Results
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£48.95A Canadian Ballad (Concert Band - Score and Parts) - Sheldon, Robert
The traditional Newfoundland lyric ballad, She's Like a Swallow, is presented for band with all the passion and emotion it deserves. This tragic tale has many interpretations, but in all its forms is certainly a story of love and loss. A Canadian Ballad provides young bands with an opportunity to play with great colour and expression, bringing a moment of repose and lyricism to any concert performance.
Estimated dispatch 7-14 working days
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£46.00Ghosts, Goblins and Witches (Concert Band - Score and Parts) - Swearingen, James
This exciting suite for young band has all the magical ingredients necessary to bring about an entertaining experience for that special concert. Instruments scored where they sound best, clever melodic lines and a wide variety of percussion sounds all combine to create a composition that will deliver musical impact from beginning to end. From the first fall performance for your parent group to concert programming throughout the winter and spring, this suite will be a real crowd pleaser!
Estimated dispatch 7-14 working days
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£41.50Kingdom Adventures (Concert Band - Score and Parts) - Hinkel, Joshua
We can all recall family adventures and outings throughout our childhood that led us to enchanting and magical places where the impossible came to life and reality seemed like only a distant memory. Kingdom Adventures is an exciting composition that portrays the youthful spirit of exploring a magical kingdom, and reminds us of the careless wonders and experiences that highlight the memories of childhood. As you enter the kingdom, the majestic walls protect the stoic castle that stands in the midst of the kingdom. Inside the castle, every twist and turn of the castle's hallways offers the possibility of something amazingly new and exciting. One cannot help but to be transported into another place and time as they experience all that the magical kingdom has to offer!Duration: 2.15
Estimated dispatch 7-14 working days
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£56.50Mother Goose Suite (Concert Band - Score and Parts) - Ravel, Maurice - Turner, Jeffrey E.
Ravel wrote the Mother Goose Suite for two children who were very special to him. His fascination with the wonder and imagination of childhood are evident in this piece. This arrangement will take your young band on a journey through the enchanted world of fairy tales - from the reflective Sleeping Beauty Pavane, to the playful Tom Thumb, the exotic Empress of the Pagoda, through the courtship of Beauty and the Beast, and concluding where all fairy tales must, with a happily-ever-after ending in The Fairy Garden. This piece is an excellent vehicle for featuring your soloists, and the well- rafted orchestration will showcase the wealth of sound and colours in any band. Being generously cued, even smaller bands will be able to enjoy Ravel's music. Mother Goose Suite is sure to delight the child in all of us.Duration: 5.15
Estimated dispatch 7-14 working days
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£159.991834 (Machera Impressions) (Concert Band - Score and Parts) - Van der Roost, Jan
The twofold title of this concert work is directly connected with the band who commissioned it. The 'Harmonie Municipale Grevenmacher' - from the town of the same name, by the river Moselle in the Grand Duchy of Luxembourg - was founded in the year 1834. The name Machera is derived from the word machara, which in turn originated from maceries (old wall). Later, Machera evolved into Machern, Grafenmachern, and finally Grevenmacher. In 2009, this music society - the third oldest still in existence in the country - celebrated its 175th anniversary. And after all these years the society still flourishes! The dynamic committee, led by Georges May, fully supports and inspires the musical leader of the band, Claude Weiland, as well as his 60-strong ensemble. This well-functioning team took the initiative to ask Jan Van der Roost to write an anniversary composition, inspired, on the one hand, by the rural character of Grevenmacher and its surroundings (where the famous Moselle wine growing dominates the countryside), and on the other hand, by the dynamics, creativity and joie de vivre the band exudes. All of this resulted in a twofold work with alternating peace and excitement, virtuous and melodic features, orchestral splendour and soberly orchestrated passages. The premire, on 10 January 2010, was conducted by the composer himself at a successful gala concert which brought a fine year full of musical festivities to a close. The 'Harmonie Municipale Grevenmacher' faces the future with confidence, and will now prepare for its next milestone: the 200th anniversary!Duration: 11:00
Estimated dispatch 7-14 working days
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£137.99From the Highlands (Concert Band - Score and Parts) - Putz, Marco
Enjoying his travels in Scotland, Marco Putz decided to compose a piece for wind band, based on Scottish folk songs. While in the airport at Glasgow, shortly before boarding his plane, Putz bought a collection of folk melodies from all over Scotland that had been arranged for flute. At first he harmonised several melodies in his own style, then he began to alter the resulting pieces (especially rhythmically). Eventually Putz added passages here and there and orchestrated the piece for wind band. Putz's resulting composition is an educational work that is both enjoyable and appealing to players of all ages, although it was written with young bands in mind. From the Highlands is part of a project to increase the repertoire available to youth and school bands, both in quantity and quality; an important personal and musical goal for the composer. This is Putz's third contribution of this sort to be added to the De Haske catalogue, following his successful Arrows of Lightning and Four Sketches for Band.Duration: 7:45
Estimated dispatch 7-14 working days
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£144.99Ministry of Winds (Concert Band - Score and Parts) - De Haan, Jacob
Ministry of Winds provides some interesting food for thought that Jacob de Haan translates into music. What if there was a Ministry of Winds? It would be in charge of the advancement and dissemination of music throughout the nation, as well as strengthening the state through music and providing its citizens with entertainment, support, comfort and joy. All these aspects are mirrored in Jacob de Haan's composition, culminating in all the joy and happiness the creation of this ministry has provided to the people.Duration: 8:30
Estimated dispatch 7-14 working days
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£48.95Cold Brook March (Concert Band - Score and Parts) - O'Reilly, John
Cold Brook March is perfect for your band's first Concert. The ranges are comfortable for all instruments and the second clarinets never cross the break. Fun, syncopated rhythms provide a great deal of interest throughout. Short percussion solos introduce both the first strain and the second strain which is in the contrasting relative minor key. The break up strain pits the woodwinds against the brass with the percussion section holding it all together.Duration: 2.30
Estimated dispatch 7-14 working days
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£164.95Elgar Variations (Concert Band - Score and Parts) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95Elgar Variations (Concert Band - Score only) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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