav Holst arr. Rob Bushnell
A Fugal Overture was written in 1922 by Gustav Holst. It was first performed at the Royal Opera House, Covent Garden on 14 May 1923 and was used as an opening work to Holst's one-act opera The Perfect Fool. It received its concert premiere on 11 October 1923 at one of Henry Wood's Queen's Hall Promenade Concerts. It is an early example of neoclassicism and was influenced by the counterpoint of J. S. Bach, despite its unconventional use of the fugal process. Holst began writing the piece in the summer of 1922, having hoped to develop it into a ballet. It is divided into three sections, the fugal subject with its distinct 3+3+2 pattern, a slower section with solos at the end, and a third section where the subject returns. Although reviews of the piece were mixed at the time of its premiere, the likes of Adrian Boult have said it was "an invigorating work that could effectively start any [...] concert". In more recent years, it has been compared to John Adam's A Short Ride in a Fast Machine. This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here: www.youtube.com/watch?v=a8xfwJyFq2E. Duration: Approx. 5.40 minutes Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In stock: Estimated delivery 1-3 days
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£57.50Nessun Dorma from Turandot - Giacomo Puccini
Nessun Dorma (None shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot, and is one of the best-known tenor arias in all of opera. It achieved pop status after Luciano Pavarotti's 1972 recording of it was used as the theme song of BBC television's coverage of the 1990 FIFA World Cup in Italy and became the famous Tenor's signature aria. This unique arrangement for symphonic band by James Barnes faithfully captures the beauty and richness of Puccini's original orchestral scoring.
Estimated delivery 7-14 working days
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£94.99Soldiers' Chorus - Charles Gounod
The tale of Faust, who sold his soul to the devil in exchange for knowledge and power, has been a source of inspiration for many authors, poets, film directors and composers. Among these is the French composer Charles Gounod whose opera Faustwas first performed in 1859. This charming Soldiers' Chorus is one of the most famous melodies from the opera. Its musical simplicity and beauty fits any concert programme that needs a well-known classical arrangement.
Estimated delivery 7-14 working days
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£76.99The Magic of Andrew Lloyd Webber - Andrew Lloyd Webber
Andrew Lloyd Webber's spectacular music for the stage is featured in this exciting medley. Songs include: Superstar (Jesus Christ Superstar), I Don't Know How To Love Him (Jesus Christ Superstar), Don't Cry For Me Argentina (Evita), Memory (Cats), The Phantom Of The Opera (The Phantom Of The Opera).
Estimated delivery 7-14 working days
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£59.99
Der Zaubermarsch - Rob Ares
On 30th September 1791, a few months before his death, the opera "Die Zauberflote" (The Magic Flute) by Wolfgang Amadeus Mozart was given its first performance. It was remarkable that despite his ill health and his disastrous financial situation he was able to compose a work of such comic genius. Mozart composed the overture in the two days before the premier of the opera and it is on this overture that this transcription is based. To perform the work 'a la Mozart' only the timpani part should be used, the additional percussion parts have been added by the arranger and are therefore optional.Mozart 40th SymphonyThe Austrian composer Wolfgang Amadeus Mozart lived atragically short life of thirty-five years. Towards the end of his life in the summer of 1788, he wrote three symphonies in the span of a little over six weeks. His Symphony No.40 in G Minor was one of those great works. This setting of the first movement from that Symphony provides ample demonstration of the composer's grace, inventiveness and pervasive sense of humour, which can be found throughout his music.
Estimated delivery 7-14 working days
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£139.99I Vespri Siciliani - Giuseppe Verdi
In 1854, Verdi was in Paris to compose I vespri siciliani (1855), a commission from the Theatre of the Opera. The composer soon became intolerant to the requests of the French "Grand Opra" as he considered them too restrictive and cunning. "I'll be very happy when I have finished I vespri siciliani. An opera at the Opra is as tiring as killing a bull. Five hours of music?...Hauf!" Verdi declared. Following the first performance, the French composer Hector Berlioz wrote in the "Journal des Dbats" an article that read "We have to admit that in I vespri siciliani, the penetrating intensity of the melodic expression, the sumptuous variety of theinstrumentation, the fullness, the poetical sonority of the whole, the warm vivacity that shines everywhere and the passionate strength, although slow in disclosing (a characteristic feature of Verdi's talent), give the entire work a mark of greatness, a sort of majestic sovereignty more underlined than in Verdi's previous theatre productions."
Estimated delivery 7-14 working days
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