Results
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£233.99First Symphony, Op. 35 - James Barnes
Composed during the summer and fall of 1974, Barnes' FIRST SYMPHONY, Op. 35 was his master's thesis at The University of Kansas. It was premiered in the spring semester of 1976 by their Symphonic Band, Robert E. Foster conducting. The following year, the symphony was awarded the American Bandmasters Ostwald Composition prize, which led to a second performance (of only the first two movements) by the Northwestern Wind Ensemble at the American Bandmasters convention with Col. Jack Cline (U.S Marine Band) conducting. Following this performance, Barnes submitted the work to several publishers, all of which declined on the basis it was too long and difficult to be marketable. For this reason, Barnes set the work aside and there it remained until 2022, when an offer came from the Osaka Shion Wind Orchestra to record all nine of Barnes'_x001A_symphonies to help celebrate their 100th anniversary. Barnes seized the opportunity, engraving all four movements, with revisions and corrections, an effort that took seven days a week for two months to complete. As a result, after almost fifty years, all nine of the Barnes symphonies are finally available for performance.
Estimated dispatch 7-14 working days
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£154.99Concertino for Clarinet - Franco Cesarini
Concertino for Clarinet and Wind Orchestra was commissioned by the Swiss Wind Band Association (SBV) to celebrate the "Year of the Clarinet 2015". In three sections, separated by cadenzas for the soloist, the work explores all aspects and characteristics of the clarinet. It includes virtuoso elements and dialogues between the other winds, as well as a beautiful slow movement, which makes this piece a musically challenging yet accessible piece for any audience.
Estimated dispatch 7-14 working days
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£137.70Song of the Koster Girls - Evert Taube
The author of Kosterflickornas visa "the Song of the Koster Girls" is Evert Taube (1890-1976). It is one of the 200 popular and beloved songs he wrote and which have made him one of Sweden's "national poets". His popularity and greatness is madeevident since he is honoured to be on the new 50 Kronor banknote which will be issued during 2015. The Koster islands are the most westerly inhabited part of Sweden. The islands are situated in the northern part of the county Bohusln, not far fromthe Norwegian border. The song text goes:Here is the sea that embraces our Bohusln islandsand carries our father and brother in a rocking boat.Come to the beach, come with me, come singby my sideout over Skagerack inthe calm summer night.The arrangement for flute and wind band is written by Jerker Johansson (born 1967), who is conductor of the Gteborg Wind Orchestra, which has made a CD-recording of the song with Evert Taube's son Sven-Bertilinterpreting his father's work.
Estimated dispatch 7-14 working days
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£164.99Hellas - Greek Suite - Istvan Bogar
This splendidly instrumented work successfully combines 20th-century musical language with the antique elements deriving from its theme - for example, in the first movement we immediately find an ancient Greek asymmetrical rhythm. The second movement takes us on an adventurous journey to those astonishing geological wonders, the Meteoras; the third movement presents a picture of the Delphic dancers, in its title the fourth movement indicates the form used in it, which preserves the unity between the thousands-of-years-old building and its contrasting environment, echoing to the music of the bouzouki. In the suite the composer expertly exploits the possibilities of instrumentation offered by the wind orchestra, this extremely effective work can be a rewarding concert piece for any ensemble. (Recorded by Mirasound on CD 'Salute from Hungary' wwm 500.009 for World Wind Music label - www.worldwindmusic.nl ).
Estimated dispatch 7-14 working days
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£97.99Music from Carmina Burana - Carl Orff
This arrangement of the world hit 'O Fortuna' is meant for youth wind orchestra and amateur ensembles, enabling amateur orchestras to impressively perform Orff's masterpiece. To this end, only common wind instruments, apart from double-bass and percussion, are used and all instruments only use easily playable registers. The scoring of the set of parts follows the usual instrumentation.
Estimated dispatch 7-14 working days
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£104.99Canterbury Chorale - Jan Van der Roost
This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composers own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of theEnglish city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases forseveral instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an "ad libitum" organ part adds an extra richness, colour and power to this piece, making it sound even more broad andgrand.
Estimated dispatch 7-14 working days
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£75.00Sherwood Folk (Concert Band - Score and Parts) - Anderson, Keiron
This piece was written for the Nottingham Wind Ensemble to celebrate 30 years of music making. The piece describes a party or celebration deep in Sherwood Forest with the legendary Robin Hood, Maid Marian and the Merry Men. The word "Merry" in those days meant following an outlaw or a leader rather than the way we use it today. The music invites us into the forest with a gentle modal oboe solo which is joined by other instruments as it proceeds to the party. Various melodic episodes introduce elements of folk and dance music from the whole of the British Isles before the music concludes with a recapitulation of the opening bars. The score is written in such a way as to allow bands with fewer resources to play the piece successfully, whilst ensuring a full wind orchestra orchestration is included. Duration: 4.00
Estimated dispatch 7-14 working days
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£154.99Concertino for Clarinet (Clarinet Solo with Concert Band - Score and Parts) - Cesarini, Franco
Concertino for Clarinet and Wind Orchestra was commissioned by the Swiss Wind Band Association (SBV) to celebrate the "Year of the Clarinet 2015". In three sections, separated by cadenzas for the soloist, the work explores all aspects and characteristics of the clarinet. It includes virtuoso elements and dialogues between the other winds, as well as a beautiful slow movement, which makes this piece a musically challenging yet accessible piece for any audience. Duration: 9.30
Estimated dispatch 7-14 working days
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£164.95Elgar Variations (Concert Band - Score and Parts) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95Elgar Variations (Concert Band - Score only) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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