Results
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£24.95SWORD AND THE CROWN, The (Prestige Concert Band - Score only) - Gregson, Edward
Extra Score. Commissioned by Royal Air Force Music Services and based on the composer's music for the Royal Shakespeare Company. Written for large forces, the score includes harp, piano, alto flute, hand bells, descant and treble recorders, rauschpfeifen (a medieval antecedent of the oboe) and a huge battery of percussion on top of the usual wind band instrumentation (please note: no saxophones). Performance time 13'54" (Recorded on QPRM117D FESTIVAL OF MUSIC 1991, Massed Bands of the Royal Air Force - Recorded on QPRM120D THE SWORD AND THE CROWN, Central Band of the Royal Air Force - 'Finale' recorded on QPRM142D FESTIVAL OF MUSIC 2002, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£44.95The Kings Go Forth (Concert Band - Score only) - Gregson, Edward
This work was commissioned jointly by the Royal Air Force Music Service and an American Universities Consortium and received its world premiere during the 1996 RAF British Tour. It is scored for large symphonic wind band, with the addition of voices.The work is a sequel to the highly successful The Sword and the Crown which was premiered in 1991 by the mass bands of the RAF (and also was an RAF commission). That work was based on music written for the Royal Shakespeare Company productions of The Plantagenets and Henry IV, parts 1 and 2 (for productions between 1988 and 1991).The Kings go Forth is similarly based on musical material for those productions. It uses different thematic elements and incorporates them into a three-movement suite entitled: The Church; The People; The State.This reflects the fact that in Henry IV Parts 1 and 2, Shakespeare introduces The People as an important element in the dramatic structure. The Church and The State are, of course, both leitmotivs throughout the entire plays. An Agnus Dei is heard at the outset from a solo voice. The ensuing Dies Irae is a fast and, at times, quite violent dance. The two sections which form the basis of the second movement, The People, concentrate on popular elements and reflect to some extent the tavern scenes in the plays. The two ideas presented are a harvest hymn reflecting the country scenes set in Gloucestershire, and a jazzy, 'up-tempo' dance based on the medieval song, Sumer is icumen in. The third movement, The State, deals with the Kings theme in the title of the piece. The juxtaposition of battle music with funeral music for Henry IV and Henry VI leads to a reworking of the leitmotif from the beginning of the work. The final section is Coronation music for Henry V, eventually leading to a triumphant climax. - Edward GregsonDuration: 17.15Recorded on QPRM 125D Festival of Music 1996, Massed Bands of the Royal Air ForceRecorded on QPRM 134D The Kings Go Forth, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£64.95Slaughter on 10th Avenue (Concert Band - Score and Parts) - Rodgers, Richard - Duthoit, W. J.
Recorded on:QPRM125D FESTIVAL OF MUSIC 1996, Massed Bands of the Royal Air ForceQPRM126D FESTIVAL OF MUSIC 1997, Massed Band of the Royal Air ForceQPRM128D THE ROYAL AIR FORCE 80TH ANNIVERSARY CONCERT, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£164.95
The Kings Go Forth (Concert Band - Score and Parts) - Gregson, Edward
This work was commissioned jointly by the Royal Air Force Music Service and an American Universities Consortium and received its world premiere during the 1996 RAF British Tour. It is scored for large symphonic wind band, with the addition of voices.The work is a sequel to the highly successful The Sword and the Crown which was premiered in 1991 by the mass bands of the RAF (and also was an RAF commission). That work was based on music written for the Royal Shakespeare Company productions of The Plantagenets and Henry IV, parts 1 and 2 (for productions between 1988 and 1991).The Kings go Forth is similarly based on musical material for those productions. It uses different thematic elements and incorporates them into a three-movement suite entitled: The Church; The People; The State.This reflects the fact that in Henry IV Parts 1 and 2, Shakespeare introduces The People as an important element in the dramatic structure. The Church and The State are, of course, both leitmotivs throughout the entire plays. An Agnus Dei is heard at the outset from a solo voice. The ensuing Dies Irae is a fast and, at times, quite violent dance. The two sections which form the basis of the second movement, The People, concentrate on popular elements and reflect to some extent the tavern scenes in the plays. The two ideas presented are a harvest hymn reflecting the country scenes set in Gloucestershire, and a jazzy, 'up-tempo' dance based on the medieval song, Sumer is icumen in. The third movement, The State, deals with the Kings theme in the title of the piece. The juxtaposition of battle music with funeral music for Henry IV and Henry VI leads to a reworking of the leitmotif from the beginning of the work. The final section is Coronation music for Henry V, eventually leading to a triumphant climax.- Edward GregsonDuration: 17.15Recorded on QPRM 125D Festival of Music 1996, Massed Bands of the Royal Air ForceRecorded on QPRM 134D The Kings Go Forth, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£224.99Lux Futura - Kevin Houben
