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£66.00La Tourterelle - Eugène Damare
A delightful polka from the "Golden Age" era which features the piccolo in all its glory. This arrangement by Louis W. Lewis will delight any audience and is a great way to introduce the smallest member of the flute family to the audience. Instrumentation: Solo D-flat (or C) Piccolo or Solo Cornet (Baritone), C Flute 1/2, Oboe 1/2, Bassoon, E-Flat Clarinet, Clarinet 1, Clarinet 2/3, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Cornet 1, Cornet 2, Cornet 3/4, Horns 1/2, Horns 3/4, Trombone 1/2, Trombone 3/Bass Trombone, Baritone (T.C. and B.C.), Basses (Tuba), Percussion (Snare Drum, Bass Drum, Triangle)
Estimated dispatch 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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£64.35Love's Old Sweet Song
This beautiful song from the turn-of-the-century is Andrew Glover's latest addition to the Barnhouse "Spotlight" series for solo instrument or voice with band accompaniment. Most effective as a solo for euphonium, trombone, or cornet/trumpet, it includes solo parts and is also playable by solo flute, violin, oboe, clarinet, alto saxophone, or horn. It may also be performed as a vocal solo (medium range from low D up to top-line F.) A masterful arrangement of a wonderful classic song!
Estimated dispatch 7-14 working days
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£71.50Love's Old Sweet Song - Molloy
This beautiful song from the turn-of-the-century is Andrew Glover's latest addition to the Barnhouse "Spotlight" series for solo instrument or voice with band accompaniment. Most effective as a solo for euphonium, trombone, or cornet/trumpet, it includes solo parts and is also playable by solo flute, violin, oboe, clarinet, alto saxophone, or horn. It may also be performed as a vocal solo (medium range from low D up to top-line F.) A masterful arrangement of a wonderful classic song!
Estimated dispatch 7-14 working days
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£98.00Molly on the Shore - Percy Grainger
No. 23 of Grainger's British Folk Music settings, Molly on the Shore is a rollicking treatment of a popular Irish Reel. It scampers and bounces its way through a succession of sonorous climaxes, accumulating an amazing collection of memorable counter themes as it goes along, before subsiding in a delicately scored coda that ends with a characteristic Grainger bang. An acclaimed classic, we are proud to offer this engraved and corrected edition of Molly on the Shore with a complete full score. Duration: 4' Key: Ab Ranges: Solo Cornet - C; Cornet - G; Horn - Ab; Trombone - Ab
Estimated dispatch 12-14 working days
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£75.50Interlude - Andrew Pearce
As a young man, Andrew Pearce had fond memories of playing cornet in the local Youth Brass Band, where he first experienced the power and beauty of brass music. After completing 'The Maestro' concertino for Philip Cobb, he decided to write a more gentle and lyrical piece for him, which paid homage to his musical roots in the Salvation Army. 'Interlude' is ideal for a proficient solo cornet player in any brass band: tuneful, reflective and elegiac with lots of expression.
Estimated dispatch 7-14 working days
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£76.99
Columbian Fantasy (War Song) - Rogers
A brilliant "theme and variations" solo for cornet (or euphonium) by Sousa Band cornet soloist Walter Rogers. Based on the famous Civil War tune "Tramp, Tramp, Tramp." Virtuosic!
Estimated dispatch 7-14 working days
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£140.50Molly On The Shore - Percy Aldridge Grainger
No. 23 offerainger's British Folk Music settings, Molly on the Shore is a rollicking treatment of a popular Irish Reel. It scampers and bounces its way through a succession of sonorous climaxes, accumulating an amazing collection of memorable counter themes as it goes along, before subsiding in a delicately scored coda that ends with a characteristic Grainger bang. An acclaimed classic, we are proud to offer this engraved and corrected edition of Molly on the Shore with a complete full score. Duration: 4' Key: Ab Ranges: Solo Cornet - C, Cornet - G, Horn - Ab, Trombone - Ab
Estimated dispatch 7-14 working days
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£68.00Oh, My Heart Belongs to Ireland (Concert Band - Score and Parts) - Swearingen, James
It's virtually impossible to visit Ireland without feeling an instant appreciation for the scenic countryside, the endearing charm of its many citizens, and for the deep-rooted history of the country's many crowning achievements. Solo trumpet/cornet (cued for euphonium) packaged with a brief, but optional, vocal solo highlights the beginning and ending of this beautiful piece. The middle section is pure Irish charm with a light and lively theme performed over the drones of bagpipes along with the rudimental sounds of drummers drumming. Simply stunning! Duration: 3.30
Estimated dispatch 7-14 working days
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£59.99
Eine Kleine Morgenmusik Wind Band Set (Score & Parts) - Fraser, Bruce
An "unintended" play on words on the title of Mozart's famous composition forms the basis of this solo piece. It was composed in 2004 by the Scottish composer, Bruce Fraser, and features a solo for flugel or cornet. It is not a very difficult piece for both the soloist and the band, but is that always necessary? A lovely, highly recommended intermezzo for your concert. 02:30
Estimated dispatch 7-14 working days
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