Results
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£174.10Nde - Iver Kleive
This is the finale from the original soundtrack of the opening ceremony of the XVII Olympic Winter Games in Lillehammer, Norway, 1994. The piece was composed by Knut Reiersrud, Iver Kleive and Marilyn Mazur. It features them all as musicians; Marilyn Mazur (percussion), Knut Reiersrud (guitar) and Iver Kleive (organ) together with Linda vreb - vocals, Odd Lund - piccolo trumpet, Kjell Erik Arnesen - French horn and The Boys Choir of Oslo Cathedral.Performance notes:The horns should be standing close to the organ.To get the desired effect from the "Solo percussion"-part, please listen to the original recording of this piece Nde recorded by Kleive/ Reiersrud/ Mazur at the Kirkelig Kulturverksted label.
Estimated dispatch 7-14 working days
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£104.50Before Thy Throne I Now Appear - Daniel Bukvich
Bachs last composition is an organ prelude based on the chorale Wenn Wie in Houchsten Noten Sin. Bukvichs re-composition includes this organ prelude plus the original melody and two of Bachs harmonizations, resulting in a highly emotional work. ( 5 minutes 30 seconds)
Estimated dispatch 7-14 working days
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£104.99Jubilant Prelude - Toon Hagen
'Jubilant Prelude' is an orchestration of the 'Preludium over Psalm 150' originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the 'Grote or Sint Michalskerk' in Zwolle (the Netherlands). He has written several 'contemporary' compositions for organ.'Jubilant Prelude' has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax, which is both dynamic and harmonic, the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register, with motifs in ornamentation for saxophones, bugles and trumpets. The finale, like the prelude is capricious and vehement.The instrumentation for concert band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section.
Estimated dispatch 7-14 working days
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£104.99Canterbury Chorale - Jan Van der Roost
This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composers own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of theEnglish city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases forseveral instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an "ad libitum" organ part adds an extra richness, colour and power to this piece, making it sound even more broad andgrand.
Estimated dispatch 7-14 working days
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£75.00A Child is Born in Bethlehem (Concert Band with Optional Choir - Score and Parts) - Scheidt, Samuel - Noble & Willcocks
Samuel Scheidt (1587 - 1654) was a German composer, organist and teacher of the early Baroque era, and was one of Germany's most distinguished composers at that time, especially in the field of keyboard music. His three volumes of Tabulatura nova (1624) are a monumental compendium of song and dance arrangements, sets of variations, fantasias, toccatas, fugues and liturgical pieces (often plainsong-based) for the Lutheran Mass and Office. Likewise his four books of Geistliche Konzerte illustrate the ways of elaborating a chorale, fusing declamatory ideas with contrapuntal writing. Scheidt was the first internationally significant German composer for the organ, and represents the flowering of the new north German style, which occurred largely as a result of the Protestant Reformation. Scheidt's music is in two principal categories: instrumental music, including a large amount of keyboard music, mostly for organ; and sacred vocal music, some of which is a cappella and some of which uses a basso continuo or other instrumental accompaniment. Edited for double chorus by David Willcocks, this arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£75.00Once in Royal David's City (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Once in Royal David's City is a Christmas carol originally written as a poem by Cecil Frances Alexander. The carol was first published in 1848 in her hymnbook Hymns for Little Children. A year later, the English organist Henry John Gauntlett discovered the poem and set it to music. According to The New Oxford Book of Carols, the text was conceived by Cecil Alexander after overhearing a group of her god children complaining about the dreariness of the catechism. Cecil masterfully took doctrines from the Apostle's Creed and simplified them for her hymns. Cecil wrote about 400 hymns in her lifetime, among which are All things bright and beautiful and There Is a Green Hill Far Away. She used the money for charitable purposes, and was a tireless advocate (and visitor) of the poor and sick. Henry John Gauntlett had spent the first half of his career as a lawyer before abandoning his practice to pursue music. He served as the organist at a number of leading London churches. Gauntlett was a prolific writer and is said to have composed over 1000 hymn tunes. He made tremendous contributions to the world of music, even inventing mechanical improvements to the organ. As a result, he was praised by the famous Felix Mendelssohn and was awarded an honorary doctorate in music from the Archbishop of Canterbury. In 1919, Arthur Henry Mann, organist at King's College (1876-1929), introduced an arrangement of Once in Royal David's City as the processional hymn for the service. In his version, the first stanza is sung unaccompanied by a boy chorister. The choir and then the congregation join in with the organ on succeeding stanzas. This has been the tradition ever since. It is a great honor to be the boy chosen to sing the opening solo--a voice heard literally around the world. In this arrangement for band accompaniment, the first five verses may be performed as directed by the conductor, with different groupings of instruments for each verse, i.e., Vs.1, A cappella; Vs. 2, Fl., Oboe, E.H., Bsns; Vs. 3 Cl., Saxes; Vs. 4, Brass; Vs. 5, All, and Vs. 6 as written with featured descant. This arrangement is one of the Series of Band Arrangements compatible with the David Willcocks Carols for Choir, Book 2 (#31).
Estimated dispatch 7-14 working days
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£75.00Nun Danket Alle Gott (Concert Band - Score and Parts) - Noble, Paul
Sigfrid Karg-Elert, (1877 - 1933), was one of the principal German composers for organ of his generation. He studied at the Leipzig Conservatory, and in 1919 he became a member of the staff there. Music for organ has been a worthy source of arrangements for the Wind Band, and this piece is among his most famous works for the instrument.
Estimated dispatch 7-14 working days
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£104.99Canterbury Chorale (Concert Band - Score and Parts) - Van der Roost, Jan
This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composers own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of the English city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases for several instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an "ad libitum" organ part adds an extra richness, colour and power to this piece, making it sound even more broad and grand.Duration: 6:30
Estimated dispatch 7-14 working days
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£104.99Jubilant Prelude Wind Band Set (Score & Parts)
Jubilant Prelude' is an orchestration of the 'Preludium over Psalm 150' originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the 'Grote or Sint Micha?lskerk' in Zwolle (the Netherlands). He has written several 'contemporary' compositions for organ.'Jubilant Prelude' has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax, which is both dynamic and harmonic, the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself is heard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register, with motifs in ornamentation for saxophones, bugles and trumpets. The finale, like the prelude is capricious and vehement.The instrumentation for concert band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section. 04:30
Estimated dispatch 7-14 working days
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£59.95Lyric Dance - Paul Okkenhaug - Ray Farr
Paul Okkenhaug was a prolific composer and organ virtuoso, but due to his own modesty and self-criticism, only a few of his compositions have been published. He has composed chamber music, orchestral music, piano music, and music for the theatre....
Estimated dispatch 5-7 days
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