Results
-
£110.00
Sanctus (from Requiem) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
John Rutter's Requiem is a musical setting of parts of the Latin Requiem with added psalms and biblical verses in English, completed in 1985. This arrangement is scored for soprano, mixed choir and Concert/Wind Band. It may be performed by band alone. Five of its seven movements are based on text from the Latin Requiem Mass, while the second movement is a setting of Out of the deep (Psalm 130) and the sixth movement is an anthem The Lord is my Shepherd (Psalm 23) which Rutter had earlier written. The cello solo of the second movement is maintained, but also scored as a bassoon solo. The first movement combines the Introit and Kyrie, the third is Pie Jesu, with soprano solo. The central movement is a lively Sanctus, followed by Agnus Dei and finally Lux aeterna. In the Agnus Dei and Lux aeterna, Rutter combines the liturgical Latin text with English biblical verses. The arranger has added the tolling of the bell at the end, which can be as few or as many as may be appropriate for the occasion.
Estimated dispatch 7-14 working days
-
£110.00
The Lord is My Shepherd (from Requiem) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
John Rutter's Requiem is a musical setting of parts of the Latin Requiem with added psalms and biblical verses in English, completed in 1985. This arrangement is scored for soprano, mixed choir and Concert/Wind Band. It may be performed by band alone. Five of its seven movements are based on text from the Latin Requiem Mass, while the second movement is a setting of Out of the deep (Psalm 130) and the sixth movement is an anthem The Lord is my Shepherd (Psalm 23) which Rutter had earlier written. The cello solo of the second movement is maintained, but also scored as a bassoon solo. The first movement combines the Introit and Kyrie, the third is Pie Jesu, with soprano solo. The central movement is a lively Sanctus, followed by Agnus Dei and finally Lux aeterna. In the Agnus Dei and Lux aeterna, Rutter combines the liturgical Latin text with English biblical verses. The arranger has added the tolling of the bell at the end, which can be as few or as many as may be appropriate for the occasion.
Estimated dispatch 7-14 working days
-
£49.00
Not Tu-bad! (Tuba Solo with Concert Band - Score and Parts) - Webb, Amy
Your young tuba player is about to have the thrill of a lifetime - a piece with a featured solo just for them! "Not Tu-Bad!" brings your budding tuba star to the forefront, literally, with a clever and fun musical work that highlights just how awesome they are! Give the bottom of your band the chance to stand out and shine with a memorable solo that they'll recall long after the performance is over. And if you don't have a tuba, not to worry-the solo can be played by any low brass or woodwind instrument. Highly recommended! Duration: 2.20
Estimated dispatch 7-14 working days
-
£64.99
Devil Went Down to Georgia (Flexible Solo with Concert Band - Score and Parts) - Brown, Michael
Solo feature for Flute, Violin, Clarinet, Alto Saxophone, or Xylophone and optional narrator.Take your best soloist and turn him (or her) loose to do musical battle with the devil! In this cleverly designed novelty number, solo parts are provided for flute, violin, clarinet, alto sax, and mallet percussion. In addition, an optional narration is included along with alternate passages to work with any of the soloists. This tune was a number 1 hit for the Charlie Daniels Band back in 1979, and it could very well be the number 1 hit of your next band concert!
