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  • £16.95

    SKYRIDER (Concert March) (Prestige Concert Band Extra Score) - Sparke, Philip

    Extra Score. This concert march was commissioned by the BBC for the EBU (European Broadcasting Union) as their entry in the march style new music composition. This outstanding march was the outright winner. Grade 4. Performance time 3'40" (Recorded on QPRM150D CHIVALRY, Royal Northern College of Music Wind Orchestra)

    Estimated dispatch 7-14 working days

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  • £82.95

    SKYRIDER (Concert March) (Prestige Concert Band Set) - Sparke, Philip

    Score and Parts. This concert march was commissioned by the BBC for the EBU (European Broadcasting Union) as their entry in the march style new music composition. This outstanding march was the outright winner. Grade 4. Performance time 3'40" (Recorded on QPRM150D CHIVALRY, Royal Northern College of Music Wind Orchestra)

    Estimated dispatch 7-14 working days

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  • £114.95

    SOURCE (Journey of a Scottish River) (Prestige Concert Band - Score and Parts) - Fraser, Bruce

    Sub-titled Journey of a Highland River it is a descriptive work with thematic material derived from the composer's initials BCEFA. It basically attempts to describe the origins of a Highland river in a deep mountain cavern and it's subsequent journey as mountain stream gathering momentum as wends it's way to the rolling waves of the sea. Performance time 7'39' (Recorded on QPRM148D, VIZCAYA, Royal Northern College of Music Wind Orchestra)

    Estimated dispatch 7-14 working days

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  • £32.95

    SOURCE (Journey of a Scottish River) (Prestige Concert Band - Score only) - Fraser, Bruce

    Sub-titled Journey of a Highland River it is a descriptive work with thematic material derived from the composer's initials BCEFA. It basically attempts to describe the origins of a Highland river in a deep mountain cavern and it's subsequent journey as mountain stream gathering momentum as wends it's way to the rolling waves of the sea. Grade 5. Performance time 7'39' (Recorded on QPRM148D, VIZCAYA, Royal Northern College of Music Wind Orchestra)

    Estimated dispatch 7-14 working days

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  • £15.95

    TALES FROM ANDERSEN (Progress Concert Band Extra Score) - Ellerby, Martin

    Extra Score. Having immersed himself in a translated volume of the most popular Andersen fairy tales the composer selected five contrasting stories and shapes them into a miniature suite. The movements are:- 1. Overture - The Steadfast Tin Soldier. 2. Soliloquy - The Little Match Girl. 3. Scherzo - The Emperor's New Clothes. 4. Idyll - The Snow Queen. 5. Finale and Chorale - The Red Shoes. Duration: 9:25 (Recorded on QPRM150D CHIVALRY, Royal Northern College of Music Wind Orchestra)

    Estimated dispatch 7-14 working days

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  • £77.95

    TALES FROM ANDERSEN (Progress Concert Band) - Ellerby, Martin

    Having immersed himself in a translated volume of the most popular Andersen fairy tales the composer selected five contrasting stories and shapes them into a miniature suite. The movements are:- 1. Overture - The Steadfast Tin Soldier. 2. Soliloquy - The Little Match Girl. 3. Scherzo - The Emperor's New Clothes. 4. Idyll - The Snow Queen. 5. Finale and Chorale - The Red Shoes. Duration: 9:25 (Recorded on QPRM150D CHIVALRY, Royal Northern College of Music Wind Orchestra)

    Estimated dispatch 7-14 working days

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  • £95.00

    The Gilded Theatre (Concert Band - Score and Parts) - Hesketh, Kenneth

    The Gilded Theatre was commissioned by the National Youth Wind Orchestra of Great Britain on the occasion of its fortieth anniversary. They gave the first performance on 10th August 2008, at St. John's Smith Square, London conducted by James Gourlay.The Gilded Theatre can, in some ways, be seen as a continuation of dramatic forms as presented in a previous piece by Hesketh, Diaghilev Dances. Unlike the Dances, however the music in The Gilded Theatre is conceived as one continuous span and stretches of music are also subtitled and refer to stock characters or scenarios redolent of the commedia dell'arte or 17th Century French Theatre. The subtitles are Rideau, Les Idiots Ou Les Amants, Le Combat Commence, Desespoir, L'apparition, Folie, La Mort, Rideau.The music narrative progresses through dramatic, comedic, romantic and aggressive moods supporting the idea of the abstract play to which the the above subtitles refer. Throughout the piece the composer has sought to challenge the players both technically and emotionally, and it is the players themselves who are in fact the protagonists in the piece.

    Estimated dispatch 7-14 working days

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  • £74.95

    THREE PAINTINGS BY LAUTREC (Recommended!) (Programme Concert Band) - Johnson, Laurie

    (Recorded on QPRM150D CHIVALRY, (Royal Northern College of Music Wind Orchestra)

    Estimated dispatch 7-14 working days

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  • £64.99

    Christus factus est - Anton Bruckner

    Thomas Doss orchestrated this inspiring and very playable transcription of Christus factus est (WAB 11), the motet written by Bruckner in 1884, for wind orchestra. After Messe fr den Grndonnerstag from 1844 and a motet for eight-voice mixed choir, three trombones and string instruments ad libitum from 1873, this was Bruckner's third setting of the Latin gradual (Gregorian chant) of the same name. Wagner's influence can be clearly heard.

    Estimated dispatch 7-14 working days

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  • £256.00

    14 Motetten - Anton Bruckner

    Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.

    Estimated dispatch 7-14 working days

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