Results
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£248.99
Volcano Wind Band Set (Score & Parts)
Volcano is a work commissioned by the Municipal Wind Orchestra of Endingen in Germany. The three creative impulses which provided the basis for this symphonic poem are inspired by outside sources. They are closed linked with the history of the Orchestra and the region in which it performs. In this region is the Kaiserstuhl, an enormous rock situated on the edge of the Black Forest. Volcano is a stimulating, lyrical, brilliant and festive work. 0:12:00
Estimated dispatch 7-14 working days
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£49.50
Wild Horse Canyon
Here is wonderful program music for young bands suggesting the imagery of wild horses roaming free in the Red Rock canyons of Utah. Interesting parts abound, with unison and independent lines for all players. The short opening fanfare sets the stage for the brisk allegro section. A short interlude leads to a lyrical section for the woodwinds and low brass. A new transitional fanfare leads us back to a recap of the main themes. An inspiring concert or festival selection!
Estimated dispatch 7-14 working days
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£104.99
Wingin' It! (Concert Band - Score and Parts)
Wingin' It! is an entertaining concert piece. It makesespecially high demands on the rhythmic qualities ofthe band and requires exact articulation and phrasingaccording to the composer's instructions. After abrilliant opening, a catchy theme crystallizes whileall sections take turns to come to the forefront.Based on this theme, a swing in the classic big bandstyle, a peaceful Bossa (in which the woodwindsdominate) and a section with typical rock and funkrhythms follow. The two-step feeling closes thecircle to lead to the grand finale. This compositionfeatures all the essential elements of a contest pieceand provides a particular challenge in the understandingand execution of popular styles. It alsooffers all the facets that make a work attractive forthe audience as well as the musicians. 07:45
Estimated dispatch 7-14 working days
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£54.95
Brain Stew
Green Day, a pop punk/rock band from Berkeley, California, is considered one of the most popular bands in the world. Brain Stew is the third single from by Green Day's album, "Insomniac." The song appeared as Brain Stew in the TriStar Motion Picture "Godzilla," and currently in the video game "Runescape" and Guitar Hero World Tour. Due to its simplicity, many Green Day fans believe that Brain Stew has become one of the first songs to appear in the repertoire of many garage bands.
Estimated dispatch 3-5 working days
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£252.10
Abstractions - Torstein Aagaard-Nilsen
The titles of this three-movement work are abstractions where visual experiences are thought to be recreated as music, i.e. an abstract presentation of a motif, similar to an abstract image where one cannot immediately see the similarity.The first movement is inspired by the northern lights. It constantly changes in colour and shape.The title of the second movement is a play with the word "rock" is a well-known word describing a musical genre.But it is also a giant stone or a part of a mountain.The titles of this three-movement work are abstractions where visual experiences are thought to be recreated as music, i.e. an abstract presentation of a motif, similar to an abstract image where one cannot immediately see the similarity.
Estimated dispatch 7-14 working days
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£102.99
Music Xperience - Jacob de Haan
The town of Zevenhuizen (Seven Houses) in the Dutch province of Groningen conceived the idea to assemble 777 musicians for an experimental open air concert. Within that context, Jacob de Haan was commissioned to write a special composition for the local music society Concordia on the occasion of its fiftieth anniversary. The full number of musicians could not be realized entirely, but the performance was a great happening nonetheless. Now, the music has been published in a compilation, with the most appealing melodies in a varying style of rock music and ballads. The compelling closing theme of Music Xperience will linger in the minds of many listeners and players long after the concert has ended.
Estimated dispatch 7-14 working days
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£435.40
Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£114.99
Citadel - James Barnes
Citadel was composed to commemorate the 150th anniversary of The University of Kansas (1865 to 2015.) It begins with optional offstage chimes (one or two sets [opt.]) to depict the daily ringing of the bells in KU's World War II Memorial Campanile. Trumpets introduce a fanfare-like figure that quickly evolves into the opening theme of the work. As the music settles and becomes softer, a saxophone choir introduces a slower, more pensive middle theme intended to describe the university's academic nature. A quiet moment at the end of this section hints at the famous Rock Chalk Chant in solo horn before the chimes and fanfare return to end the work in a final, dramatic outburst of sound and color.
Estimated dispatch 7-14 working days
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£54.99
Wild Horse Canyon - Scott Stanton
Here is wonderful program music for young bands suggesting the imagery of wild horses roaming free in the Red Rock canyons of Utah. Interesting parts abound, with unison and independent lines for all players. The short opening fanfare sets the stage for the brisk allegro section. A short interlude leads to a lyrical section for the woodwinds and low brass. A new transitional fanfare leads us back to a recap of the main themes. An inspiring concert or festival selection!
Estimated dispatch 7-14 working days
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£106.95
Forever Climbing - Larry Clark
Forever Climbing was written as tribute to the loss of a high school band student that was tragically killed in a rock climbing accident. It is not intended as a sad piece, but as a celebration of the life of this exceptional young man. At times the piece is contemplative, but also contains a joy that is to depict the way he lived. As the piece builds to its conclusion, the listener will have a sense of fulfillment in a life well lived, even though it was cut short. A moving new addition to the band repertoire.
Estimated dispatch 7-14 working days