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£95.00The Pageant of London - Frank Bridge
Frank Bridge was one of the finest English composers of the first half of the 20th century. The Pageant of London is his only work for wind band, comprising of two marches, one scored from Bridge's best known organ piece and including the chimes ofBig Ben, plus three short renaissance pastiche items, one arranged from Playford (later used by Peter Warlock in Capriol Suite). The music is tuneful, approachable and, in the words of wind band 'legend' Timothy Reynish makes a fine alternative toHolst's two suites, which were composed around the same time. Reynish has introduced this work to concert bands right across the world. It has been performed in USA and the Far East, recorded by the celebrated Kosei Wind Orchestra of Japan and alsoby the BBC National Orchestra of Wales in the Chandos edition of Bridge Orchestral Music.
Estimated dispatch 7-14 working days
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£79.99Gloriana - Jay Bocook
Commissioned by Furman University for the inauguration of its 12th president, Jay Bocook's Gloriana is based on The Faerie Queene, an incomplete English epic poem written by Edmund Spenser and dedicated to Queen Elizabeth I. Inthe poem, Queen Elizabeth is represented as the faerie queene herself, Gloriana. This stately work for winds and percussion has a regal quality enhanced by soaring melodies and punctuated with fanfare-like brass figures. Theoptional organ part provides an added dimension to the overall uplifting effect. Dur: 3:20 (Recorded by the Furman University Wind Ensemble - Leslie Hicken, conductor)
Estimated dispatch 7-14 working days
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£202.99Missa Tornacum - AndrĂ© Waignein
Flicien Doyen, the President of the Tornacum Royal Choir Circle of Tournai (Belgium) and a close friend of the composer commissioned this Mass. Missa Tornacum was originally composed for mixed choir and organ, gave a memorable performance of thepiece in the Chartres Cathedral in France.Although it does not include the Credo, the work is composed according to the traditional structure of a Mass in five parts : Kyrie, Gloria, Sanctus, Agnus Dei, and Ite missa est. En the first two parts, adialogue is created between the choir and the band. It is followed by the Sanctus cycle ("Sanctus" - "Hosanna" - "Benedictus"), which is remarkable for the contrasts between the tone colorscharacterizing each of its three parts. The fourth part,Agnus Dei, takes on a tone of serene intimacy. A free counterpoint draws this section to a close by fading into an almost imperceptible quietness. Ite missa est begins with a series of imitations, which develop into a majestic and cheerful passagemarking the end of the Mass. Choir parts are available separately.
Estimated dispatch 7-14 working days
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£76.99
Scenes of Russia - Johan Nijs
This delightful concert work takes you on a journey to two of Russia's most famous cities. In the first movement, Moscow, you are treated to world famous sights such as Red Square, the Kremlin, and the famous water organ in GorkyPark. In the second movement you visit the ancient city of St. Petersburg, which has acted as an inspiration for many artists and composers, including Tchaikovsky, Dostoyevsky and Pushkin. Add the sparkle of a little Russianspirit to any concert with this descriptive composition. Dur: 5:00 (Grade 2)
Estimated dispatch 7-14 working days
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£66.00Variations on Mein junges Leben hat ein End - Jan Pieterszoon Sweelinck
Jan Pieterszoon Sweelinck - Variations on "Mein junges Leben hat ein End" for Concert Band, arranged by Ramon L. Ricker. Jan Pieterszoon Sweelinck, informally known during his lifetime as the "Orpheus of Amsterdam," might be considered one of the great masters of keyboard development pre-J.S. Bach. A deep understanding of contrapuntal writing, grown from the composition of more than 250 works for voices, underscore Sweelinck's keyboard innovations: the developed fugue, the organ pedal as a full fugal voice, the level of variation form reached, and the new levels or richly contrapuntal keyboard writing that incorporated various styles and ornamentations of the day.
Estimated dispatch 7-14 working days
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£150.00
Finale from Symphony No. 3 - Camille Saint-Saens
The "Finale" to Saint-Sans' 3rd Symphony ("with Organ") is a shimmering, sparkling explosion of color that stands out among the classical repertoire as one of its most exciting endings! Evan VanDoren has masterfully captured Saint-Sans' unique compositional color and style, adjusting the key for maximum playability, while staying true to the original work!
Estimated dispatch 7-14 working days
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£32.95Sinfonia From Cantata No.29 - Johann Sebastian Bach
Traditionally performed by solo organ, Bach's Sinfonia from Cantata No. 29 is arranged here for flute choir, with the piccolo parts closely following how an organist would perform the music. This arrangement has interesting textural and dynamic contrast, despite few dynamic markings, which Long creates through thoughtful scoring of different flute parts playing in various registers of the flute range. This arrangement was premiered in July of 2009 by the New England Conservatory Summer Metropolitan Flute Festival Orchestra in the New England Conservatory's renowned Jordan Hall. For advanced players.
Estimated dispatch 7-14 working days
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£154.99Symphonic Variations - Jacob de Haan
This composition is based on a passacaglia theme, in which artistic perfection, symphonic drama and oriental melody lines play a role. The passacaglia is originally a dance made up of a series of variations above a bass line constantly present as an ostinato. It is not in this sense that the "Symphonic Variations" are in the passacaglia form but in the sense of the open form of the variations. Jacob de Haan, himself originally an organist, took his inspiration for this piece from the famous passacaglia for organ in C-minor by J.S. Bach. Following the introduction of the passacaglia theme (in the bass) the entry by the trumpets and trombones forms the majestic start to amusical adventure, in which this theme (often fragmentary) returns in variations. Then there follow two faster movements with dramatic contrasts and virtuose passages. Particularly striking here is the use of two characteristic intervals from the beginning of the theme namely the minor second and the augmented fourth. An apause in the composition comes in the slow bridge where a syncopated bourdon (perfect fifth) is constantly repeated. The tension grows in dynamics and harmony, and the oriental-flavour becomes obvious in the melody. We arrive at a faster movement via an accelerando, in which a perpetuum mobile based on the passacaglia theme is central. Finally the whole flows into a martial theme, in which the ostinato accompaniment n the descant derives from the passacaglia theme.
Estimated dispatch 7-14 working days
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£104.99
Partita Piccola - Henk van Belcum
As the title suggests, this work is a partita: it consists of a number of variations on a chorale melody. The partita has been popular for centuries, especially when it comes to organ music. Henk van Belcum, who is active in the choir world, chose for his Partita Piccola the German hymn Wunderbarer Knig as a starting point. Partita Piccola consists of four variations and a choral setting. After a majestic opening fanfare, the second variation follows, based on a canon by Pachelbel. Hndel's Sarabande is the basis of the third variation. Next comes the chorale setting, after which the work ends festively with a dance that has been written in the form of a courante. PartitaPiccola is an asset for church services and for concert platforms.
Estimated dispatch 7-14 working days
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£233.99Fontane di Roma - Ottorino Respighi
Italian composer Ottorino Respighi wrote several operas, ballet music,chamber music, piano and organ works as well as Cantatas in a stylemuch influenced by the French Impressionists mixed with his uniquepersonal style. The Japanese arranger Yoshihiro Kimura has skilfullyadapted Respighi?s symphonic poem Fontane di Roma for concertbands of an advanced level.
Estimated dispatch 7-14 working days
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