Results
-
£55.00
Castlebay
This fresh new setting of two traditional Scottish folk songs, Will Ye No Come Back Again and Keel Row, was written in honor of its namesake, the Scottish village Castlebay. Composer Gene Milford has crafted a well-scored offering for contest/festival performance that is reminiscent of English-style band pieces. After the striking opening, the piece moves to the more fiddle-like Keel Row in a lilting 6/8. All of the sections of the ensemble get to shine and the band will sound formidable with this piece.
Estimated dispatch 12-14 working days
-
£33.00
Error Detection - Student's Edition - Robert Spradling
The Error Detection: Exercises for the Instrumental Conductor texts are designed to improve the critical listening skills of the conducting student through real music excerpts that contain planted errors in the parts for the conductor to find. Both books contain 54 excerpts from standard band literature from grades 2 to grade 6 so students gain knowledge of real music they can use later, not just non-musical etudes. The teacher's edition contains over 350 pages of materials with analysis sheets and answer keys to help the conducting teacher to easily evaluate the student's progress. The teacher's edition also comes with a CD-ROM containing all of the instrumental parts for all of the musical excerpts as PDF files, so the teacher can just print the amount of parts needed for each example, and the examples are arranged to sound satisfying with as little as five players. The Error Detection program has been tested for over 3 years at major university programs like the University of Minnesota, Illinois State University, and the College-Conservatory of Music at the University of Cincinnati.
Estimated dispatch 12-14 working days
-
£151.00
Error Detection - Teacher's Edition - Robert Spradling
The Error Detection: Exercises for the Instrumental Conductor texts are designed to improve the critical listening skills of the conducting student through real music excerpts that contain planted errors in the parts for the conductor to find. Both books contain 54 excerpts from standard band literature from grades 2 to grade 6 so students gain knowledge of real music they can use later, not just non-musical etudes. The teacher's edition contains over 350 pages of materials with analysis sheets and answer keys to help the conducting teacher to easily evaluate the student's progress. The teacher's edition also comes with a CD-ROM containing all of the instrumental parts for all of the musical excerpts as PDF files, so the teacher can just print the amount of parts needed for each example, and the examples are arranged to sound satisfying with as little as five players. The Error Detection program has been tested for over 3 years at major university programs like the University of Minnesota, Illinois State University, and the College-Conservatory of Music at the University of Cincinnati.
Estimated dispatch 12-14 working days
-
£122.50
Festive Music
This work of festive atmosphere was written in 2000 for symphonic band, then the composer arranged it for symphony orchestra. In this piece, Lszl Dubrovay (*1943) parts with his special, hallmark concert band effects; rather, lively vibrations enriched with colliding seconds and distant overtones are brought to the foreground. The special sound is coloured by ornamental trills, appearing even in batches, and vibrating collisions in the high registers. The performance is rendered even more unique by the outer trumpets on both sides of the space. The trumpets and the flugelhorns can be divided into ten parts altogether, thus, the piece can be played by one ensemble or several bands together, as it is usual at the conclusion of large-scale festivals. This composition may be a great choice for festive concerts, since it is a solemn, innovative, and - by virtue of the free arrangement of the performing space - special work at the same time.
Estimated dispatch 7-14 working days
-
£78.50
Bleak Forest - Andreas Ziegelbäck
Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022.Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales... don't they?Andreas Ziegelbck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universitt, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbck's interest in composing. In 2021, Andreas Ziegelbck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band.
Estimated dispatch 7-14 working days
-
£142.90
Cantina Band - John Williams
Cantina Band (or Mad About Me) was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called jizz, Williams' take on the more well-known genre jazz. Williams was tasked by Star Wars-creator George Lucas to make music that sounded like several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing.The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name "jizz-wailers", and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well.The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine.In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum.
Estimated dispatch 7-14 working days
-
£144.99
Serenata - Jan van der Roost
While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!
Estimated dispatch 7-14 working days
-
£76.99
Proud (Grutsk) - Jacob de Haan
This impressive work was composed for the Dutch-Friesian city of Leeuwarden, which was considered the 'cultural capital' of Europe, 2018; the composer spent his college years in this city. This festive work for bagpipes, drums and concert band is based on the melody of the anthem of the province of Friesland. Proud was written for the music event, Grutsk, which is the Friesian word for proud hence the title. Various bands have performed on five different stages across the town centre. The finale was performed in a concert held at Wilhelminaplein (Wilhelmina Square), which opened with this work. This world premiere was conducted by the composer himself. The bagpipes areoptional, but advisable. As a whole, they give the composition a very special sound.
Estimated dispatch 7-14 working days
-
£114.99
Citadel - James Barnes
Citadel was composed to commemorate the 150th anniversary of The University of Kansas (1865 to 2015.) It begins with optional offstage chimes (one or two sets [opt.]) to depict the daily ringing of the bells in KU's World War II Memorial Campanile. Trumpets introduce a fanfare-like figure that quickly evolves into the opening theme of the work. As the music settles and becomes softer, a saxophone choir introduces a slower, more pensive middle theme intended to describe the university's academic nature. A quiet moment at the end of this section hints at the famous Rock Chalk Chant in solo horn before the chimes and fanfare return to end the work in a final, dramatic outburst of sound and color.
Estimated dispatch 7-14 working days
-
£332.70
Bengal Lights - Olav Anton Thommessen
The richness of the music of the sub-contient is an eternal inspiration, showing music to be the fusion and balance of opposites: improvisation and calculation, freedom and form, rhythm and melody.Indian musical thinking has acted through thecenturies as a model for articulating thought through sound.I have based my piece on an Indian temple dance in which a short motivic nugget generates garlands and trails of sonic colour.The raga-form is maintained, with anintruduction comprizing a presentation of the scale-material, out of which the sonic nugget is forged.The work was premiered by The Norwegian Navy Band Bergen conducted by Peter Szilvay in 2007.This newversion was edited by thecomposer in 2015.
Estimated dispatch 7-14 working days