Results
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£54.45The Explorers of Orion (Concert Band - Score and Parts)
Exciting yet playable rhythms combined with memorable melodies make this piece sound more difficult and sophisticated than it really is.
Estimated dispatch 7-14 working days
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£50.50Ripples in the Sand - David Marlatt
provides ultimate flexibility for ensembles with incomplete instrumentation or odd combinations. These pieces are playable by as few as 5 woodwind, brass or string players with or without percussion. This creates the opportunity for a mixed quintet to perform these titles but also allows for performance for 10-15 players up to full a band/orchestra with parts doubling. Great for music camps, contest use or any band room that has non-standard instrumentation. This work is peaceful and reflective and accessible to young musicians. The major pentatonic scale is used as the basis for this composition which creates an interesting texture and evokes the sound of an ancient Japanese folk song. (2:35)
Estimated dispatch 3-5 working days
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£21.95SOUND BARRIER Rhapsody (Novello Symphonic Band) Extra Score - Arnold, Malcolm
Extra Score only. From Malcolm Arnold's first film score for the director, David Lean, written for the movie, The Sound Barrier which was the story of jet planes and their attempts to fly faster than sound. This is the music of the wide-open spaces of the sky; of the ecstasy of flying; of the sense of loss and waste when accidents happen; and finally of man's aspirations and elation at subduing yet another particle of the universe. Duration: 7 mins.
Estimated dispatch 7-14 working days
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£107.95
SOUND BARRIER, The (Novello Symphonic) - Arnold, Malcolm
Score & Parts. From Malcolm Arnold's first film score for the director David Lean written for the movie The Sound Barrier which was the story of jet planes and their attempts to fly faster than sound. This is the music of the wide-open spaces of the sky; of the ecstasy of flying; of the sense of loss and waste when accidents happen; and finally of man's aspirations and elation at subduing yet another particle of the universe. Duration: 7 mins. American GRade 5
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£159.99The Miner's Saga - Otto M. Schwarz
This programmatic piece is about a simple miner by the name of Gottlieb Bumler and his pact with the devil. In the program note one can follow each step of the story so you can almost hear the events as if they were happening in front of you! This cinematic piece is full of sound effects, great brass sequences, solid percussion and virtuosic winds. An ideal piece for a thematic concert, or a challenging choice for a contest. This programmatic piece is about a simple miner by the name of Gottlieb Bumler and his pact with the devil. In the program note one can follow each step of the story so you can almost hear the events as if they were happening in front of you! Thiscinematic piece is full of sound effects, great brass sequences, solid percussion and virtuosic winds. An ideal piece for a thematic concert, or a challenging choice for a contest.
Estimated dispatch 7-14 working days
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£113.30Cuban Sound
After the enormous success obtained with ''Santana a Portrait'', ''Oro Latino'', ''Corazon Espinado'', and ''Perez Prado'', Giancarlo Gazzani presents another Latin medley: ''Cuban Sound''. This collection features some of the most exciting pieces belonging to the repertory of the leading Latin-American orchestras of the twentieth century: ''Ran Kan Kan'' by Tito Puente, the King of Mambo; the lyrical ''Quizas Quizas Quizas'' by Osvaldo Farres; and ''Mambo Inn'' by Mario Bauza.
Estimated dispatch 7-14 working days
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£134.99Sound Variations - André Waignein
Sound Variations is a work comprising of eight short sections, each based on a simple theme, each characterised by a great variety of styles and sounds. It opens with a fanfare-like introduction that soon leads into the presentation of the main theme followed by five variations on this theme. Each of these variations has its own style: Swing, Latin, Waltz, March and Rock. After a final repeat of the main theme, the work comes to an end with a brilliant finale.
Estimated dispatch 7-14 working days
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£134.99Sound Variations (Concert Band - Score and Parts) - Waignein, Andre
Sound Variations is a work comprising of eight short sections, each based on a simple theme, each characterised by a great variety of styles and sounds. It opens with a fanfare-like introduction that soon leads into the presentation of the main theme followed by five variations on this theme. Each of these variations has its own style: Swing, Latin, Waltz, March and Rock. After a final repeat of the main theme, the work comes to an end with a brilliant finale.Duration: 10:30
Estimated dispatch 7-14 working days
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£65.99Now The Winter's Come To Stay - David Shaffer
Very lyrical and expressive, this peaceful David Shaffer composition is a wonderful tool for teaching legato style to mid-level groups. Carefully scored to assure a lush full sound and help your band attain a more mature sound. Written in the style of a chorale prelude, it will make a great change of pace selection for any winter or holiday concert. Very Highly recommended!
Estimated dispatch 7-14 working days
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