Results
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£94.95Alloway Tales (Concert Band - Score and Parts) - Graham, Peter
Scotland's greatest storyteller, Robert Burns, was born in Alloway, near Ayr in 1759, and died in 1796. This arrangement of three of his best songs includes an optional part for speaker (Scots accent preferred!) The first song is a portrait of Duncan Gray, who rides into the village to woo Maggie. After some initial misgivings on Maggie's part, wedding bells are in the air, and both live happily ever after. The second portrait is of Mary Campbell, who lies asleep by the gently flowing Afton Water. This is one of the most beautiful of Burns' settings, and in this arrangement the flugel horn is featured. The final song, The Devil's awa wi th' Exciseman, sees the scourge of the village, the customs man, spirited away by the Devil in a flurry of dust and hooves. They leave behind some very happy villagers who waste no time in celebrating their good fortune with jigs, drums and fun galore.
Estimated dispatch 7-14 working days
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£82.50
Winter Dances (Concert Band - Score and Parts) - Carroll, Fergal
A work to make new friends for wind music with its ravishing orchestration, rhythmical nuance and vibrant, lucid textures. Carroll's keen ear for sonority, stylish elegance and quality of ideas are a breath of fresh air. December, lyrically reflective with gentle seasonal hints, is flanked by faster movements, tingling with buoyant excitement that never overplays its hand. This is a winter of sparkling enchantment, not hibernation. A delight.Duration:8.30
Estimated dispatch 7-14 working days
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£62.95Wings and Shield (Concert Band - Score and Parts) - Brubaker, Jerry
This magnificent march is dedicated to the men and women who perform Air Sea Search and Rescue in the United States Coast Guard. An innovative flourish launches the soaring melodies associated with the bravery demonstrated on each mission.Duration: 2:45
Estimated dispatch 7-14 working days
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£134.99Gulliver's Travels (Concert Band - Score and Parts) - Appermont, Bert
The book Gullivers Travels (1726) by author Jonathan Swift formed the provocation for writing this composition. Even though this composition isnt a literal representation of the original story, a number of elements were still retained. The ships doctor Gulliver finds himself in 4 (fictive) areas, each with their own inhabitants and customs. Each part of this suite also received the name of one of these areas:I. Lilliput The enterprising Lilliputians are represented by a playful, common theme in the first part.II. BrobdingnagIn the land of "Brobdingnag" Gulliver is carried off by gigantic giants, which you hear approaching with the sounds of the bassinstruments. The same theme is constantly repeated and quickened in order to increase the tension.III. LaputaLaputa is an island that floats in the air; its inhabitants are strange people with slanting heads. The dreamy, special atmosphere is especially well conveyed here.IV. The HouyhnhnmsFinally Gulliver finds himself in the land of the Houyhnhnms, where intelligent and noble horses rule over the primitive, undeveloped people (yahoos). The trumpets in the brilliant opening express the galloping horses; the gallant theme that follows (horns and trombones) symbolises the primitive yahoos. The whole composition ends with a big finale.I intentionally tried to limit the degree of difficulty of Gullivers Travels. Despite this I think that this work can appeal to many orchestras due to the colourful orchestration (cues are provided where needed), the simple and clear theme and the highly imaginative breeding ground of a beautiful story around which this composition is built." Duration: 8:00
Estimated dispatch 7-14 working days
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£32.95New World Dances (Concert Band - Score only) - Ellerby, Martin
Cast in three short movements the work endeavours to recreate the pioneering spirit of the journey across America (the then 'New World') as this vast continent was opened up and its wonders exposed. The three dance episodes that make up the suite are symbolic in an analogous sense to this 'reaching' principle: the first - Earth Dance - is a vigorous overture, pushing out the frontiers; the interlude - Moon Dance - contemplates the huge distances to be crossed and Sun Dance represents the realisation of the American dream, rhythmic and full of energy. Written in affectionate tribute to America and its people, New World Dances was rather symbolically completed on July 4th!Grade 6Performance time 8'45"Recorded on QPRM134D The Kings Go Forth, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£194.95
New World Dances (Concert Band - Score and Parts) - Ellerby, Martin
Cast in three short movements the work endeavours to recreate the pioneering spirit of the journey across America (the then 'New World') as this vast continent was opened up and its wonders exposed. The three dance episodes that make up the suite are symbolic in an analogous sense to this 'reaching' principle: the first - Earth Dance - is a vigorous overture, pushing out the frontiers; the interlude - Moon Dance - contemplates the huge distances to be crossed and Sun Dance represents the realisation of the American dream, rhythmic and full of energy. Written in affectionate tribute to America and its people, New World Dances was rather symbolically completed on July 4th!Grade 6Performance time 8'45"Recorded on QPRM134D The Kings Go Forth, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£137.95Sinfonietta No.1 (Concert Band - Score and Parts) - Sparke, Philip
Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£27.95
Sinfonietta No.1 (Concert Band - Score only) - Sparke, Philip
Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£44.95Now is the Day (Concert Band - Score and Parts) - Fraser, Bruce
Warlike, then noble, Now is the Day is based on the great figure in Scottish history - William Wallace, often called Braveheart. Opening with the woodwinds playing drums along with the percussion section against brass fanfares, this piece will create an air of excitement. An alto saxophone solo provides a brief moment of solace between the battle scenes.
Estimated dispatch 7-14 working days
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£8.95
Now is the Day (Concert Band - Score Only) - Fraser, Bruce
Warlike, then noble, Now is the Day is based on the great figure in Scottish history - William Wallace, often called Braveheart. Opening with the woodwinds playing drums along with the percussion section against brass fanfares, this piece will create an air of excitement. An alto saxophone solo provides a brief moment of solace between the battle scenes.
Estimated dispatch 7-14 working days
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