Results
-
£149.99...the quest for peace... (Concert Band - Score and Parts) - Sparke, Philip
...the quest for peace... is a tribute to the politician Adlai E. Stevenson (1900-1965),a former Governor of Illinois who spent much of his working life striving for peace during the ominous and troubled years of the Cold War. This majestic and noble work portrays the strength of character with which Stevenson dealt with the crisis between the USA and the USSR during this troubled time. A truly fitting tribute to this great man.Duration: 8:30
Estimated dispatch 7-14 working days
-
£60.99Heroic Tribute - James Curnow
The grand and energetic opening, contrasting styles, careful attention to articulations, and rich harmonies make this one sound more advanced than it actually is. Consider using Heroic Tribute as the opening piece for your young band festival performance. The easy but bright and colorful Percussion, along with excellent use of the Woodwind and Brass sections, make this an ideal contest piece. There are plenty of teaching opportunities packed into this majestic new mini-overture for young bands. In fact, even if your band usually plays higher grade level music you should still give this one serious consideration. Occasionally it's good idea to rehearse a high-quality easiercomposition, where your entire ensemble can concentrate fully on ensemble playing, phrasing, tone quality, etc. and not worry about just chasing notes. This piece provides great cross-curricular teaching opportunities with history.A great teaching piece as well as a gem in performance!
Estimated dispatch 7-14 working days
-
£149.99...the quest for peace... - Philip Sparke
...the quest for peace... is a tribute to the politician Adlai E.Stevenson (1900-1965),a former Governor of Illinois who spent much of his working life striving for peace during the ominous and troubled years of the Cold War.This majestic and noble work portrays the strength of character with which Stevenson dealt with the crisis between the USA and the USSR during this troubled time.A truly fitting tribute to this great man.
Estimated dispatch 7-14 working days
-
£82.50Festival Tribute - Robert E. Foster Jr.
Festival Tribute was written to honor John Cisetti, a tremendous educator, role model, and well-respected band director. This outstanding work is perfect as either a concert opener or closer, featuring mixed meters, a contrasting chorale section, and several percussion soli sections. Its a thrilling piece that will highlight your band at concerts or festivals.
Estimated dispatch 7-14 working days
-
£55.00Tribute (Concert Band - Score and Parts) - Cross, Travis J.
A beautifully lyrical piece for wind band, the graceful melodic lines and expressive figures make Tribute a touching addition to any concert. Although playable by younger groups, the full symphonic scoring will certainly make this sound glorious with advanced ensembles as well.Duration: 4:30
Estimated dispatch 7-14 working days
-
£82.50In Quiet Tribute - Larry MacTaggart
A moving musical tribute. In this emotional work, a melancholy flute solo, supported and enhanced by changing instrumental colors and textures, leads the way. Lyric and colorful, this powerful musical statement provides developing bands the means to improve musically. An excellent choice for contest or festival performances.
Estimated dispatch 7-14 working days
-
£52.95Tribute for Band (Concert Band - Score and Parts) - Butterfield, Daniel - Miller, Michael J.
Tribute for Band is a thoughtful patriotic piece based on the famous civil war bugle call Taps, and pays homage to the men and women of the United States Armed Forces. Playable by bands of any age or experience, hints of several well known patriotic melodies are heard. Duration: 2.30
Estimated dispatch 7-14 working days
-
£52.95Tribute For Band - D. Buttersfield
Tribute for Band is a thoughtful patriotic piece based on the famous civil war bugle call "Taps," and pays homage to the men and women of the United States Armed Forces. Playable by bands of any age or experience, hints of several well known patriotic melodies are heard. (2:10)
Estimated dispatch 7-14 working days
-
£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
-
£89.99Aviation march - Wilco Moerman
Mankind has always had the desire to fly. Initially we tried to imitate birds to fly, which eventually resulted in the invention of balloons, airships, gliders and powered aircrafts. The first airship in the world that could fly in a controlled way, was invented by Henri Giffard. This airship flew on September 25, 1852 from Paris to Trappes. The ship was 43 meters long and flew 8 km per hour over a distance of 27 km. Other key names for the many changes and developments of the aviation industry, are the Wright brothers on December 17, 1903 with their first motorized flight, of 12 seconds over a distance of 37 meters with a homemade motorized aircraft called the Flyer. Later the same day this record was improved by a flight of 60 seconds over a distance of 260 meters. The first flight across the Channel between England and France was made by Louis Blriot on July 25, 1909. The distance of about 45 km was covered in a time of 37 minutes. In 1910, the first woman, a French pilot (Raymonde de LaRouche), made her first solo flight. She was also the first woman who got a license to fly.This march is a tribute to the many years of development within the aviation industry and gives voice of the pride, the romance, the heroism and the status of this way of transportation.
Estimated dispatch 7-14 working days
View Music