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  • £104.99

    The Source (Concert Band - Score and Parts) - Appermont, Bert

    At the heart of this piece are several elements that inspired the composer. First of all: nature, infinite and inexhaustible, giving life and power, something bigger than humans can grasp. The composer used the Gregorian hymn 'Veni Creator Spiritus' as a leitmotiv to reflect this idea. A second element was the passing of David Maslanka, a dear friend of the composer, honoured in the work by a few musical 'echoes'. At the end of the work, there is a passage for optional choir in different possible settings. The Source was commissioned by the Banda Giovanlie Regionale ANBIMA FVG, Italy, and is an impressive, stirring and moving piece of music. Duration: 8.00

    Estimated dispatch 7-14 working days

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  • £47.50

    Flash Point! (Concert Band - Score and Parts) - Roszell, Patrick

    A flash point is described as a point at which someone or something bursts suddenly into action or being. Introducing accented, staccato, and legato articulations, all instruments get an opportunity to play one of the contrasting themes. With a variety of teaching opportunities, this exciting and punctuated composition is a welcome addition to any program.Duration: 1:45

    Estimated dispatch 7-14 working days

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  • £64.99

    Synergy (Concert Band - Score and Parts) - Buckley, Robert

    Synergy is the combined power of a group when they are working with each other. In musical terms, it's that magical something that happens when people create music together. Written as a celebratory piece, Synergy is a rousing overture that explodes with energy and effervescence, an ideal concert opener or festival piece full of joy and excitement that showcases all sections of the band.Duration: 4:30

    Estimated dispatch 7-14 working days
  • £75.00

    Diminished Minor Alterations (Concert Band - Score and Parts) - Lovrien, David

    The newest addition to our wildly popular "Minor Alterations" series is scored for younger bands, yet it retains all the humor and excitement of the Grade 5 version! It's a game of holiday hide-and-seek for your audience where favorite Christmas tunes are transposed from major to minor keys then disguised, layered and morphed even more. How many can you name? From the ominous introductory Deck the Halls to the final, frenzied Nutcracker Suite finale, each tune is lovingly twisted into something new and inventive. Duration: 4.15

    Estimated dispatch 7-14 working days

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  • £84.00

    Conversations (Concert Band - Score and Parts) - Wilson, Chandler L.

    In the American Declaration of Independence, Thomas Jefferson wrote, "If there's something wrong, those who have the ability to take action have the responsibility to take action..." Chandler Wilson's "Conversations" is based on the idea of conversations that are needed for society to progressively move forward, most profoundly in the areas of racial issues and equality. The music eloquently expresses the importance of considering and respecting the points of view of other's. A musical work which is truly thought-provoking. Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £74.00

    Twilight Portrait (Concert Band - Score and Parts) - Huckeby, Ed

    Looking for something different? This stunningly beautiful ballad was inspired by a series of photographs depicting the twilight times of sunrise and sunset. With flowing melodic lines and soaring countermelodies, "Twilight Portrait" provides a magnificent opportunity for your ensemble to develop and showcase a legato playing style, while presenting a striking image of musical lyricism. A video slideshow, featuring the photographs which inspired the work, is available for download so the twilight images can be presented in concert with the music as a unique multimedia event. Duration: 4.00

    Estimated dispatch 7-14 working days

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  • £65.00

    Down from the North (Concert Band - Score and Parts) - Kroll, F. Scott

    Something menacing is there on the horizon. Is it a group of dragons ready to set the countryside ablaze? Is it a group of orcs spoiling for a fight with the knights of the realm? Could it be the Viking horde coming to pillage the land? The decision is yours in this exciting piece for developing Band by F. Scott Kroll. With grade appropriate challenges in the winds and timpani featured throughout, your students will enjoy their own musical adventures while mastering new skills. Duration: 2.10

    Estimated dispatch 7-14 working days

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  • £57.50

    Steps Ahead (Concert Band - Score and Parts) - Gandolfi, Michael

    Steps Ahead is a new BandQuest work by Michael Gandolfi that takes young players on a journey! Along the way, there are musical/compositional techniques that are intended to educate the performers about basic compositional techniques that are intended to educate the performers about basic compositional techniques. "Steps Ahead is a delightful piece with something interesting for every instrument in the ensemble. Each of its three sections addresses a kind of compositional technique - transposition, tutti (a 2-part homophonic section) and developing tutti (parts of the band enter to build to a 2-part homophonic tutti). Less experienced players might enjoy the challenges of easy syncopation and musical lines constructed with larger intervals." -Tom Duffy, series editor.

    Estimated dispatch 7-14 working days
  • £140.00

    Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul

    The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)

    Estimated dispatch 7-14 working days

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  • £100.00

    Finale (from Mass of the Children) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    Mass of the Children represents something new in the composer's work insofar as it was conceived with an integral role for a children's choir alongside an adult mixed choir, two soloists, and orchestra (now band). The role of the children's choir is to add a further dimension to the traditional Latin Mass sung by the adult choir, sometimes commenting, sometimes amplifying the meaning and mood. His musical understanding, sense of melody, harmony and orchestration are oftentimes fully capable of telling the story even without the text. In the setting for band alone, the children's choir part is generally set for solo trumpet.

    Estimated dispatch 7-14 working days

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