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£144.99
The Bartered Bride Wind Band Set (Score & Parts)
The Bartered Bride (Czech: Prodan? nev??sta, The Sold Fianc?e) is the second opera, a comedy in three acts, by Bed?ich Smetana. The Czech libretto was written by Karel Sabina, who had also written the libretto for Brandenburgers in Bohemia. Composed in 1863-1866, the work was originally envisioned as an operetta, a light opera with spoken dialogue in place of sung recitatives. It was first performed in this form in 1866 in Prague. The definitive version of the work, now an opera buffa, was finished in 1870 and was performed the same year. The opera's overture and three dances are part of the orchestral repertoire. 06:30
Estimated dispatch 7-14 working days
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£57.50
Nessun Dorma from Turandot - Giacomo Puccini
Nessun Dorma (None shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot, and is one of the best-known tenor arias in all of opera. It achieved pop status after Luciano Pavarotti's 1972 recording of it was used as the theme song of BBC television's coverage of the 1990 FIFA World Cup in Italy and became the famous Tenor's signature aria. This unique arrangement for symphonic band by James Barnes faithfully captures the beauty and richness of Puccini's original orchestral scoring.
Estimated dispatch 7-14 working days
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£94.99
Soldiers' Chorus - Charles Gounod
The tale of Faust, who sold his soul to the devil in exchange for knowledge and power, has been a source of inspiration for many authors, poets, film directors and composers. Among these is the French composer Charles Gounod whose opera Faustwas first performed in 1859. This charming Soldiers' Chorus is one of the most famous melodies from the opera. Its musical simplicity and beauty fits any concert programme that needs a well-known classical arrangement.
Estimated dispatch 7-14 working days
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£121.00
Trovatore, Il - Giuseppe Verdi
A selection from Giuseppe Verdi's 12th opera: Il Trovatore. The opera is also known as: "The Troubadour" or "The Gypsy's Vengeance"
Estimated dispatch 7-14 working days
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£183.99
Finale - Giuseppe Giordani
It has been said, and wisely so, that if you wish to find TRULY dramatic music, look to opera. This is an essentially complete transcription of Act IV of Umberto Giordano's tragic opera ANDREA CHENIER. One night before French poet Andrea Chenier's impending execution, his lover Madeleine comes to the prison at St. Lazare and, wishing to die rather than live without him, through bribery manages to exchange places with a young woman who is, like Chenier, scheduled to mount the scaffold the following day. James Curnow fully utilizes his considerable orchestration skill with this immensely powerful transcription. Well performed, the ending is absolutely awe-inspiring. If yourgroup has the skill to play at this level you definitely MUST explore this significant transcription.
Estimated dispatch 7-14 working days
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£137.99
Three Onegin Dances - Pyotr Ilyich Tchaikovsky
Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but "lyric scenes". The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.
Estimated dispatch 7-14 working days
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£84.99
Cavatina - Charles Gounod
Goethe's Faust has already been set to music by various renowned musicians, such as Berlioz, Busoni and Spohr, and indeed Charles Gounod, who built his eponymous opera around the tale. Gounod's Faust is primarily known for its lovely melodies and its beautifully expressive vocal parts and subtle orchestrations. One of the high points of this opera is doubtless this impressive Cavatina ("Salut, demeure chaste et pure"). Wil van der Beek has arranged the Cavatina with the euphonium as solo instrument.
Estimated dispatch 7-14 working days
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£149.40
O Helga natt - Adolphe Charles Adam
O Holy Night is a very well-known Christmas carol. The origin of the carol is French beginning with the words: "Minuit! Chrtiens, c'est l'heure solennelle". It is about the birth of Jesus and was written in 1843 by a wine merchant and poet by the name of Placide Cappeau (1808 77). He turned to the composer Adolphe Adam (1803 56) and asked him to write a suitable melody. The result was brilliant and the carol was premiered in Cappeau's home town Roquemaure in 1847 by the opera singer Emily Laurey. Based on Cappeau's French text, the English version was written in 1855 by an American Unitarian (Calvinist) minister by the name of John Sullivan Dwight (1813 93). Adolphe Adamwas the son of the pianist and composer Louis Adam (1758 1848), who did not want his son to follow in his foot-steps as a musician. However, Adolphe wanted otherwise, and already at the age of 17 he was accepted to study at the music conservatoire in Paris. He was a student under Franois Adrien Bo eldieu and composed several comical operas that became successful. After the July-revolution 1830 Adam moved to London. He worked for a couple of years before returning to Paris, where he founded a new opera house in 1847, the Th tre national. After the revolution in 1848 it had to close and Adam was ruined, why he had to go back to composing. In 1856 he concluded the ballet Le Corsaire, which together with the ballet Giselle are his most performed works today.
Estimated dispatch 7-14 working days
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£207.00
Das Liebesverbot - Richard Wagner
This young, comic opera, composed in 1835 on one of Wagner's own libretti, based on a play by Shakespeare, was unsuccessful at the Magdeburg theatre in 1836 and even the composer considered it a "sin of youth". After attempting in vain to have his first opera, "Le Fate", performed in Germany, Richard Wagner decided that his lack of success was due to the overwhelming competition of Italo-French music. He listened to Bellini, and became aware of the objective reasons for the great success of this music, comparing the warmth of life of Italian music to the frozen and meticulous German style. Hence he composed " Das Liebesverbot " with the sole aim of giving intense pleasure tothe public, without worrying about succumbing to the clichs of French and Italian music. That is why, when we listen to this music without knowing the name of the composer, we find ourselves in an embarrassing situation. We could easily attribute the work to some French composer, Meyerbeer, or Auber, for instance, but then the melodic ease and constructive linearity would bring Rossini to mind. By paying closer attention, however, we notice a boldness, an aggressiveness and a wealth of ideas that, together with clever orchestration, reveal the touch of the great German musician. " Das Liebesverbot " deserves to be performed more often, and we feel sure that the transcription for band will be an excellent vehicle of diffusion for this symphony.
Estimated dispatch 7-14 working days
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£60.99
Der Zaubermarsch - Rob Ares
On 30th September 1791, a few months before his death, the opera "Die Zauberflote" (The Magic Flute) by Wolfgang Amadeus Mozart was given its first performance. It was remarkable that despite his ill health and his disastrous financial situation he was able to compose a work of such comic genius. Mozart composed the overture in the two days before the premier of the opera and it is on this overture that this transcription is based. To perform the work 'a la Mozart' only the timpani part should be used, the additional percussion parts have been added by the arranger and are therefore optional.Mozart 40th SymphonyThe Austrian composer Wolfgang Amadeus Mozart lived atragically short life of thirty-five years. Towards the end of his life in the summer of 1788, he wrote three symphonies in the span of a little over six weeks. His Symphony No.40 in G Minor was one of those great works. This setting of the first movement from that Symphony provides ample demonstration of the composer's grace, inventiveness and pervasive sense of humour, which can be found throughout his music.
Estimated dispatch 7-14 working days