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  • £137.99

    The Gipsy Baron - Johann Strauss Jr.

    The operetta The Gipsy Baron is, together with Die Fledermaus (The Bat), the most famous theatre work by Johann Strauss Jr. A libretto full of romance, original musical ideas, compelling Viennese dances, fiery rhythmic Hungarian music and beautiful arias, were just some of the ingredients that lead to its huge success. The Gipsy Baron can also be thought of as a comic opera. The main motif of this overture won first prize in a contest that was to provide a new Hungarian anthem, however because Strauss did not have Hungarian nationality, another melody was chosen. A great transcription to bring a Hungarian twist to any programme.

    Estimated dispatch 7-14 working days

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  • £139.99

    The Saint and the City - Jacob de Haan

    This tumultuous composition tells the legend of the town of Zwolle in the Netherlands. In the waters surrounding Zwolle lived a dragon. When it appeared it threatened to destroy the town with it fiery breath if a human sacrifice was not offered. St Michael confronted the dragon in a battle without equal. As a knight armed with a double edged sword the archangel battled against the dragon and decapitated it. Thus the city was saved. To represent the archangel the composer has chosen the hymn tune Laudate Dominum . The dragon is symbolised by a series of menacing chords.

    Estimated dispatch 7-14 working days

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  • £129.99

    Aquarium - Johan de Meij

    The Suite 'Aquarium' is Johan de Meij's third composition for symphonic band and features six tropical fishes, each of them represented by a motif, and surfacing as such in several guises. The composition consists of three movements of which the second and third merge uninterruptedly into each other. I) Allegretto grazioso (Neon Tetra, Electric Eel and Angelfish) II) Andante / Adagio (Sea Horse and Zebrafish) III) Finale: Allegro giocoso (Guppy & Co.) The Neon Tetra motif functions as a kind of 'Leitmotiv' and descibes the beautifully coloured, frisky fish: A number of variants have been derived from this theme and will also appear in the other movements.The Electric Eel in fact is not represented by a motif, but by a rhythm based on the restless electric pulses made audible in some aquaria. The Angel fish is represented by elegant cluster chords. In the second movement the Sea Horse emerges out of the water vegetation and starts a dialogue with the Zebrafish, which is represented by one melodic phrase in unison, getting more and more threatening by added parallel fifths and octaves. Simultaneously with the Sea Horse motif the Neon Tetra theme emerges, this time in 3/4 time and in Eb minor. The third movement starts with only two instruments (trumpet and xylophone), but as it is often the case with Guppies their number rapidly increases. Piccolo and Alto Saxophone introduce the Guppy Theme followed by several instrumental combinations. Every theme from the first movement 'swims by' once more, after which the principal motif leads us to a brilliant ending.

    Estimated dispatch 7-14 working days

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  • £248.99

    Missa Brevis - Jacob de Haan

    Missa Brevis, written for choir and wind band, was commissioned by the Conseil Dpartemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX'sbirth in guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible:1. clarinet choir (from Eb Clarinet to BassClarinet)2. clarinet choir + saxophones3. brass (flugelhorns, horns, euphoniums, bass section)4. brass (2 trumpets / 2 trombones)5. double reeds (optional + flute, optional + string bass)6. tutti7. all winds8. allbrassIn a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band.Choral parts available separately.

    Estimated dispatch 7-14 working days

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  • £80.00 £80.00
    Buy from Peter Meechan Music

    ISS Flyover - Peter Meechan

    I.S.S Flyover was written in August 2012, when the International Space Station (I.S.S.) was visible in the sky over my home town of Manchester, UK. This is not an uncommon occurrence (www.heavens-above.com is a useful tool to help you find when the orbit of the I.S.S. passes over), but what was unique about this particular pass was that there would be astronauts carrying out repair work on the outside of the station.The idea that something that seemed to pass so quick in the skies above us juxtaposed with what must have seemed a slow, dangerous journey for the astronaut is what lead me to write this piece.The opening passage is a fast, ostinato driven section; the speed and energy that the I.S.S is perceived from earth. The middle section is desolate and sparse; the astronauts looking down on earth as they slowly orbit around the globe, the loneliness of space. The final section is a return to the original material - this time with even more momentum and drive, provided by the percussion.I.S.S. Flyover was commissioned by a Canadian consortium of: the University of Saskatchewan, Brandon University, the University of Calgary, Harmonie Laval, Memorial University of Newfoundland, the University of Prince Edward Island, the University of Toronto and Anthony Reimer, Calgary, Alberta. The work is dedicated to Darrin Oehlerking who organised the commission consortium.

    Estimated dispatch 5-14 working days

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  • £62.00

    Symphony for Wind Orchestra - Montage - Peter Graham

    Symphony for Wind Orchestra - Montage is a major new addition to the concert band repertory - an ideal work for concerts and festivals where music of stature and substance is required. Finely crafted and idiomatically scored, each of the three movements has a character of its own, yet they combine to make not just a satisfying whole, but a powerful, dramatic aural montage that will both delight and excite. Duration: 16 minutes USA Grade 6

    Estimated dispatch 7-14 working days
  • £51.00

    The Holly and the Ivy

    This setting of the beautiful holiday classic is accessible for very young bands. Its memorable melody, notated in a comfortable range, is passed around the sections of ensemble as the other parts play accompaniments that are interesting, yet not difficult. Written in bridge form, the piece begins softly, with soft sleigh bells and clarinets below the break, adding flutes, then brass, then building to a minor section and a very short percussion feature, making it a great opportunity introduce students to this form!

    Estimated dispatch 12-14 working days
  • £118.00

    Armed Forces The Pride of America! - Boskerck

    With theme songs from all five branches of the armed forces, stirring march themes from John Philip Sousa, and both the Pledge of Allegiance and National Anthem of the United States of America, Armed Forces - The Pride of America is sure to become a staple for patriotic programs. Arrangers Larry Clark and Greg Gilpin have taken great care in creating a uniquely flexible setting both in instrumentation and performance. Designed to be performed by band, orchestra, or chorus, separately or in any conceivable combination, ensembles need not be limited by size or instrumentation. Careful attention has also been paid to playability for ease of performance and rehearsal. An optional ending allows even further flexibility when performance time is a consideration and an optional narrator part can be used to invite rousing audience participation. This popular medley is sure to bring a stunning performance in almost any setting.

    Estimated dispatch 12-14 working days
  • £65.00

    New York - Nigel Hess

    New York - or to be more precise, Manhattan. For anyone who is familiar with this bizarre and wonderful city, here is a 'picture' that needs no explanation. For those not yet hooked this is a foretaste of things to come! This piece forms the final movement of 'East Coast Pictures', commissioned by the British Youth Wind Orchestra with funds from the National Westminster Bank plc. It is a suite of three short 'pictures' that were inspired by several visits to a small part of the American East Coast, an area that provides great extremes in the geography and the people.

    In stock: Estimated delivery 1-3 days
  • £36.95

    Coach Ride (Concert Band - Score and Parts) - Wiffin, Rob

    Coach Ride is a manic journey on a bus, obviously not taking in the M25! This fast and furious little piece in the style of Shostakovitch was originally written as an encore for the Buckinghamshire Symphonic Wind Ensemble. It is a romp of a coach ride during which the nursery rhyme The wheels on the bus go round and round makes an appearance.Duration: 3.30

    Estimated dispatch 7-14 working days

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