Lux Futura (Light of the Future) was commissioned by the Royal Wind Orchestra Delft and is inspired by the letters 'D-E-L-F-T' using the letter notation system by Bla Bartk. In this 'Delft' cell, there is referral to the 'Trinitas', the bourdon bell of the Old Church in Delft, that only tolls during a funeral of a member of the Dutch Royal Family. The Delft melody switches to the 'Agneta March', which is a reference to the history of the Royal Wind Orchestra Delft. Further on the love theme, played by the bass instruments represents the love of the inhabitants for their city throughout space and time. In the middle movement, the beauty of the city is depicted by the coranglais (English horn) solo, as an ode to the lovely city of Delft. When performed, one can choose to use sound city samples recorded in Delft to create a truly magnificent spectacle. The three samples can be downloaded from websites www.halleonardeurope.com or www.kevinhouben.be.
Estimated dispatch 7-14 working days
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£74.95Admirals Regiment (March) (Concert Band - Score and Parts) - Dunn, Vivian
The ancestry of the Royal Marines dates back to the raising in 1664 of the Duke of York and Albanys Regiment, better known as the Admirals Regiment. Sir Vivian wrote this march to celebrate the Tercentenary o the Royal Marines, and it was included in the programme of music performed at the celebratory Royal Review of the Corps held in the grounds of Buckingham Palace in 1964.
Estimated dispatch 7-14 working days
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£14.95
Admirals Regiment (March) (Concert Band - Score Only) - Dunn, Vivian
The ancestry of the Royal Marines dates back to the raising in 1664 of the Duke of York and Albanys Regiment, better known as the Admirals Regiment. Sir Vivian wrote this march to celebrate the Tercentenary o the Royal Marines, and it was included in the programme of music performed at the celebratory Royal Review of the Corps held in the grounds of Buckingham Palace in 1964.
Estimated dispatch 7-14 working days
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£59.95Tall Ships (Concert Band - Score and Parts) - Goodwin, Ron
The Royal Tournament series now adds the illustrious talent of Ron Goodwin to its luminaries with all the historic dignity and grandeur of masted Tall Ships captured in the musical form of a fugue (shades of the Baroque era). The 1996 Royal Tournament , held annually in London, opened to the music of Tall Ships, played by the Massed Bands of the Royal Marines. This is powerful music from a master of the big screen, and the big occasion.
Estimated dispatch 7-14 working days
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£11.95
Tall Ships (Concert Band - Score Only) - Goodwin, Ron
The Royal Tournament series now adds the illustrious talent of Ron Goodwin to its luminaries with all the historic dignity and grandeur of masted Tall Ships captured in the musical form of a fugue (shades of the Baroque era). The 1996 Royal Tournament , held annually in London, opened to the music of Tall Ships, played by the Massed Bands of the Royal Marines. This is powerful music from a master of the big screen, and the big occasion.
Estimated dispatch 7-14 working days
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£13.95MARCHES (Concert Band CD)
The Grand Massed Bands of the Royal Air Force. Seventeen famous marches recorded in concert at the Royal Albert Hall, London.Includes: The Dambusters (Coates); Colditz March (Farnon); Crown Imperial (Walton); Marching with Sousa (Sousa/Langofrd); March of Friendship (Hingley); The Stars and Stripes Forever (Sousa); Pathfinders' March (Lockyer/Fenhoulet); Out of the Blue (Bath); The Jaguar (Richards); Air Crew on Parade (Haywood); March from The Battle of Britain (Walton); Seventy-Six Trombones (Willson); March from Things to Come (Bliss); 633 Squadron (Goodwin); Knightsbridge March (Coates); Royal Air Force March Past (Davies and Dyson); Pomp & Circumstnace March No.1 (Elgar)
Estimated dispatch 7-14 working days
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