Results
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£58.50Clouds (Concert Band - Score and Parts) - Sobiech, Zack - Bullock, Jack
Originally written by a strong young man with an incurable medical condition, this work provides a message that is clear and strong. Encourage your studnets to explore his lyrics to gain a greater understanding of the meaning. Although repetitive, the composition will serve as a tremendous introduction or reinforcement to alla breve time signature assisted by the teaching ideas that are shared in the preface to the conductor's score. This heartwarming composition will be one that many will never forget.Duration: 3.30
Estimated dispatch 7-14 working days
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£75.00Deck the Hall (Concert Band with Optional Choir - Score and Parts) - Noble & Rutter
John Rutter has created a delightful rendition of this notable carol, originally published as an a cappella choral piece, to which this equally delightful adaptation has been made for combined Concert Band and Chorus, or for band alone. The choral part is shown in the score, but is not included in the set. This arrangement is compatible with the published a cappella choral version, except that this arrangement is one whole step lower than the published choral version.
Estimated dispatch 7-14 working days
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£450.00Henry V, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
The Suite from Henry V is an arrangement for Concert Band and optional narrator, adapted from the 1963 orchestral arrangement of William Walton's musical score from the 1944 film Henry V. The suite, originally arranged for orchestra by Muir Mathieson, is in five movements, and occupies a very significant role in the history of music and of Shakespearean studies. Performances exist in a variety of formats because the adaptation of the narration to a film suite is subject to choice. To be chronologically correct, the order of movements from the original suite has been altered to adhere to the narration of the play. And the choice of speeches has required considerable research by classicists who are familiar with the writings of Shakespeare. It has been the endeavour of this arranger to research and present this suite in as authentic a manner as possible, understanding that it might well become the standard by which Concert Bands of the future will adapt and present this music. The arranger is indebted to Anna Warren, a resident of Twickenham and a graduate in Modern Languages (French and Italian) and History from the University of Bristol and a postgraduate from The Institute of Education, the University of London, for her knowledge and insight into the formation of the narration.
Estimated dispatch 7-14 working days
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£75.00Magical Kingdom (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Written for 2-part children's choir and small orchestra, this fresh new arrangement is written for combined Concert Band and Chorus, and can be performed by band alone. The text shows John Rutter's ability to capture the imagination of young and old alike, yet the music is so beautifully set that words become almost superfluous. The arrangement is compatible with the published vocal score.
Estimated dispatch 7-14 working days
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£250.00Toward the Unknown Region (Choir with Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul
This magnificent setting of Walt Whitman's poem established Vaughan Williams's reputation as one of the leading composers of the twentieth century. The idea of a spiritual journey - the passage of the soul from darkness to light, Toward the Unknown Region - is central to the text and fully reflected in the music. Beginning softly and simply, the music follows the text of the poem, building through a Wagnerian chromaticism toward a bold and dramatic climax. This was Vaughan Williams's first major choral piece, and its obvious inspirational qualities made it a success from the first. This arrangement for Concert Band and Chorus adheres to the original orchestration. The choral parts are included in the conductor's score as a reference, but are not part of the set. The choral parts are available for purchase seperately.
Estimated dispatch 7-14 working days
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£87.50The Hobbit: The Desolation of Smaug, Suite from (Concert Band - Score and Parts) - Shore, Howard - Lopez, Victor
A four-movement suite arranged for concert band that depict a very playable adaptation of the chilling, beautiful, and terrifying Howard Shore soundtrack. Including The Quest for Erebor, Winderland, Thrice Welcome, and In the Shadow of the Mountain, the arrangement brings out the excitement of the original tracks without compromising the integrity of the original score.Duration: 11:15
Estimated dispatch 7-14 working days
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£79.50Beyond the Forest (from The Hobbit: The Desolation of Smaug) (Concert Band - Score and Parts) - Shore, Howard - Roszell, Patrick
From the critically-acclaimed fantasy film, Howard Shore's haunting and dramatic film score is arranged specifically for outstanding junior high and high school bands, and will be a welcome addition to your pop concert program.Duration: 5:30
Estimated dispatch 7-14 working days
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£64.50Man of Steel, Selection from (Concert Band - Score and Parts) - Zimmer, Hans - Story, Michael
Recreating the excitement from the blockbuster Hans Zimmer film score, this medley includes Look to the Stars, If You Love These People, Goodbye My Son, Oil Rig, and What Are You Going to Do When You Are Not Saving the World? Contrasting tracks are all combined in this energetic through-played medley.Duration: 5:15
Estimated dispatch 7-14 working days
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£48.95The Collegiate (Concert Band - Score and Parts) - Martyn, David
Young bands will experience all the dynamics and drama of the traditional march style in "The Collegiate." This piece is an excellent vehicle for exploring new rhythms and articulations in the context of a solid score and a comfortable key.Duration: 2:45
Estimated dispatch 7-14 working days
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£110.00A Fugal Overture (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
Gustav Holst began composition of A Fugal Overture in 1922, completing the full score in January 1923. Despite its name, the overture is not strictly fugal. It belongs to the era of neo-classicism, but apparently by coincidence, for Holst had not yet heard some of the Stravinsky and Hindemith works which set this fashion. The fugal subject is full of spiky crossrhythms - Holst grouped the eighth notes (quavers) of his 4/4 into a pattern of 3 + 3 + 2, thus giving a bar of three unequal beats. The piece is intense and exciting, and should make an important addition to the repertoire of the Concert Band.
Estimated dispatch 7-14 working days
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