Results
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£50.00March (from First Suite in Eb) (Flexible Ensemble - Score and Parts) - Holst, Gustav - Stanton, Scott
The final movement from the Holst First Suite has been arranged in the Build-A-Band format by Scott Stanton, making this timeless band classic accessible to small or limited instrumentation ensembles. A top-notch selection for contest, festival or concert performance. Great music!Duration: 3.30
Estimated dispatch 7-14 working days
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£87.50The Hobbit: The Desolation of Smaug, Suite from (Concert Band - Score and Parts) - Shore, Howard - Lopez, Victor
A four-movement suite arranged for concert band that depict a very playable adaptation of the chilling, beautiful, and terrifying Howard Shore soundtrack. Including The Quest for Erebor, Winderland, Thrice Welcome, and In the Shadow of the Mountain, the arrangement brings out the excitement of the original tracks without compromising the integrity of the original score.Duration: 11:15
Estimated dispatch 7-14 working days
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£79.50Air and Rigaudon (from Holberg Suite Op.40) (Concert Band - Score and Part) - Grieg, Edvard - Lopez, Victor
Edvard Greig's "Air," in ABA form, is one of his most beautiful and tender works while the "Rigaudon" is a characteristically playful French baroque-style dance.Duration: 9:00This instalment concludes the complete Holberg Suite, Op.40 including: Praeludium; Sarabande and Gavotte with this Air and Rigaudon. All five movements may be performed in order as originally intended or independently.
Estimated dispatch 7-14 working days
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£72.99Passacaglia (from Suite No.7) (Concert Band - Score and Parts) - Handel, George Frideric - Longfield, Robert
Handel's Passacaglia from Suite No. 7 in G minor was originally written for harpsichord and consists of a series of variations over a repeating four-measure harmonic progression. In this masterful transcription by Robert Longfield, Handel's Baroque gem serves as a vehicle to showcase the colours and timbres of the modern concert band.Duration: 4:30
Estimated dispatch 7-14 working days
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£60.50Aria (de la Suite No.3) (Concert Band - Score and Parts) - Bach, Johann Sebastian - Bullock, Jack
One of Bach's most loved melodies, taken from Suite No.3 for String Orchestra is arranged in this sensitive setting without percussion. There are absolutely no technical concerns so you have the opportunity to make serious music with this emotional ballad.Duration: 3:15
Estimated dispatch 7-14 working days
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£50.00Chaconne (from First Suite in Eb) (Flexible Ensemble - Score and Parts) - Holst, Gustav - Stanton, Scott
The opening movement from the Holst First Suite is now available in the Build-A-Band format. This work is contrapuntal in nature and teaches the importance of independent playing. The flashy 16th note runs are scored for the mallets and snare drum, bringing the technical challenges within your students' abilities. A perfect selection to make your small band with limited instrumentation sound great! Optional parts for guitar, piano, bass and percussion fill out the band. Choose the best classic contest literature for your students!Duration: 4.30
Estimated dispatch 7-14 working days
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£60.00Fantasia on the Dargason (Mvt IV from Second Suite in F) (Flexible Ensemble - Score and Parts) - Holst, Gustav - Stanton, Scott
Scott Stanton's arrangement of this classic Gustav Holst band composition now makes Holst's entire Second Suite in F available in the Build-A-Band format. Playable with any instrumentation as long as you have the four main parts covered by the instrument of your choice, the arrangement includes optional piano, guitar, mallet percussion and percussion parts. Now bands with extreme instrumentation problems or groups of very small size can experience performing this staple of the concert band repertoire. A true classic!Duration: 2.45
Estimated dispatch 7-14 working days
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£84.50The Hobbit: An Unexpected Journey, Suite from (Concert Band - Score and Parts) - Shore, Howard - Wagner, Douglas E.
Faithfully presented in this exciting suite, these five movements from Howard Shore's brilliantly conceived original soundtrack capture the adventure, excitement, and tender moments of the first of the prequels to the epic Lord of the Rings trilogy. Includes: Old Friends and The Adventure Begins; Axe or Sword?; Song of the Lonely Mountain; The Dwarf Lords; Dreaming of Bag End.Duration: 9:00
Estimated dispatch 7-14 working days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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