Estimated dispatch 7-14 working days
-
£168.50
Manhattan (Trumpet Solo with Concert Band - Score and Parts) - Sparke, Philip
Manhattan was commissioned by the United States Army Band for their solo trumpet player Woodrow English, and first performed by them in Carnegie Hall, New York, in November 2003. The two movement work demonstrates both the lyrical and technical abilities of this outstanding player. The 'theme' is a weekend in New York and the opening bluesy movement, Saturday Serenade, describes the city on a Saturday night, perhaps in a smoke-filled jazz bar. While writing Sunday Scherzo, the composer pictured an early morning jog in Central Park.This vivaciously rhythmic second movement ends with an even quicker coda bringing the work to a brilliant close. Each movement can also be played individually when a shorter solo is required. Manhattan is a major work in the solo trumpet repertoire.Duration: 9:30
Estimated dispatch 7-14 working days
-
£59.99
My First Solo Wind Band Set (Score & Parts)
You only have had a couple of months of lessons and already you are to play a solo at your band's annual gala concert. in a big concerthall, on a huge platform and in front of people from your own town or village. Now there's something ! This circumstance inspired Jerry Bensman into writing your very first solo piece with band accompaniment. The solo part may be played by various instruments and was kept very simple indeed. Parts are available in various transpositions and keys. 02:45
Estimated dispatch 7-14 working days
-
£72.99
The Carnival of Venice (Flexible Solo with Concert Band - Score and Parts) - Arban & Benedict - Vinson, Johnnie
Solo feature for Flute, Trumpet, Trombone, Baritone, Tuba or Xylophone.One of the best-known solo vehicles ever written is now available for younger players in this skilfully crafted setting by Johnnie Vinson. With several options for the featured instrument, this is a great way to showcase standout players year after year.Solo part - American grade 4, Band set - American grade 3
Estimated dispatch 7-14 working days
-
£115.00
DIVERTIMENTO FOR BAND (Concert Band) - Woolfenden, Guy
Includes:I. ToccataII. AubadeIII. ScherzoMany of the principal musical ideas for Divertimento for Band are derived from music composed for a documentary film called Country Camera, which celebrated the work of the earliest photographers who recorded a way of life which vanished at the outset of the first World War.The three movements are played without a break. The Toccata pits a four-note motif (which always appears with its mirror image) against several other derived ideas, including a sour horn (later trumpet) figure, a tiny lyrical passage initiated by a solo alto saxophone, and a more gentle, but still staccato episode. Many polytonal devices keep the four-note motif active. The Aubade contrasts a lyrical pastorale, initiated by a solo flute, with a more intense central section on the brass. The Scherzo finale has three main ideas; a tune for principal bassoon and euphonium of a playful child-like nature, a rushing figure for the woodwinds later developed by the full band, and a solo for trumpet and clarinet, involving a descending scale and a lyrical wide-leaping recovery. The exuberant coda is derived from themes from the previous two movements.The world premiere of Divertimento for Band was given at the conference of the World Association for Symphonic Bands and Ensembles in Killarney on 13th July 2007 conducted by the composer, and is affectionately dedicated to Keith Allen, Jayne Rollason and Birmingham Symphonic Winds. -GW
Estimated dispatch 7-14 working days
-
£57.50
LET IT GO (from Frozen) (Vocal or Flexible Instrumental Solo with Intermediate Concert Band) - Anderson-Lopez & Lopez - Murtha, Paul
Designed as a flexible solo feature with band (use a vocalist or instrumental soloist) this marvelous arrangement of the signature hit song from Disney's Frozen is a great way to add variety to any concert. Great for alto sax, flute, clarinet or trumpet solo!
Estimated dispatch 7-14 working days
-
£119.95
LINDISFARNE RHAPSODY, A (Flute Solo)(Prestige Concert Band) - Sparke, Philip
Commissioned by Kenneth Bell, principal flute of the Central Band of the Royal Air Force, this delightful work is challenging but approachable and the perfect vehicle for your star flautist! (Grade 5) Performance time 13'31". "Good flautists will find this a good piece to add to their repertoires, as it presents different challenges to the standard solo fare. The solo line is particularly well set against the band as it rarely travels to the lower register of the flute. The work opens with an extended section of lyricism followed by skittish dance. The central ''andante con moto'' is particularly delicate before the final section heads off and ends in a thoroughly unexpected conclusion!" Winds Magazine (Recorded on QPRM129D VENETIAN SPELLS, Central Band of the Royal Air Force)
Estimated dispatch 7-14 working days