Results
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£60.00Fantasia on the Dargason (Mvt IV from Second Suite in F) (Flexible Ensemble - Score and Parts) - Holst, Gustav - Stanton, Scott
Scott Stanton's arrangement of this classic Gustav Holst band composition now makes Holst's entire Second Suite in F available in the Build-A-Band format. Playable with any instrumentation as long as you have the four main parts covered by the instrument of your choice, the arrangement includes optional piano, guitar, mallet percussion and percussion parts. Now bands with extreme instrumentation problems or groups of very small size can experience performing this staple of the concert band repertoire. A true classic!Duration: 2.45
Estimated dispatch 7-14 working days
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£84.50The Hobbit: An Unexpected Journey, Suite from (Concert Band - Score and Parts) - Shore, Howard - Wagner, Douglas E.
Faithfully presented in this exciting suite, these five movements from Howard Shore's brilliantly conceived original soundtrack capture the adventure, excitement, and tender moments of the first of the prequels to the epic Lord of the Rings trilogy. Includes: Old Friends and The Adventure Begins; Axe or Sword?; Song of the Lonely Mountain; The Dwarf Lords; Dreaming of Bag End.Duration: 9:00
Estimated dispatch 7-14 working days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£53.95Prelude (from Holberg Suite) (Concert Band - Score and Parts) - Grieg, Edvard - Lopez, Victor
From Grieg's Holberg Suite, Op. 40, this setting of the first movement is exciting and a true celebration of sound. It is easy to rehearse and will come together rather quickly. It may be used as an opener or closer in the programme. Enjoy this authentic-sounding short version from the beginning to the breath-taking finish. Regal in nature, this arrangement will be a cherished addition to the beginning band repertoire.Duration: 2:30
Estimated dispatch 7-14 working days
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£80.95Man of La Mancha, Suite from (Concert Band - Score and Parts) - Darion & Leigh - Williams, Justin
Man of La Mancha ran for 2,328 performances and won five Tony Awards, including Best Musical. Utilising symphonic as well as driving, Latin-pop styles, Justin Williams brings four of the most beloved numbers from the legendary musical to your concert ensemble. Rearranged for a new generation of players and listeners, you'll find fresh, new harmonies, catchy rhythms, and toe-tapping riffs in this fun and exciting arrangement. Filled with solos and driving Latin percussion, this suite is sure to be an instant classic with your concert band!Includes:The Impossible DreamMan of La ManchaDulcineaLittle Bird, Little BirdDuration: 5:45
Estimated dispatch 7-14 working days
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£53.95Ellan Vannin Suite (Concert Band - Score and Parts) - Wagner, Douglas E.
Tuneful folk songs and cheerful fiddle tunes abound on The Isle of Man (Ellan Vannin), located in the Irish Sea. Three of its finest musical gems are presented in Ellan Vannin Suite: "Sweetwater in the Common," "The Good Old Way," and "The Harvest of the Sea." Charming folk music set in a crafty medley for your beginners.Duration: 3:00
Estimated dispatch 7-14 working days
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£82.95Harry Potter and the Deathly Hallows, Part 1, Suite from (Concert Band - Score and Parts) - Desplat, Alexandre - Brubaker, Jerry
True to the Alexandre Desplat's energy-packed film score, Jerry Brubaker has scored Suite from Harry Potter and the Deathly Hallows, Part 1 at the concert band level for the discriminating high school band. With so many charming tunes, the medley includes "Hedwig's Theme," "Obliviate," "Ministry of Magic," "At the Burrow," "Dobby," "Detonators," "Farewell to Dobby," and closes with a dynamic impact featuring "The Elder Wand." This medley will bring the house down!Duration: 7.00
Estimated dispatch 7-14 working days
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