Results
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£128.00Aquarium (Concert Band - Score and Parts) - De Meij, Johan
The Suite Aquarium is Johan de Meij's third composition for symphonic band and features six tropical fishes, each of them represented by a motif, and surfacing as such in several guises. The composition consists of three movements of which the second and third merge uninterruptedly into each other. I) Allegretto grazioso (Neon Tetra, Electric Eel and Angelfish) II) Andante / Adagio (Sea Horse and Zebrafish) III) Finale: Allegro giocoso (Guppy & Co.) The Neon Tetra motif functions as a kind of 'Leitmotiv' and describes the beautifully coloured, frisky fish: A number of variants have been derived from this theme and will also appear in the other movements. The Electric Eel in fact is not represented by a motif, but by a rhythm based on the restless electric pulses made audible in some aquaria. The Angel fish is represented by elegant cluster chords. In the second movement the Sea Horse emerges out of the water vegetation and starts a dialogue with the Zebrafish, which is represented by one melodic phrase in unison, getting more and more threatening by added parallel fifths and octaves. Simultaneously with the Sea Horse motif the Neon Tetra theme emerges, this time in 3/4 time and in Eb minor. The third movement starts with only two instruments (trumpet and xylophone), but as it is often the case with Guppies their number rapidly increases. Piccolo and Alto Saxophone introduce the Guppy Theme followed by several instrumental combinations. Every theme from the first movement 'swims by' once more, after which the principal motif leads us to a brilliant ending.Duration: 9.00
Estimated dispatch 7-14 working days
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£134.99Rhapsody (Flugel Horn or Trumpet Solo with Concert Band - Score and Parts) - Waignein, Andre
As a trumpet player Andre Waignein has composed many pieces for this instrument; extremely electrifying pieces meant for young trumpet-players, and more demanding works for professionals.With his rhapsody Andre Waignein wanted to compose a piece in which spontaneity dominates and in which the virtuosity, sonority and style of the soloist is featured to its maximum. Although the piece is not one of the most difficult, it nevertheless places high musical demands on the soloist. Following an impressive orchestral opening the soloist comes to the fore, with long phrases followed by more dynamic and rhythmic passages. The second movement gives evidence of extreme sensitivity and offers the soloist the opportunity to prove that the trumpet (flugel horn) can be a stirring and emotional instrument. The third movement is the most spectacular. The orchestra actively participates with increasingly delicate interventions. The soloist can display all the possibilities offered to him by his instrument. With a long sostenuto on the trumpet (flugel horn) the beautiful rhapsody ends.Duration: 6:00
Estimated dispatch 7-14 working days
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£59.95Variations VIII & IX (From Enigma) (Concert Band - Score and Parts) - Elgar, Edward - Brand, Geoffrey
Elgar's Variations for orchestra were written during 1898-9; they are dedicated "To my friends pictured within" Each of the 14 variations is a musical portrait to one of the composer's friends. Over the 17 bar theme which inspired the Variations, Elgar wrote the word ENIGMA. Later he said, "The ENIGMA I will not explain - its "dark saying" must be left unguessed" In Variation VIII W.N. is Winifred Norbury. In 1897 local friends organised a choral and orchestral society for Elgar to conduct. The secretaryship of The Worcester Philharmonic, as the society was called, was shared by two ladies, of whom W.N.. was one She has been described as "very sedate and calm, rather like a kind governess with Elgar, but had a sense of humour - and a laugh, rather like a deep bell". Variation IX Nimrod is Elgar's deeply felt tribute toA.J.Jaeger, his German-born friend who worked for the publisher Novello and Co. His sincere support meant a great deal to Elgar. Jaeger, in German, means "hunter". Elgar concealed this in the nickname Nimrod. The variation has become extremely popular and is often played on thoughtful occasions. In this arrangement, either W.N. or Nimrod can be played alone. However, in the Variations they are linked by Elgar in an inspired manner.
Estimated dispatch 7-14 working days
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£11.95
Variations VIII & IX (From Enigma) (Concert Band - Score Only) - Elgar, Edward - Brand, Geoffrey
Elgar's Variations for orchestra were written during 1898-9; they are dedicated "To my friends pictured within" Each of the 14 variations is a musical portrait to one of the composer's friends. Over the 17 bar theme which inspired the Variations, Elgar wrote the word ENIGMA. Later he said, "The ENIGMA I will not explain - its "dark saying" must be left unguessed" In Variation VIII W.N. is Winifred Norbury. In 1897 local friends organised a choral and orchestral society for Elgar to conduct. The secretaryship of The Worcester Philharmonic, as the society was called, was shared by two ladies, of whom W.N.. was one She has been described as "very sedate and calm, rather like a kind governess with Elgar, but had a sense of humour - and a laugh, rather like a deep bell". Variation IX Nimrod is Elgar's deeply felt tribute toA.J.Jaeger, his German-born friend who worked for the publisher Novello and Co. His sincere support meant a great deal to Elgar. Jaeger, in German, means "hunter". Elgar concealed this in the nickname Nimrod. The variation has become extremely popular and is often played on thoughtful occasions. In this arrangement, either W.N. or Nimrod can be played alone. However, in the Variations they are linked by Elgar in an inspired manner.
