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  • £204.99

    The Mission Theme (from NBC News) - John Williams

    Commissioned by the NBC News Division for their Nightly News featuring Tom Brokaw, this signature theme has become one of the most often heard melodies on the air waves. Remembering the tapping of Morse code signals and also the clatter of the old ticker tape machines, Mr. Williams starts the music with references to these pre-Internet means of news delivery while providing a rhythmic pulse for the powerful main theme. Performance time - ca. 3:30

    Estimated dispatch 7-14 working days
  • £109.99

    Undercurrents - Robert Buckley

    Undercurrents provides an electrifying, virtuosic showcase for the whole ensemble - featuring a series of solos, duets and trios, as well as highlighting the various chamber sections within the band. The music was inspired by watching schools of fish and flocks of birds perpetually moving with the ocean currents and air currents. Every once in a while a single solo shape will appear - or two or three - they dance apart for a moment and then are drawn back into the ensemble. Commissioned by the Naden Band of the Royal Canadian Navy, Victoria, BC, this is a powerful tour-de-force from beginning to end. Dur: c. 6:30.

    Estimated dispatch 7-14 working days
  • £214.99

    Symphony No. 3 - Alfred Reed

    We are proud to publish Alfred Reed's Third Symphony. From the intensity of the opening meovement to the exquisite counterpoint of the finale, Dr. Reed draws the most from the resources of the contemporary concert band. Written for the U.S. Air Force Band, this powerful three-movement work is certain to be a lasting contribution to the world of band literature.

    Estimated dispatch 7-14 working days
  • £79.99

    A Glorious Day - Albert Roussel

    Acclaimed French composer Albert Roussel is known today for his famous pupils, Erik Satie and Edgard Varse, as well as for his own marvelous works. Composed specifically for the famed Goldman Band and premiered in 1933 in New York City, A Glorious Day is an invigorating work written in a modified overture format of fast-slow-fast. Mark Fonder's critical edition provides a rare opportunity to play a pre-WWII original band work, and is an important addition to the literature for contemporary wind bands. Dur: 6:10 Recorded by The United States Air Force Concert Band, Washington D.C., Lieutenant Colonel Lowell E. Graham, Commander/Conductor. From the recording Songs of the Earth BOL-9706

    Estimated dispatch 7-14 working days
  • £94.99

    La Rodana - Ferrer Ferran

    The Spanish "Pasacalle" is a very characteristic genre of Spanish musical tradition. It resembles the march but is more majestic and represents the air of pretentiousness that is so typical for the Spanish male character of the sixties. This composition is not only an example of this kind of musical genre, but it also reminds us of the most typical Spanish celebration of all - the bullfight. Take your audience away to a balmy summer night in the bullring with this great new paso doble.

    Estimated dispatch 7-14 working days
  • £82.80

    Bravery - Carlos Amarelinho

    This concert overture is a tribute to all those heroes who protect us and fight for us against all adversities, such as the firefighters, Navy, Air Force, police, medical emergencies and for all the people who make your life the protection of ours.

    Estimated dispatch 7-14 working days

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  • £39.95

    Bass in the Ballroom - Roy Newsome

    Recorded on QPRM119D Festival of Music 1992, Massed Bands of the Royal Air Force.

    Estimated dispatch 7-14 working days
  • £60.99

    Free Day - Brian Connery

    This cheerful and varied piece is characterised by its ABA form. The first motif is developed with energy and vigour right from the start. The second movement is more serious and exudes an air of romance too. The third and final movement takeselements of the introduction, which together with a rather complex rhythmic line, lead to a triumphant conclusion.

    Estimated dispatch 7-14 working days

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  • £134.99

    Gulliver's Travels - Bert Appermont

    The book Gullivers Travels (1726) by author Jonathan Swift formed the provocation for writing this composition. Even though this composition isnt a literal representation of the original story, a number of elements were still retained. The shipsdoctor Gulliver finds himself in 4 (fictive) areas, each with their own inhabitants and customs. Each part of this suite also received the name of one of these areas:I. Lilliput The enterprising Lilliputians are represented by a playful, common themein the first part.II. BrobdingnagIn the land of "Brobdingnag" Gulliver is carried off by gigantic giants, which you hear approaching with the sounds of the bassinstruments. The same theme is constantly repeated and quickened in order to increase thetension.III. LaputaLaputa is an island that floats in the air; its inhabitants are strange people with slanting heads. The dreamy, special atmosphere is especially well conveyed here.IV. The HouyhnhnmsFinally Gulliver finds himself in the land of theHouyhnhnms, where intelligent and noble horses rule over the primitive, undeveloped people (yahoos). The trumpets in the brilliant opening express the galloping horses; the gallant theme that follows (horns and trombones) symbolises the primitiveyahoos. The whole composition ends with a big finale.I intentionally tried to limit the degree of difficulty of Gullivers Travels. Despite this I think that this work can appeal to many orchestras due to the colourful orchestration (cues areprovided where needed), the simple and clear theme and the highly imaginative breeding ground of a beautiful story around which this composition is built."

    Estimated dispatch 7-14 working days

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  • £49.95

    A Life Well Lived (Concert Band - Score and Parts) - Wiffin, Rob

    A Life well lived was commissioned by the Morrish family in 2023 on the death of Ian Morrish. It is dedicated to them with the inscription in loving memory of Ian.I knew Ian from early days at Southall Citadel Salvation Army Corps and then our paths crossed again briefly when I joined the Central Band of the Royal Air Force. Ian had been a euphonium player in the band for many years and was about to leave to take up a teaching post in Surrey. He was always very involved in choral music, conducting choirs throughout his life. I therefore wanted to keep this piece song-like and actually started with the song which appears from letter D to the end, which can always be performed on its own. From there I used the rising octaves that introduce the song to form the beginning of the work, with the feeling in the back of my head of a river starting to flow. There is nothing referential in the more dramatic sections towards the beginning, but every life has its dramas and I wanted something to give some balance to the tranquil nature of much of the piece. In the middle of the work I use a little motif taken from a song I remember Ian singing in his floating tenor voice. I develop the motif a little as an accompaniment to a new line which has, for me, a sense of purpose and directness and has an oblique reference to the RAF March Past. This builds to the aforementioned song and from there the music flows with its highs and lows to its peaceful conclusion.- Rob WiffinDuration: 3.30

    Estimated dispatch 7-14 working days

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