Estimated dispatch 7-14 working days
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£70.00Creed (Concert Band - Score and Parts) - Himes, William
A creed is a statement of belief. This piece, while not literally programmatic, seeks to convey a sense of affirmation and trust, ideals considered to be the basis of humanity. The result is music which is descriptive and atmospheric, conjuring a variety of moods ranging from reflection to exultation.Duration: 4.45
Estimated dispatch 7-14 working days
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£74.99Discoduction (Concert Band - Score and Parts) - De Haan, Jacob
Jacob de Haan especially composed this piece for the by now well-known C.D. Soli Brass. Not just a C.D. opener, this piece is an excellent concert starter. The title is a combination of the words Introduction and Disco. The composition is made up of a majestic opening, following in a section in disco style based on the same themes.Duration: 1:30
Estimated dispatch 7-14 working days
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£89.95First Blow - Level 1 (Value Set) - Waites, Ernie
The Value Set includes a score and 1 of each part.The aim of the book is to encourage group-playing in the early stages of learning. To this end, all the parts are deliberately simple and stick strictly to the four parts in the score. In addition there is percussion part (for which instruments should be chosen for each piece) and two learner parts (flute and trombone) for players who have learned only a handful of notes.Dynamics are not given - teachers should allow the players to try the pieces at different levels.The book is suitable for wind of brass bands (of a mixture of both!) and so far as possible, an equal number of players should be allocated to each part. If there is a lack of one of the parts, this part can be reinforced on piano, playing from the score.If clarinet players of a higher standard are available, they may prefer to play the 'upper octave' parts as this will brighten the overall sound of the band.Voices:Part 1 in C, Bb, Bb Upper Octave, EbPart 2 in Bb, Bb Upper Octave, Eb, FPart 3 in Bb, Bb Upper Octave, Eb, F, C BC, Bb BCPart 4 in Bb, Eb, C BC, Bb BC, Eb BCPercussionLerner FluteLerner TrombonePieces include:MarchPolkaShipsHymnCzardasStudy No.1NightfallStudy No.2CharlestonWaltzSlapstick
Estimated dispatch 7-14 working days
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£19.95
First Blow - Level 1 (Piano Conductor Score) - Waites, Ernie
The aim of the book is to encourage group-playing in the early stages of learning. To this end, all the parts are deliberately simple and stick strictly to the four parts in the score. In addition there is percussion part (for which instruments should be chosen for each piece) and two learner parts (flute and trombone) for players who have learned only a handful of notes.Dynamics are not given - teachers should allow the players to try the pieces at different levels.The book is suitable for wind of brass bands (of a mixture of both!) and so far as possible, an equal number of players should be allocated to each part. If there is a lack of one of the parts, this part can be reinforced on piano, playing from the score.If clarinet players of a higher standard are available, they may prefer to play the 'upper octave' parts as this will brighten the overall sound of the band.Voices:Part 1 in C, Bb, Bb Upper Octave, EbPart 2 in Bb, Bb Upper Octave, Eb, FPart 3 in Bb, Bb Upper Octave, Eb, F, C BC, Bb BCPart 4 in Bb, Eb, C BC, Bb BC, Eb BCPercussionLerner FluteLerner TrombonePieces include:MarchPolkaShipsHymnCzardasStudy No.1NightfallStudy No.2CharlestonWaltzSlapstick
Estimated dispatch 7-14 working days
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£73.50El Aguila de Oro (The Golden Eagle) (Concert Band - Score and Parts) - Bullock, Jack
Subtitled "The Golden Eagle," this dynamic march has a Latin flavor to spice up your program. Included is a charming Mariachi section to compliment the style. A dynamic choice that really sparkles, not a 'regular' march! Duration: 3.00
Estimated dispatch 7-14 working days
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£154.99
Achnaton Wind Band Set (Score & Parts)
The Egyptian pharaoh Amenhotep IV, better known as Achnaton, was the second son and successor of Amenhotep III. He reigned the New Kingdom from 1353 until 1336 BC. Achnatons lack of interest in the economic well-being of Egypt ushered in a revolutionary period in Egyptian history. His harsh reign induced much suffering under the population. During this period when it was customary for a pharaoh to have many wives, he had taken his cousin Nefertete to reign as queen at his side. An elegant and very beautiful woman, she used her influence to ease the turmoil caused by Achnaton. Combined with her grace, her presence at public functions led to a greater popularity among her subjects than the pharaoh enjoyed himself. Being mostly preoccupied with religious questions, he declared that all the other gods did not exist. There was only one god, the Aten, and it was the sun itself. It was now necessary to change his name: 'Amenhotep' meaning 'the god Amun is satisfied', because he didnt want to be associated with Amun or any of the other deities. He renamed himself 'Achnaton' which means 'servant of the Aten' -- a much more appropriate title! In the sixth year of his reign Achnaton also moved the capital to a brand new city called Achet-Aton ('the Horizon of the Aten') which was where Tel el-Amarna stands today. He did this to further isolate himself from the 'old' religion, since the previous capital Thebes was the centre of worship of Amun. This new religion created an up rise among the population and high priests. In spite of Nefertetes influence, the falling economy and religious conflict resulted in the decline of the Egyptian empire. Hoping to forget it ever happened, people later tried to eradicate all traces of Achnaton and his successors rule by smashing their statues, mutilating their mummies, and ruining their relief carvings. From that moment on he was remembered as the 'heretic king'. This composition was partially funded by the 'Prins Bernhard Cultuurfonds'. 09:00
Estimated dispatch 7-14 working days
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